Doing Experimental Media Archaeology: Theory

FICKERS, Andreas; Van den Oever, Annie

doi:10.1515/9783110799774

Pas de texte intégral

Ouvrage publié en tant qu’auteur, traducteur, etc. (Ouvrages)

Doing Experimental Media Archaeology: Theory

FICKERS, Andreas; Van den Oever, Annie

2022 • DeGruyter, Berlin, Unknown/unspecified

Permalien
https://hdl.handle.net/10993/53292

DOI
10.1515/9783110799774

Documents (0)Envoyer vers Détails Statistiques Bibliographie Publications similaires

Documents

Texte intégral

Aucun document disponible.

Envoyer vers

RIS BibTex APA Chicago Permalink X Linkedin

Détails

Mots-clés :

media history; media archaeology; experimental history; history of senses; thinkering; hands-on history

Résumé :

[en] This book offers a plea to take the materiality of media technologies and the sensorial and tacit dimensions of media use into account in the writing of the histories of media and technology. In short, it is a bold attempt to question media history from the perspective of an experimental media archaeology approach. It offers a systematic reflection on the value and function of hands-on experimentation in research and teaching.

Centre de recherche :

- Luxembourg Centre for Contemporary and Digital History (C2DH) > Digital History & Historiography (DHI)

Disciplines :

Histoire

Auteur, co-auteur :

FICKERS, Andreas ; University of Luxembourg > Luxembourg Centre for Contemporary and Digital History (C2DH) > Digital History and Historiography

Van den Oever, Annie; Groningen University > Film Studies

Co-auteurs externes :

yes

Langue du document :

Anglais

Titre :

Doing Experimental Media Archaeology: Theory

Date de publication/diffusion :

2022

Maison d'édition :

DeGruyter, Berlin, Inconnu/non spécifié

Nombre de pages :

155

Projet FnR :

FNR12703137 - Doing Experimental Media Archaeology: Theory & Practice, 2018 (01/09/2019-31/08/2022) - Andreas Fickers

Disponible sur ORBilu :

depuis le 20 décembre 2022

Statistiques

Nombre de vues

382 (dont 6 Unilu)

Nombre de téléchargements

0 (dont 0 Unilu)

