POOS, F., & DI FELICE, P. (2016). Filling the Frame: Photography in Luxembourg from 1969 to 2000. (1). Bratislava, Slovakia: Central European House of Centre European Photography. |
![]() ![]() | DI FELICE, P. (2016). The Artistic and Cultural Stakes for the Works Selected for the Robert Schuman Art Award: Exhibition and Publication Spaces – Places of Transformation as well as Artistic and Cultural Interstice? In C. WILLE, R. RECKINGER, S. KMEC, ... M. HESSE (Eds.), Spaces and Identities in Border Regions. Politics – Media – Subjects (pp. 158-172). Bielefeld, Germany: transcript. ![]() |
![]() ![]() | BELLING, L., DE BRES, J., CICOTTI, C., DEMBECK, T., DI FELICE, P., GLESENER, J., KMEC, S., MILLIM, A.-M., PETTIAU, H., PRÜM, A., SCHALL, C., & VARGA, M. (2016). Representations and Projections. In C. WILLE, R. RECKINGER, S. KMEC, ... M. HESSE (Eds.), Spaces and Identities in Border Regions. Politics – Media – Subjects (pp. 141-146). Bielefeld, Germany: transcrit. ![]() |
DI FELICE, P. (2015). La réception de l'oeuvre contemporaine comme expérience pédagogique. Transfert. |
![]() ![]() | BELLING, L., DE BRES, J., CICOTTI, C., DEMBECK, T., DI FELICE, P., GLESENER, J., KMEC, S., MILLIM, A.-M., PETTIAU, H., PRÜM, A., SCHALL, C., & VARGA, M. (2014). Repräsentationen und Projektionen. In C. WILLE, R. RECKINGER, S. KMEC, ... M. HESSE (Eds.), Räume und Identitäten in Grenzregionen. Politiken – Medien – Subjekte (pp. 137-143). Bielefeld, Germany: transcript. ![]() |
![]() ![]() | DI FELICE, P. (2014). Die künstlerischen und kulturellen Einsätze der für den Kunstpreis Robert Schuman ausgewählten Werke: Ausstellungs-und Publikationsräume - Orte der Verwandlung und des künstlerischen und kulturellen Zwischenraums. In C. WILLE, R. RECKINGER, S. KMEC, ... M. HESSE (Eds.), Räume und Identitäten in Grenzregionen: Politiken-Medien-Subjekte (pp. 157-171). Bielefeld, Germany: transcript. ![]() |
DI FELICE, P., & POOS, F. (2014). Towards a Humanist and Subjective Vision ?Photographers in Luxembourg from 1943 to 1968. In V. Macek (Ed.), The History of European Photography, Volume 2: 1939-1969 (pp. 496-513). Bratislava, Slovakia: Central European House of Photography. |
DI FELICE, P. (2013). Préface: Entre Black Box et White Cube, les lieux du déplacement des corps. In Des annonces faites au corps: danse et arts contemporains (1rst edition, pp. 7-11). Auxerre, France: HD. |
DI FELICE, P., & Moyen, C. (2013). Eng Geschicht vun der Konscht vun haut (De Lëtzebuerger Kontext). In Eng Geschicht vun der Konscht vun haut. Luxembourg, Luxembourg: Mudam/St.Paul. |
DI FELICE, P., Reich, K., & Achleitner, G. (2012). DistURBANces: Can fiction beat reality? Curator's Statement. In DistURBANces: Can fiction beat reality? (pp. 8-16). Berlin, Germany: Kulturprojekte Berlin. |
DELL, P., AMANN, W., BOURG, V., Lentz, F., DI FELICE, P., & REDDEKER, S. (2011). 6. Images and Identities. In IPSE (Ed.), Doing Identity in Luxembourg / Subjective Appropriations - Institutional Attributions- Soco-Cultural Milieus (1. ed, pp. 165-231). Bielefeld, Germany: transcript. ![]() |
AMANN, W., BOURG, V., Dell, P., Lenz, F., DI FELICE, P., & Reddeker, S. (2010). Bilder und Identitäten. In IPSE (Ed.), Doing Identity in Luxemburg. Subjektive Aneigungen – institutionelle Zuschreibungen – sozio-kulturelle Milieus (pp. 165-234). Bielefeld, Germany: transcript. |