| Reference : COVID-19 Crisis: Response-Ability and Responsibility of Theatre |
| Parts of books : Contribution to collective works | |||
| Arts & humanities : Performing arts | |||
| http://hdl.handle.net/10993/42769 | |||
| COVID-19 Crisis: Response-Ability and Responsibility of Theatre | |
| English | |
Nonoa, Koku Gnatuloma  [University of Luxembourg > Faculty of Language and Literature, Humanities, Arts and Education (FLSHASE) > Identités, Politiques, Sociétés, Espaces (IPSE) >] | |
| Sep-2020 | |
| Self and Society in the Corona Crisis. Perspectives from the Humanities and Social Sciences | |
| Mein, Georg | |
| Pause, Johannes | |
| Melusina Press | |
| The Ends of Humanities - Volume 2 | |
| No | |
| 978-2-9199648-7-1 | |
| Esch-sur-Alzette | |
| Luxembourg | |
| [en] Theatre ; response-ability ; digital, virtual, internet | |
| [en] This article examines the interdependence of formal and media transformations in literature and theatre production and reception in contemporary context of increasing processes of digitalisation and social interactions in the internet. Thus, the question of physical co-presence in theatre and the consciousness of virtual presence in media culture is discussed, including the response-ability and the aesthetic potentiality of theatre in media and virtual spaces during the coronavirus pandemic and beyond. Finally, this contribution addresses the related theatre epistemological approach. | |
| Researchers ; Professionals | |
| http://hdl.handle.net/10993/42769 | |
| 10.26298/a9za-wx88 | |
| https://www.melusinapress.lu/read/covid-19-crisis-response-ability-and-responsibility-of-theatre/section/34bdcb34-96fa-4801-a242-abb04d2d480b |
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