Voir plus de statistiques

citations Scopus^®

citations Scopus^®
sans auto-citations

citations OpenAlex

Bibliographie

Aasman, Susan. "Home Movies: A New Technology, a New Duty, a New Cultural Practice." In Private Eyes and the Public Gaze: The Manipulation and Valorization of Amateur Images, edited by Sonja Kmec and Viviane Thill, 45-51. Trier: Kliomedia, 2009.
Aasman, Susan. "New Media Technologies and the Desire to Broadcast Yourself." In Retelling Journalism: Conveying Stories in the Digital Age, edited by Marcel Broersma and Chris Peters, 47-64. Leuven: Peeters, 2014.
Aasman, Susan. Staging the Amateur Film Dispositif. A Report. 2014. [Online] https://homemoviesproject.wordpress.com/report-staging-the-amateur-dispositif/[last accessed 26.07.2022].
Ahrendt, H. "Introduction." In Illuminations: Essays and Reflections. New York: Schocken Books, 1968, 1-58.
Ahrens, Sönke. Experiment und Exploration. Bildung als experimentelle Form der Welterschließung. Bielefeld: Transcript Verlag, 2011.
Ahrens, Sönke. How To Take Smart Notes. One Simple Technique to Boost Writing, Learning and Thinking-for Students, Academics and Nonfiction Book Writers. Warsaw: Create Space, 2017.
Akrich, M. and B. Latour. "A Summary of a Convenient Vocabulary for the Semiotics of Human and Nonhuman Assemblies." In Shaping Technology, Building Society: Studies in Sociotechnical Change, edited by E. Bijker and J. Law, 259-264. Cambridge: MIT Press, 1992.
Albera, François, and Maria Tortajada, eds. "Introduction to an Epistemology of Viewing and Listening Dispositives." In Cinema Beyond Film: Media Epistemology in the Modern Era, 9-22. Amsterdam: Amsterdam University Press, 2010.
Allard, Laurence. Mythologie du portable. Paris: Le Cavalier Bleu, 2009.
Allard, Laurence. "Express Yourself 3.0! Le mobile comme technologie pour soi et quelques autres entre double agir communicationnel et continuum disjonctif soma-technologique." In Téléphone mobile et création. Paris: A. Colin, 2014.
Altman, Rick. "Toward a Theory of the History of Representational Technologies." Iris 2, no. 2 (1984): 111-125.
Altman, Rick, ed. "General Introduction: Cinema as Event." In Sound Theory/Sound Practice. New York: Routledge, 1992.
Altman, Rick. Silent Film Sound. New York: Columbia University Press, 2004.
Altman, Rick. "Cue sheets." In Encyclopedia of Early Cinema, edited by Richard Able, 229-230. Abingdon: Routledge, 2005.
André, Emmanuelle, and Dork Zabunyan. L'attrait du téléphone. Crisnée, Belgium: Yellow Now, 2013.
Andrew, Dudley. What Cinema Is! Oxford: Wiley-Blackwell, 2010.
Ankersmit, Frank. Sublime Historical Experience. Stanford, CA: Stanford University Press, 2005.
Appleby, Joyce, Lynn Hunt and Margaret Jacob. Telling the Truth about History. New York: Norton, 1994.
Arlo, Raymond. "Media Ecology." Radical Software 1, no. 3 (1971): 19.
Arnheim, Rudolf. Film as Art. [Film als Kunst, 1932.] Los Angeles: University of California Press, 1957.
Arnheim, Rudolf. Systematik der fruhen kinematographischen Erfindungen. In Kritiken und Aufsatze zum Film, edited by H.H. Dietrichs. Munich: Carl Hanser Verlag, 1977.
Arnheim, Rudolf. "The Sad Future of Film" [1930]. In Film Essays and Criticism, 11-13. Madison, WI: University of Wisconsin Press, 1997.
Arnheim, Rudolf. "The Coming and Going of Images." [Editorial.] Leonardo 33, no. 3 (2000): 167-168.
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye. Los Angeles: University of California Press, 2004.
Arnheim, Rudolf. "LEONARDO/ISAST CALL FOR PAPERS: Refresh! First International Conference on the Histories of Media Art, Science and Technology" [2000]. Leonardo On-Line (December 2004). [Online] http://www.leonardo.info/isast/journal/calls/arthistory_re freshcall2004.html [last accessed 26.07.2022].
Arrigoni, Gabriella. "Innovation, Collaboration, Education: Histories and Perspectives on Living Labs." In xCoAx2013: Proceedings of the First Conference on Computation Communication Aesthetics and X, Bergamo, 2013, 215-224. Porto: Universidade do Porto, 2013.
Arvidson, Linda. When the Movies Were Young [1925]. New York: Dover Publications, 1969.
Bachelard, Gaston. Poetics of Space. Boston: Beacon Press, 1969.
Bachelard, Gaston. Die Bildung des wissenschaftlichen Geistes. Beitrag zu einer Psychoanalyse der objektiven Erkenntnis. Frankfurt am Main: Suhrkamp, 1978.
Bachelard, Gaston, Poetik des Raumes. Frankfurt am Main: Fischer Verlag, 1987.
Balázs, Béla. "Visible Man, or the Culture of Film." Screen 48, no. 1 (2007): 91-108.
Balázs, Béla. Early Film Theory. Visible Man and The Spirit of Film [1924/1930]. Translated by Rodney Livingstone. Edited by Erica Carter. New York: Berghahn Books, 2010.
Balsom, Erika. "Around The Clock: Museum and Market." Framework: The Journal of Cinema and Media 54, no. 2 (2013): 177-191.
Balsom, Erika. Exhibiting Cinema in Contemporary Art. Amsterdam: Amsterdam University Press, 2013.
Balsom, Erika. "Original Copies: How Film and Video Became Art Objects." Cinema Journal 53, no. 1 (Fall 2013): 97-118.
Barnard, Timothy. "'The 'Machine Operator': Deus Ex Machina of the Storefront Cinema." Framework 43, no. 1 (2002): 40-75.
Baron, Jaimie. The Archive Effect: Found Footage and the Audiovisual Experience of History. London: Routledge, 2014.
Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill & Wang, 1981.
Bateson, Gregory. Steps to an Ecology of Mind. [1972.] Chicago: Chicago University Press, 2000.
Baudry, Jean-Louis. "Le dispositif: approches métapsychologiques de límpression de la réalité." Communications 23, no. 23 (1975): 56-72. [Online] http://www.persee.fr/web/re vues/home/prescript/article/comm_0588-8018_1975_num_23_1_1348 [last accessed 26.07.2022].
Baudry, Jean-Louis. "The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema." In Narrative, Apparatus, Technology, edited by Philip Rosen, 299-318. New York: Columbia University Press, 1986.
Bazerman, Charles, The Language of Edison's Light. Cambridge, MA: MIT Press, 1999.
Bazin, André. "Un nouveau stade du cinéma en relief: le relief en equations." Radio, Cinéma, Télévision 131 (20 July 1952). Republished in English: "A New Stage in the Process: Math Equations for 3D." In André Bazin's New Media, edited and translated by Dudley Andrew, 235-242. Oakland, CA: University of California Press, 2014.
Bazin, André. "La revolution par le relief n'a pas eu lieu." Radio, Cinéma, Télévision. 1 April 1956. Republished in English: "The 3D Revolution Did Not Take Place." In André Bazin's New Media, edited and translated by Dudley Andrew, 258-264. Oakland, CA: University of California Press, 2014.
