[en] Music research aims at developing a research space that, in a proactive sense, can support the development of creative and cultural industries. In that context, we argue that a focus on users and their experiences in using tools may become more important in music research. It implies an expansion of the traditional methods of music psychology with methods that can address relevant features of musical action and musical tool use. This paper discusses epistemological and methodological issues related to this development.
Centre de recherche :
IPEM, Ghent University, Ghent (BE)
Disciplines :
Arts du spectacle
Auteur, co-auteur :
Leman, Marc; Department of Musicology, Ghent University, Belgium
Lesaffre, Micheline; Department of Musicology, Ghent University, Belgium
NIJS, Luc ; University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Education and Social Work (DESW) > Institute of Musicology and Arts ; Department of Musicology, Ghent University, Belgium
Deweppe, Alexander; Department of Musicology, Ghent University, Belgium
Co-auteurs externes :
yes
Langue du document :
Anglais
Titre :
User-oriented studies in embodied music cognition research
Date de publication/diffusion :
septembre 2010
Titre du périodique :
Musicae Scientiae
ISSN :
1029-8649
eISSN :
2045-4147
Maison d'édition :
SAGE Publications Ltd
Titre particulier du numéro :
Understanding musical structure and form: papers in honour of Irène Deliège.
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