Vom aufgelösten zum reflexiven Musikbegriff

As a result of digitization, transmedia music projects are becoming the standard format of New Music. These ubiquitous transgressions have led composers such as Johannes Kreidler and Hannes Seidel to the assumption that the notion of music is thus also becoming delimited and beginning to dissolve. In the following, I present a theoretical model that confirms and criticizes this prognosis. The countless border crossings do not lead to a dissolved but to a reflexive notion of music.