Bazin, André. "The Ontology of the Photographic Image." Film Quarterly 8 (1960): 4-9.
Bazin, André. What Is Cinema? Vol. I. Berkeley, CA: University of California press, 1967.
Bazin, André. What Is Cinema? Vol. II. Berkeley, CA: University of California press, 2005.
Bellour, Raymond. "The Cinema Spectator: A Special Memoir." In Audiences: Defining and Researching Screen Entertainment Reception, edited by Ian Christie, 206-217. Amsterdam: Amsterdam University Press, 2012.
Bellour, Raymond. La Querelle des dispositifs. Cinéma-installation, exposition. Paris: P.O.L., 2012.
Belton, John. "CinemaScope and Historical Methodology." Cinema Journal 28, no. 1 (Fall 1988): 22-44.
Belton, John. Widescreen Cinema. Cambridge, MA: Harvard University Press, 1992.
Belton, John. "CinemaScope and the Widescreen Revolution." Cinegrafie 16 (2003): 244-253.
Bendix, Regina, and Donald Brenneis. "The Senses." Etnofoor: Anthropological Journal 18, no. 1 (2006).
Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. [1935.] In Illuminations: Essays and Reflections, edited by Hannah Arendt, 217-252. New York: Schocken Books, 1968.
Bennett, Colin N. The Handbook of Kinematography: The History, Theory, and Practice of Motion Photography and Projection. London: The Kinematograph Weekly, 1913.
Beugnet, Martine. "Miniature Pleasures: On Watching Films on an iPhone." In Cinematicity, edited by Jeffrey Geiger and Karin Littau, 196-211. Edinburgh: Edinburgh University Press, 2014.
Bithell, Caroline, and Juniper Hill, eds. The Oxford Handbook of Musical Revival (Oxford: Oxford University Press, 2014).
Bolter, Jay David, and Richard Grusin. "Remediation." In Configurations 4, no. 3 (Fall 1996): 311-358. DOI: 10.1353/con.1996.0018.
Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 1999.
Bolter, Jay David. "Remediation and the Language of New Media." Northern Lights: Film & Media Studies Yearbook 5, no. 1 (September 2007): 25-37. DOI: https://doi.org/10.1386/nl.5.1.25_1.
Bordwell, David. "CinemaScope: The Modern Miracle You See Without Glasses." In Poetics of Cinema, 281-325. New York: Routledge, 2007.
Bordwell, David. Poetics of Cinema. New York: Routledge, 2007.
Bordwell, David. Pandora's Digital Box: Films, Files, and the Future of Movies. Madison, WI: Irvington Way Institute Press, 2012.
Bordwell, David. "Pandora's Digital Box: From the Periphery to the Center, or the One of Many Centers." Observations on Film Art (blog). January 11, 2012. [Online] http://www.david bordwell.net/blog/2012/01/11/pandoras-digital-box-from-the-periphery-to-the-center-orthe-one-of-many-centers/[last accessed 26.07.2022].
Bordwell, David. "CinemaScope: The Modern Miracle You See Without Glasses." Vimeo video, 52:57, 2013. [Online] http://vimeo.com/64644113 [last accessed 26.07.2022].
Bottomore, Stephen. "'Nine Days' Wonder: Early Cinema and Its Sceptics." In Cinema: The Beginnings and the Future, edited by Christopher Williams, 135-149. London: University of Westminster Press, 1996.
Bottomore, Stephen "The Panicking Audience? Early Cinema and the 'Train Effect'." Historical Journal of Film, Radio and Television 19, no. 2 (1999): 177-216.
Boyle, Deidre. "From Portapak to Camcorder: A Brief History of Guerrilla Television." Journal of Film and Video 44, nos. 1-2 (1992): 67-79.
Boym, S. The Future of Nostalgia. New York: Basic Books, 2001.
Bowser, Eileen. The Transformation of Cinema 1907-1915: History of the American Cinema. Vol. 2. New York: Scribner, 1990.
Bradlet, John M. (J.M.B.). "The Size of the Picture." Moving Picture World 8, no. 10 (11 March, 1911): 527.
Breidbach, Olaf, Peter Heering, Matthias Müller, and Heiko Weber. Experimentelle Wissenschaftsgeschichte. In Experimentelle Wissenschaftsgeschichte, edited by Olaf Breidbach, Peter Heering, Matthias Müller, and Heiko Weber, 13-72. Paderborn: Fink, 2010.
Brownlow, Kevin. "Silent Films: What Was the Right Speed?" Sight and Sound 49, no. 3 (1980): 164-167.
Bruno, Giuliana. Atlas of Emotion. Journeys in Art, Architecture and Film. London: Verso, 2002.
Buschauer, Regine. Mobile Räume. Medien-und diskursgeschichtliche Studien zur Tele-Kommunikation (Bielefeld: Transcript Verlag, 2010).
Butsch, Richard, "Audiences. Publics, Crowds, Mass." In The Handbook of Communication History, edited by P. Simonson, J. Peck, R. Craig, and J. Jackson, 93-108. London: Routledge, 2013.
Butt, John. Playing with History: The Historical Approach to Musical Performance (Cambridge: Cambridge University Press, 2002).
Bynum, Caroline. Metamorphosis and Identity. New York: Zone Books, 2011.
Byrne, Sarah, Anne Clarke, Rodney Harrison, and Robin Torrence, eds. Unpacking the Collection: Networks of Material and Social Agency in the Museum. New York: One World Archaeology, 2011.
Carroll, Noël. "The Grotesque Today: Preliminary Notes Toward a Taxonomy." In Modern Art and the Grotesque, edited by Frances S. Connelly, 291-311. Cambridge: Cambridge University Press, 2003.
Casetti, Francesco, Jane Gaines, and Valentina Re, eds. Dall'inizio, alla fine. Teorie del cinema in prospettiva/In the Very Beginning, at the Very End. Film Theories in Perspective. Udine: Forum, 2009.
Casetti, Francesco. "Filmic Experience." Screen 50, no. 1 (2009): 56-66.
Casetti, Francesco. "Back to the Motherland: The Film Theatre in the Postmedia Age." Screen 52, no. 1 (2011): 1-12.
Casetti, Francesco, and Sara Sampietro. "With Eyes, With Hands. The Relocation of Cinema into iPhone." In Moving Data: The iPhone and the Future of Media, edited by Pelle Snickars and Patrick Vonderau, 19-32. New York: Columbia University Press, 2012.
Cassirer, E. "Form und Technik." In Symbol, Technik, Sprache. Aufsätze aus den Jahren 1927-1933, edited by Ernst Wolfgang Orth and John Michael Krois, 39-89. Hamburg, Meiner Verlag, 1995.
Cavell, Stanley. The World Viewed. Cambridge, MA: Harvard University Press, 1971.
Cavell, Stanley. "Conversations with History." Institute of International Studies, UC Berkeley, 7 February 2002. [Online] http://globetrotter.berkeley.edu/people2/Cavell/cavell-con0.html [last accessed 26.07.2022].
Ceram, C.W. Archaeology of Cinema. Translated by Richard Winston. London: Thames and Hudson, 1965.
Chateau, Dominique. "The Philosophy of Technology in the Frame of Film Theory: Walter Benjamin's Contribution." In Techne/Technology: Researching Cinema and Media Technologies-Their Development, Use, and Impact, edited by Annie van den Oever, 29-50. Amsterdam: Amsterdam University Press, 2014.
