No full text
Contribution to collective works (Parts of books)
Vom aufgelösten zum reflexiven Musikbegriff
LEHMANN, Harry
2020In Präsident und Direktorium der Bayerischen Akademie der Schönen Künste in München (Ed.) Bayrische Akademie der Schönen Künste. Jahrbuch 33 (2019) 2020
 

Files


Full Text
No document available.

Send to



Details



Keywords :
notion of music; New Music; Art music; boundaries of music
Abstract :
[en] As a result of digitization, transmedia music projects are becoming the standard format of New Music. These ubiquitous transgressions have led composers such as Johannes Kreidler and Hannes Seidel to the assumption that the notion of music is thus also becoming delimited and beginning to dissolve. In the following, I present a theoretical model that confirms and criticizes this prognosis. The countless border crossings do not lead to a dissolved but to a reflexive notion of music.
Disciplines :
Art & art history
Author, co-author :
LEHMANN, Harry ;  University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Humanities (DHUM)
External co-authors :
no
Language :
German
Title :
Vom aufgelösten zum reflexiven Musikbegriff
Alternative titles :
[en] From the dissolved to the reflexive concept of music
Publication date :
2020
Main work title :
Bayrische Akademie der Schönen Künste. Jahrbuch 33 (2019) 2020
Main work alternative title :
[en] Bavarian Academy of Fine Arts. Yearbook 33 (2019) 2020
Editor :
Präsident und Direktorium der Bayerischen Akademie der Schönen Künste in München
Publisher :
Wallstein Verlag, Göttingen, Germany
ISBN/EAN :
978-3-8353-3664-3
Pages :
219-230
Available on ORBilu :
since 30 April 2023

Statistics


Number of views
39 (1 by Unilu)
Number of downloads
0 (0 by Unilu)

Scopus citations®
 
0
Scopus citations®
without self-citations
0

Bibliography


Similar publications



Contact ORBilu