Chateau, Dominique, and José Moure. Screens: From Materiality to Spectatorship-A Historical and Theoretical Reassessment. Amsterdam: Amsterdam University Press, 2016.
Cherchi Usai, Paolo, David Francis, Alexander Horwath, and Michael Loebenstein, eds. Film Curatorship: Archives, Museums, and the Digital Marketplace. Vienna: Austrian Film Museum, 2008.
Christie, Ian. "Will the 3D Revolution Happen? A Brief Perspective on the Long History of Stereoscopy (with special thanks to Eisenstein and Bazin)." In Techne/Technology: Researching Cinema and Media Technologies-Their Development, Use, and Impact, edited by Annie van den Oever, 115-135. Amsterdam: Amsterdam University Press, 2014.
Clarke, Arthur C. "Hazards of Prophecy: The Failure of Imagination." In Profiles of the Future: An Enquiry into the Limits of the Possible. London: Gollancz, 1962 (rev. 1973).
Collingwood, Robin G. The Idea of History. Oxford: Oxford University Press, 1946.
Corrigan, Kevin. "Collaborative Thinking: The Challenge of the Modern University." Arts & Humanities in Higher Education 11, no. 3 (2012): 262-72.
Csikszentmihalyi, Mihaly. "Why We Need Things." In History from Things: Essays on Material Culture, edited by Steven Lubar and W. David Kingery, 20-29. Washington, London: Smithsonian Institution Press, 1993.
Cuban, Larry. Teachers and Machines: The Classroom Use of Technology since 1920. New York: Teachers College Press, 1986.
Cuban, Larry. Teachers Taught: Constancy and Change in American Classrooms, 1880-1990. 2nd. ed. New York: Teachers College Press, 1993.
Cubitt, Sean. "Anedoctal Evidence." NECSUS. European Journal of Media Studies (Spring 2013). [Online] http://www.necsus-ejms.org/anecdotal-evidence/[last accessed 26.07.2022].
Dahlquist, Marina, Doron Galili, Jan Olsson, and Valentine Robert, eds., Corporeality in Early Cinema: Viscera, Skin, and Physical Form. Series Early Cinema in Review: Proceedings of Domitor. Bloomington: Indiana University Press, 2018. [Online] https://www.jstor.org/sta ble/j.ctv6zd9s1 [last accessed 26.07.2022].
Daston, Lorraine, and Katherine Park. Wonders and the Order of Nature. New York: Zone Books, 2001.
Derrida, Jacques, and Eric Prenowitz. "Archive Fever: A Freudian Impression." Diacritics 25, no. 2 (Summer 1995): 9-63. [Online] http://www.jstor.org/stable/465144 [last accessed 26.07.2022]. http://newsgrist.typepad.com/files/derrida-archive_fever_a_freudian_im pression.pdf [###LINK DOES NOT WORK]
Doane, Mary Ann. "The Close-Up: Scale and Detail in the Cinema." Differences: A Journal of Feminist Cultural Studies 14 (2003): 89-111.
Donald, James, Anne Friedberg, and Laura Marcus, eds. Close Up 1927-1933: Cinema and Modernism. Princeton, NJ: Princeton University Press, 1998.
Dray, William H., History as Re-Enactment. R.G. Collingwood's Idea of History. Oxford: Oxford University Press, 1985.
Dreschke, Anja, Ilham Huynh, Raphaela Knipp, and David Sittler, eds. (2016) Reenactments: Medienpraktiken zwischen Wiederholung und kreativer Aneignung. Bielefeld: Transcript Verlag, 2016.
Edgerton, David. The Shock of the Old. Technology and Global History since 1900 (London: Profile Books, 2008).
Edgerton, David. "Innovation, Technology, or History: What Is the Historiography of Technology About." Technology and Culture 51, no. 3 (July 2010): 680-697.
Eisenstein, Sergei M. Film Form: Essays in Film Theory, edited and translated by Jay Leyda. San Diego, CA: Harcourt, 1949.
Elkington, S., and R.A. Stebbins. The Serious Leisure Perspective: An Introduction. Abingdon: Routledge, 2014.
Ellis, John. "TV and Cinema: What Forms of History Do We Need?" In Cinema, Television and History: New Approaches, edited by Laura Mee and Johnny Walker, 12-25. Newcastle-Upon-Tyne: Cambridge Scholars Publishing, 2014.
Ellis, John. "16 mm Film Editing. Using Filmed Simulation as a Hands-on Approach to TV History." VIEW Journal of European Television History and Culture 4, no. 7, 2015. [Online] https://vimeo.com/123212931 [last accessed 26.07.2022].
Ellis, Patrick M., and Colin Williamson. "Object lessons, old and new: experimental media archaelogy in the classroom." Early Popular Visual Culture, vol. 18, no. 1 (2020): 2-14.
Elsaesser, Thomas. "The New Film History." Sight and Sound 55, no. 4 (Fall 1986): 246-251.
Elsaesser, Thomas. "The New Film History as Media Archaeology." Cinémas: Revue d'Études Cinématographiques 14, nos. 2-3 (2004): 75-117.
Elsaesser, Thomas. Film History as Media Archaeology. Film Culture in Transition, no. 50. Amsterdam: Amsterdam University Press, 2020.
Enticknap, Leo. Moving Image Technology: From Zoetrope to Digital. London: Wallflower, 2005.
Enticknap, Leo. Film Restoration. The Culture and Science of Audiovisual Heritage. New York: Palgrave and Macmillian, 2013.
Epstein, Jean. "Magnification" [1921]. Translated by Stuart Liebeman. October 3 (Spring 1977): 9-25.
Epstein, Jean. "Magnification." In French Film Theory and Criticism: A History/Anthology 1907-1939, edited by Richard Abel, 235-240. Princeton, NJ: Princeton University Press, 1988.
Farge, Arlette. Le goût de l'archive. Paris: Éditions Points, 1997.
Ferguson, Jeffrey, ed. Designing Experimental Research in Archaeology: Examining Technology through Production and Use. Boulder: University of Colorado Press, 2010.
Fickers, Andreas, "Design als 'mediating interface'. Zur Zeugen-und Zeichenhaftigkeit des Radioapparats." Berichte zur Wissenschaftsgeschichte 30, no. 3 (2007), 199-213.
Fickers, Andreas. "Visibly Audible: The Radio Dial as Mediating Interface." In The Oxford Handbook of Sound Studies, edited by Trevor Pinch and Karin Bijsterveld, 411-439. Oxford: Oxford University Press, 2012.
Fickers, Andreas, and Annie van den Oever. "Experimental Media Archaeology: A Plea for New Directions." In Techne/Technology, edited by Annie van den Oever, 272-278. Amsterdam: Amsterdam University Press, 2014.
Fickers, Andreas. "'Neither Good, Nor Bad; Nor Neutral': The Historical Dispositif of Communication Technologies." In Journalism and Technological Change: Historical Perspectives, Contemporary Trends, edited by Martin Schreiber and Clemens Zimmermann, 30-52. Frankfurt am Main: Campus Verlag, 2014.
Fickers, Andreas. "Hands-on. Plädoyer für eine experimentelle Medienarchäologie." Technikgeschichte 82, no. 1 (2015): 67-85.
Fickers, Andreas. "Konservative Medienrevolutionen. Überlegungen zu einer Genealogie des Medienwandels." In Theorien des Medienwandels, edited by Susanne Kinnebrock, Christian Schwarzenegger, and Thomas Birkner, 259-279. Köln: Herbert von Halem, 2015.
Fickers, Andreas, and A-K. Weber. "Towards an archaeology of television." Editorial. VIEW: Journal of European Television History and Culture 4, no. 7 (2015). DOI: 10.18146/2213-0969.2015.jethc076.
Fickers, Andreas. "How to grasp historical media dispositifs in practice." In Materializing Memories. Dispositifs, Generations, Amateurs, edited by S. Aasman, A. Fickers and J. Wachelder, 85-91. New York: Bloomsbury, 2018.
Fickers, Andreas, and Annie van den Oever. "(De)Habituation Histories: How to Re-Sensitize Media Historians." In Hands-On Media History: A New Methodology in the Humanities and Social Sciences, edited by John Ellis and Nick Hall, 58-75. London: Routledge, 2019.
Fickers, Andreas, and Annie van den Oever. "Doing Experimental Media Archaeology: Epistemological and Methodological Reflections on Experiments with Historical Objects of Media Technologies." In New Media Archaeologies, edited by B. Roberts and M. Goodall, 45-68. Amsterdam: Amsterdam University Press, 2019.
Fickers, Andreas, and Stefan Krebs. "'Thinkering' als historischer Erkenntnismodus. Überlegungen zu einer Experimentalisierung der Medienobjektgeschichte." In Musikobjektgeschichten: Populäre Musik und materielle Kultur, edited by C. Dörfling, C. Jost and M. Pfleiderer, 73-93. Münster: Waxmann, 2021.
Fisher, Philip. Wonder, the Rainbow, and the Aesthetics of Rare Experiences. Cambridge, MA: Harvard University Press, 1998.
Flichy, Patrice. The Internet Imaginaire. Cambridge, MA: MIT Press, 2007.
Flueckiger, Barbara. "Aesthetics of Stereoscopic Cinema." Projections 6, no. 1 (2012): 101-122.
Flueckiger, Barbara. "Material Properties of Historical Film in the Digital Age." NECSUS. European Journal of Media Studies (Fall 2012). [Online] http://www.necsus-ejms.org/mate rial-properties-of-historical-film-in-the-digital-age [last accessed 26.07.2022].
Fossati, Giovanna "Multiple Originals: The (Digital) Restoration and Exhibition of Early Films." In A Companion to Early Cinema, edited by André Gaudreault, Nicolas Dulac, and Santiago Hidalgo, 550-567. Malden, MA: Wiley-Blackwell, 2012.
Fossati, Giovanna, and Annie van den Oever. Exposing the Film Apparatus. The Film Archive as a Research Lab. Amsterdam: Amsterdam University Press, 2016.
Fossati, Giovanna. From Grain to Pixel: The Archival Life of Film in Transition [2009]. 3rd revised ed. Amsterdam: Amsterdam University Press, 2018.
Frassen, Maarten, Gert-Jan Lokhorst, and Ibo van de Poel. "Philosophy of Technology." Stanford Encyclopedia of Philosophy [2009], edited by Edward N. Zalta. 2018. [Online] http://plato.stanford.edu/entries/technology/[last accessed 26. 07.2022].
Fuller, Matthew. Media Ecologies: Materialist Energies in Technoculture [2005]. Cambridge, MA: MIT Press, 2007.
Gapps, Stephen. "Mobile Monuments: A view of historical re-enactment and authenticity from inside the costume cupboard of history." Rethinking History 13, no. 3 (2009): 395-409.
Garroni, Emilio. Ricognizione della semiotica. Tre lezioni. Roma: Officina, 1977.
Gaudreault, André, and Tom Gunning. "Early Cinema as a Challenge to Film History." In The Cinema of Attractions Reloaded, edited by Wanda Strauven, 365-380. Amsterdam: Amsterdam University Press, 2006.
Gaudreault, André. "From 'Primitive Cinema' to 'Kine-Attractography.'" In The Cinema of Attractions Reloaded, edited by Wanda Strauven, 85-104. Amsterdam: Amsterdam University Press, 2006.
Gaudreault, André. Film and Attraction: From Kinematography to Cinema [2008]. Translated by Timothy Barnard. Urbana, IL: University of Illinois Press, 2011.
Gaudreault, André, and Philippe Marion. The Kinematic Turn. Film in the Digital Era and Its Ten Problems. Montreal: Caboose, 2012.
Gaudreault, André. "The Future History of a Vanishing Medium." In Techne/Technology: Researching Cinema and Media Technologies-Their Development, Use, and Impact, edited by Annie van den Oever, 261-271. Amsterdam: Amsterdam University Press, 2014.
Gaudreault, André. The End of Cinema? A Medium in Crisis in the Digital Age. Translated by Timothy Barnard. New York: Columbia University Press, 2015.
Gaudreault, André. "Foreword." In Technology and Film Scholarship Experience, Study, Theory, edited by Santiago Hidalgo, 9-12. Series Technology and Film Scholarship. (Amsterdam: Amsterdam University Press, 2018).
Gerber, Doris. Analytische Metaphysik der Geschichte. Handlungen, Geschichten und ihre Erklärung. Frankfurt am Main: Suhrkamp Verlag, 2012.
Ginzburg, Carlo. Spurensicherung. Die Wissenschaft auf der Suche nach sich selbst. Berlin: Wagenbach, 2011.
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambridge, MA: MIT Press, 2008.
Gleitsmann, Rolf-Jürgen, Rolf-Ulrich Kunze, and Günther Oetzel. "Zwischen Inszenierung und Zeitgeist-Technikmuseen." In Technikgeschichte, edited by Rolf-Jürgen Gleitsmann, Rolf-Ulrich Kunze, and Günther Oetzel, 92-110. Konstanz: UVK Verlagsgesellschaft, 2009.
Goethe, Johann Wolfgang. "Der Versuch als Vermittler von Objekt und Subjekt." In Gedenkausgabe der Werke, Briefe und Gespräche, vol. 16, 844-855. Zürich: Ernst Beutler, 1949. First published in 1792.
Gooding, D. "History in the Laboratory: Can We Tell What Really Went On?" In The Development of the Laboratory. Essays on the Place of Experiment in Industrial Civilization, edited by F. James, 63-82. Basingstoke, London: Macmillan, 1989.
Gorki [Gorky], Maxim. "In het rijk der schaduwen" [1896]. In De Beginjaren Van De Film En De Tijd Van De Avant-Garde 1896-1931, edited by Annie van den Oever, Frank Kessler, Patricia Pisters, and Steven Willemsen, 17-28. Nijmegen: In De Walvis, 2015.
Gorki [Gorky], Maxim. "Lumière in Rusland." In De Beginjaren Van De Film En De Tijd Van De Avant-Garde 1896-1931, edited by Annie van den Oever, Frank Kessler, Patricia Pisters, and Steven Willemsen, 17-28. Nijmegen: In De Walvis, 2015.
Gorky, Maxim. "Last Night I was in the Kingdom of Shadows." In The Kingdom of Shadows, edited by Colin Harding and Simon Popple, 5-11. London: Cygnus Arts, 1996.
Gracy, Karen F. Film Preservation: Competing Definitions of Value, Use, and Practice. Chicago, IL: The Society of American Archivists, 2007.
Greimer, Peter. Die Farben der Vergangenheit. Wie Geschichte zu Bildern wird. Munich: Beck, 2022.
Grosswiler, Paul. Old New Media. From Oral to Virtual Environments. New York: Peter Lang, 2013.
Gunning, Tom, "The Cinema of Attraction: Early Film, Its Spectator and the Avant-Garde." In Early Cinema: Space Frame Narrative, edited by Thomas Elsaesser and Adam Barker, 56-62. London: British Film Institute, 1990.
Gunning, Tom. D.W. Griffith and the Origins of American Narrative Film. Chicago, IL: University of Illinois Press, 1994.
Gunning, Tom. "An Aesthetic of Astonishment: Early Film and the Incredulous Spectator." In Viewing Positions: Ways of Seeing Film, edited by Linda Williams, 114-133. New Brunswick, NJ: Rutgers University Press, 1995.
Gunning, Tom. "'Animated Pictures', Tales of Cinema's Forgotten Future." Michigan Quarterly Review 34, no. 4 (1995): 465-485. [Online] http://hdl.handle.net/2027/spo.act2080.0034.004:02 [last accessed 26.07.2022].
Gunning, T. "Re-Newing Old Technologies: Astonishment, Second Nature, and the Uncanny in Technology from the Previous Turn-of-the-Century." In Rethinking Media Change: The Aesthetics of Transition, edited by D. Thorburn and H. Jenkins, 39-59. Cambridge, MA: MIT Press, 2003.
Gunning, Tom. "Hand and Eye: Excavating a New Technology of the Image in the Victorian Era." Special Issue: Papers and Responses from the Ninth Annual Conference of the North American Victorian Studies Association. Victorian Studies 54, no. 3 (2012): 495-516. [Online] https://www.jstor.org/stable/10.2979/victorianstudies.54.3.495 [last accessed 26.07.2022].
Hahn, Hans Peter. "Von der Ethnografie des Wohnzimmers." In Die Sprache der Dinge: Kulturwissenschaftliche Perspektiven auf die materielle Kultur, edited by Elisabeth Tietmeyer, Claudia Hirschberger, Karoline Noack, and Jane Redlin, 9-21, Münster: Waxmann, 2010.
Hård, Mikael, and Andrew Jamison, eds. The Intellectual Appropriation of Technology. Discourses on Modernity, 1900-1939 (Cambridge, MA: MIT Press, 1998).
Harkema, Gert Jan. Aesthetic Experiences of Presence. Case Studies in Film Exhibition, 1896-1898. Stockholm: Stockholm University, 2019.
Heering, Peter, and Roland Witje, eds. Learning by Doing. Experiments and Instruments in the History of Science Teaching. Stuttgart: Franz Steiner Verlag, 2011.
Heering, Peter, Michael Markert, and Heiko Weber, eds. Experimentelle Wissenschaftsgeschichte didaktisch nutzbar machen. Ideen, Überlegungen und Fallstudien. Flensburg: Flensburg University Press, 2012.
Heidegger, Martin. "Die Frage der Technik. "In Martin Heidegger, Vorträge und Aufsätze, 5-36. Frankfurt am Main: Vittorio Klostermann, 2000.
Hertz, G., and P. Jussi. "Zombie Media: Circuit Bending Media Archaeology into an Art." Leonardo 45, no. 5 (2012): 424-430.
Heßler, Martina. Kulturgeschichte der Technik. Frankfurt: Campus Verlag, 2012.
Hidalgo, Santiago. "Introduction. The Discursive Spaces Between a History of Film." In Technology and Film Scholarship Experience, Study, Theory, edited by Santiago Hidalgo, 13-31. Amsterdam: Amsterdam University Press, 2018.
Hockney, David. Secret Knowledge. Rediscovering the Lost Techniques of the Old Masters. London: Thames & Hudson, 2006.
Hörisch, Jochen. Der Sinn und die Sinne. Eine Geschichte der Medien. Frankfurt am Main: Eichborn Verlag, 2001.
Howes, David. "The Expanding Field of Sensory Studies." Version 1.0 (August, 2013). [Online] https://sensorystudies.org [last accessed 26.07.2022].
Huhtamo, Erkki. "From Kaleidoscomaniac to Cybernerd: Toward an Archeology of the Media." In Electronic Culture: Technology and Visual Representation, edited by Timothy Druckrey, 296-303. New York: Aperture, 1996.
Huhtamo, Erkki, "From Kaleidoscomaniac to Cybernerd. Towards an Archaeology of the Media." Leonardo 30, no. 3 (1997): 221-224.
Huhtamo, Erkki, "Elements of Screenology: Toward an Archaeology of the Screen." ICONICS: International Studies of the Modern Image 7 (2004): 31-82.
Huhtamo, Erkki. "Thinkering with Media: On the Art of Paul DeMarinis." In Buried in Noise, edited by Paul DeMarinis, 33-39. Heidelberg: Kehrer, 2011.
Huhtamo, Erkki, and Jussi Parikka, eds. Media Archaeology. Approaches, Applications, and Implications. Berkeley, CA: University of California Press, 2011.
Huhtamo, Erkki. "Towards a History of Peep Practice." In A Companion to Early Cinema, edited by André Gaudreault, Nicolas Dulac, and Santiago Hidalgo, 32-51. Chichester: Wiley, 2012.
Huhtamo, Erkki. Illusions in Motion. Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge, MA: MIT Press, 2013.
Huhtamo, Erkki. "Art in the Rear-View Mirror. The Media-Archaeological Tradition in Art." In Companion to Digital Art, edited by Christiane Paul, 69-110, Oxford, West Sussex: John Wiley & Sons, 2016.
Huhtamo, Erkki, and Doron Galili. "The Pasts and Prospects of Media Archaeology." Early Popular Visual Culture 18, no. 4 (2020): 333-339. [Online] https://www.tandfonline.com/doi/full/10.1080/17460654.2021.2016195 [last accessed 26.07.2022].
Huyssen, A. "Nostalgia for ruins." Grey room 23 (2006): 6-21.
Ihde, D. Experimental Phenomenology: An Introduction. New York: State University of New York Press, 1986.
Ilgner, Christian, and Dietmar Linke. "Filmtechnick-Vom Maltesekreuz zum Panzerkino." In 100 Jahre Kino, Oskar Messter-Filmpionier der Kaiserzeit. Katalog zur Ausstellung, edited by Martin Loiperdinger. Frankfurt am Main: Stroemfeld, Roter Stern, 1994.
Jackson, S.J. "Rethinking Repair." In Media Technologies: Essays on Communication, Materiality and Society, edited by T. Gillespie, P. Boczkowski, and K. Foot, 221-239. Cambridge MA: MIT Press, 2014.
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006.
Keidl, Philipp Dominik, "Toward a Public Media Archaeology: Museums, Media, and Historiography." The Moving Image 17, no. 2 (Fall 2017): 20-39.
Kessler, Frank. "Het geheugen van de cinema." In Lang leve de film! edited by Dick Smits, 25-30. Nijmegen: Vrienden van het Filmarchief, 1995.
Kessler, Frank. "The Cinema of Attractions as Dispositif." In The Cinema of Attractions Reloaded, edited by Wanda Strauven, 57-69. Amsterdam: Amsterdam University Press, 2006.
Kessler, Frank. "Notes on Dispositif." In Frank Kessler, 2007. [Online] http://www.frankkessler.nl/wp-content/uploads/2010/05/Dispositif-Notes.pdf [last accessed 26.07.2022].
Kessler, Frank. "What You Get Is What You See: Digital Images and the Claim on the Real." In Digital Material. Tracing New Media in Everyday Life and Technology, edited by Marianne van den Boomen, Sybille Lammes, Ann-Sophie Lehmann, Joost Raessens, and Mirko Tobias Schäfer, 187-197. Amsterdam: Amsterdam University Press, 2009.
Kessler, Frank. "Viewing Pleasures, Pleasuring Views. Forms of Spectatorship in Early Cinema." In Film-Cinema-Spectator: Film Reception, edited by Irmbert Schenk, Margrit Tröhler, and Yvonne Zimmermann. Marburg: Schüren, 2010.
Kinnebrock, Susanne, Christian Schwarzenegger, and Thomas Birkner, eds., Theorien des Medienwandels. Köln: Herbert von Halem, 2015.
Kittler, Friedrich. Gramophone, Film, Typewriter. Translated, with an Introduction, by Geoffrey Winthrop-Young and Michael Wutz. Stanford, CA: Stanford University Press, 1999.
König, Wolfgang. Technikgeschichte. Eine Einführung in ihre Konzepte und Forschungsergebnisse. Stuttgart: Steiner Verlag, 2009.
Kracauer, Siegfried. Geschichte-Von den letzten Dingen. Frankfurt am Main: Suhrkamp, 1971.
Krebs, S., G. Schabacher, and H. Weber. "Kulturen des Reparierens und die Lebensdauer der Dinge." In Kulturen des Reparierens, edited by S. Krebs, G. Schabacher, and H. Weber, 9-46. Bielefeld: Transcript Verlag, 2018.
Kümmel-Schnur, Albert, and Christian Kassung, eds., Bildtelegraphie. Eine Mediengeschichte in Patenten (1840-1930). Bielefeld: Transcript Verlag, 2012.
Landwehr, Achim. Die anwesende Abwesenheit der Vergangenheit: Essay zur Geschichtstheorie. Frankfurt am Main: S. Fischer, 2016.
Latour, Bruno, and Steve Woolgar. Laboratory Life: The Construction of Scientific Facts. Princeton NJ: Princeton University Press, 1979.
Latour, Bruno. Science in Action: How to Follow Scientists and Engineers Through Society. Milton Keynes: Open University Press, 1987.
Latour, Bruno. We Have Never Been Modern. Translated by Catherine Porter. Cambridge, MA: Harvard University Press, 1993.
Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network Theory. Oxford: Oxford University Press, 2005.
Latour, Bruno, and Adam Lowe. "The Migration of the Aura or How to Explore the Original through its Facsimiles." In Switching Codes: Thinking through Digital Technology in the Humanities and the Arts, edited by Thomas Bartscherer and Roderick Coover, 1-18. Chicago: University of Chicago Press, 2010. [Online] http://www.bruno-latour.fr/sites/de fault/files/108-ADAM-FACSIMILES-GB.pdf [last accessed 26.07.2022].
Lave, Jean, and Etienne Wenger. Situated Learning: Legitimate Peripheral Participation. Cambridge: Cambridge University Press, 1991.
Lawson, Colin, and Robin Stowell. The Historical Performance of Music: An Introduction. Cambridge: Cambridge University Press, 1999.
Lehmann, Ann-Sophie."Objektstunden. Vom Materialwissen zur Materialbildung." In Materialität, edited by Herbert Kalthoff, Torsten Cress, and Tobias Röhl, 171-193. Leiden: Brill | Fink, 2016.
Loiperdinger, Martin, and Ludwig Volg-Bienek. "Screening the Poor 1888-1914." DVD Edition Filmmuseum 64, 2011.
Lowenthal, David. The Past is a Foreign Country. Cambridge: Cambridge University Press, 1986.
Ludwig, David, and Cornelia Weber. "A Rediscovery of Scientific Collections As Material Heritage? The Case of University Collections in Germany." Studies in History and Philosophy of Science, Part A 44, no. 4 (2013): 652-659.
Lundemo, Trond. "The Impact of Technological Innovations on the Historiography and Theory of Cinema, La Cinémathèque québécoise, Montreal (1-6 November 2011): Lost in Translation? On the Diverging Responses to the Question Concerning Technology." NECSUS. European Journal of Media Studies (2011). [Online] http://www.necsus-ejms.org/the-impact-of-technological-innovations-on-the-historiography-and-theory-of-cinema-lacinematheque-quebecoise-montreal-1-6-november-2011 [last accessed 26.07.2022].
MacDonald, H. Vesper Flights. New and Collected Essays. London: Jonathan Cape, 2020.
Mannoni, Laurent. Le Mouvement continué: Catalogue illustré de la collection des appareils de la Cinémathèque française. Paris: Cinémathèque française-Mazzotta, 1996.
Manovich, Lev. The Language of New Media. Cambridge, MA: MIT Press, 2001.
Margithazi, Béja. "'Last night I was in the Kingdom of Shadows. ' The Role of Body and Senses in Various 'First Contact' Narratives." Apertúra (2012). [Online] https://www.aper tura.hu/2012/osz/margithazi-the-role-of-body-and-senses/[last accessed 26.07.2022].
Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press, 2000.
Martin, Adrian. "Turn the Page: From Mise en scène to Dispositif." Screening the Past 31 (2011): 1-15. [Online] http://www.screeningthepast.com/2011/07/turn-the-page-frommise-en-scene-to-dispositif/[last accessed 26.07.2022].
Marvin, Carolyn. When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1990.
Marx, Leo. "Technology: The Emergence of a Hazardous Concept." Technology and Culture 51, no. 3 (July 2010): 561-577.
Masson, Eef. "Of Pits and Vaults: The Historiographic Value of Educational Collections in Great Britain." The Moving Image 2, no. 1 (2002): 47-72.
Maurice Merleau-Ponty. Phenomenology of Perception. Translated by Colin Smith. New York: Routledge, 2007.
Maza, Sarah. Thinking about History. Chicago: University of Chicago Press, 2018.
McLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man. Toronto: University of Toronto Press, 1962.
McLuhan, Marshall. Understanding Media: The Extensions of Man [1964]. Cambridge, MA: MIT Press, 1994.
Méadel, Cécile. Quantifier le public. Histoire des mesures d'audience à la radio et la télévision. Paris: Economica, 2010.
Mitman, Gregg, and Kelley Wilder. "Introduction." In Documenting the World. Film, Photography, and the Scientific Record, edited by Gregg Mitman and Kelley Wilder, 1-22. Chicago: University of Chicago Press, 2016.
Mori, Masahiro. "The Uncanny Valley." Energy 7, no. 4 (1970): 33.
Motrescu-Mayes, Annamaria, and Susan Aasman. Amateur Media and Participatory Cultures: Film, Video, and Digital Media. London: Routledge, 2019.
Müller, Eggo, "Formatted Spaces of Participation: Interactive Television and the Reshaping of the Relationship between Production and Consumption." In Digital Material, edited by Marianne van den Boomen, Sybille Lammes, Ann-Sophie Lehmann, and Mirko Tobias Schäfer, 47-61. Amsterdam: Amsterdam University Press, 2009.
Mulvey, Laura. Death 24 x a Second. London: Reaktion Books, 2006.
Münsterberg, Hugo. The Film: A Psychological Study. New York: Dover Publications, 1970.
Musser, Charles. The Emergence of Cinema: The American Screen to 1907. Berkeley, CA: University of California Press, 1990.
Musser, Charles. Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company. Berkeley, CA: University of California Press, 1991.
Musser, Charles, and Carol Nelson. High-Class Moving Pictures: Lyman H. Howe and the Forgotten Era of Travelling Exhibition, 1880-1920. Princeton, NJ: Princeton University Press, 1991.
Musser, Charles. "Historiographic Method and the Study of Early Cinema." Cinema Journal 1 (2004): 101-107.
Nerone, J. "The Future of Communication History." Critical Studies in Media Communication 23, no. 3 (2007): 259.
Noordegraaf, Julia, Vinzenz Hediger, Cosetta Saba, and Barbara Le Maitre, eds. Preserving and Exhibiting Media Art. Challenges and Perspectives. Amsterdam: Amsterdam University Press, 2013.
Noordegraaf, Julia. "Digitization." In Encyclopedia of Aesthetics, edited by Michael Kelly, 401-404. Oxford: Oxford University Press, 2014.
Nye, David E. Electrifying America: Social Meanings of a New Technology, 1880-1940. Cambridge, MA: MIT Press, 1991.
Nye, David E. Technology Matters. Questions to Live With. Cambridge, MA: MIT Press, 2007.
Odin, Roger. "Spectator, Film and the Mobile Phone." In Audiences. Defining and Researching Screen Entertainment Reception, edited by Ian Christie, 155-169. Amsterdam: Amsterdam University Press, 2012.
Odin, Roger. "Quand le téléphone portable rencontre le cinéma." In Téléphone mobile et création, edited by Laurence Allard, Laurent Creton, and Roger Odin, 37-54. Paris: Armand Colin, 2014.
Odin, Roger. "Cinema in My Pocket." In Exposing the Film Apparatus, edited by Giovanna Fossati and Annie van den Oever, 45-54. Amsterdam: Amsterdam University Press, 2016.
Oettermann, Stephan. The Panorama: History of a Mass Medium. New York: Zone Books, 1997.
Onians, John. "'I wonder. ' A short history of amazement." In Sight and lnsight: Essays on Art and Culture in Honor of E.H. Gombrich at 85, edited by John Onians, 11. London: Phaidon Press, 1994.
Oudshoorn, N., and Trevor Pinch, eds. How Users Matter: The Co-Construction of Users and Technologies. Cambridge, MA: MIT Press, 2003.
Parikka, Jussi. "Practising Media Archaeology: Creative Methodologies for Remediation." In What Is Media Archaeology? edited by Jussi Parikka, 136-158. Cambridge: Polity Press, 2012.
Park, D., N. Jankowski and S. Jones. The Long History of New Media: Technology, Historiography, and Contextualizing Newness. (2011). [Online]
Peters, Benjamin. "And Lead Us Not Into Thinking the New is New: A Bibliographic Case for New Media History". New Media and Society, 11, nos. 1-2 (2009): 13-30.
Peters, Sibylle. Der Vortrag als Performance. Bielefeld: Transcript Verlag, 2011.
Pethke, Stefan, and Stefanie Schlüter. "Sammeln und Vermitteln. Filmmuseen im Film." Kunst der Vermittlung (blog). 2009. [Online] http://www.kunst-der-vermittlung.de/dossiers/film vermittlung-und-filmmuseum/museen-im-film/[last accessed 26.07.2022].
Pickering, A. The Mangle of Practice: Time, Agency, and Science. Chicago: University of Chicago Press, 1995.
Pink, Sarah. Doing Sensory Ethnography. London: Sage, 2009.
Polywka, Andrea, and Antoine Prévost-Balga."Introduction." In Configurations of Film Series, edited by Benoît Turquety, 7-16. Lüneburg: Meson Press, 2019.
Praz, Mario. Histoire de la décoration d'intérieur: La philosophie de l'ameublement. London: Thames and Hudson, 1994.
Ravetto-Biagioli, Kriss. Digital Uncanny. Oxford: Oxford University Press, 2019. [Online] https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190853990.001.0001/oso-9780190853990 [last accessed 26.07.2022].
Rheinberger, Hans Jörg. Die Farben des Tastens. Hans-Jörg Rheinberger im Gespräch mit Alexandru Bulucz. Frankfurt am Main: Edition Faust, 2015.
Rheinberger, Hans-Jörg. "Mit den Händen denken. Im Gespräch mit Heiko Roehl." In Experimentalität. Hans-Jörg Rheinberger im Gespräch über Labor, Atelier und Archiv, 228-236. Berlin: Kadmos, 2018.
Rheinberger, Hans-Jörg. Spalt und Fuge. Eine Phänomenologie des Experiments. Frankfurt am Main: Suhrkamp, 2021.
Rieß, Falk. (1998). Erkenntnis durch Wiederholung-Eine Methode zur Geschichtsschreibung des Experiments. In The Development of the Laboratory. Essays on the Place of Experiment in Industrial Civilization, edited by Frank James, 157-172. Basingstoke, London: Macmillan, 1998.
Riggins, Stephen, "Fieldwork in the Living Room. An Autoethnographic Essay." In The Socialness of Things: Essays on the Socio-Semiotics of Objects, edited by Stephen Riggins, 101-147. Berlin: De Gruyter, 1994.
Roepke, Martina. Privat-Vorstellung: Heimkino in Deutschland vor 1945. Hildesheim: Olms, 2006.
Roepke, Martina. "Tracing the 17.5mm Practices in Germany (1902-1908)." Film History 19 (2007): 344-352.
Rogers, Ariel. Cinematic Appeals: The Experience of New Movie Technologies. New York: Columbia University Press, 2013. DOI:10.7312/roge15916.
Röther, Monika. The Sound of Distinction. Phonogeräte in der Bundesrepublik Deutschland. Eine Objektgeschichte (1957-1973). Marburg: Tectum Verlag, 2012.
Rowland, Richard. "The Speed of Projection of Film." Transactions of the SMPE 10, no. 27 (1926): 77-79.
Salehabadi, D. "The Scramble for Digital Waste in Berlin." In Cycling and Recycling. Histories of Sustainable Practices, edited by Ruth Oldenziel and Helmuth Trischler, 202-214. Berghahn: New York, 2016.
Salt, Barry. Film Style and Technology: History and Analysis [1983]. London: Starword, 2009.
Saraydar, Stephen C. Replicating the Past: The Art and Science of the Archaeological Experiment. Long Grove: Waveland Press, 2008.
Saxer, Marion, ed., Spiel (mit) der Maschine. Musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio. Bielefeld: Transcript, 2016.
Schiffer, Michael B., and James M. Skibo, "Theory and Experiment in the Study of Technological Change." Current Anthropology 28 (1987): 595-622.
Schiffer, Michael B. The Archaeology of Science. Studying the Creation of Useful Knowledge. Heidelberg: Springer, 2013.
Scheinfeigel, Maxime. "La fable documentaire." In Jean Rouch, 101-116. Paris: CNRS Éditions, 2008.
Schneider, Alexandra. "Das Kamerastativ." In Das Wörterbuch kinematografischer Objekte, edited by Marius Böttcher, Dennis Göttel, Friederike Horstmann, Jan Philipp Müller, Volker Pantenburg, Linda Waack, and Regina Wuzella, 73-74. Berlin: August Verlag, 2014.
Schneider, Alexandra. "Carole und Brenda. Das Paradox des Stativs oder eine Archäologie des Amateurfilms." In Archäologie des Amateurfilms, edited by Karin Fest and Vrääth Öhner, 58-70. Vienna: Filmmuseum, 2015.
Sconce, Jeffrey. Haunted Media. Electronic Presence from Telegraphy to Television. Durham: Duke University Press, 2000.
Serres, Michel. The Five Senses. A Philosophy of Mingled Bodies. London: Continuum, 2008.
Serres, Michel. Petite poucette. Paris: Le Pommier, 2012.
Sewell, Philip W. Television in the Age of Radio: Modernity, Imagination, and the Making of a Medium. New Brunswick, NJ: Rutgers University Press, 2014.
Shirky, Clay. Cognitive Surplus. How Technology Makes Consumers into Collaborators. New York, London: Penguin Books, 2010.
Shklovsky, Viktor. "Art as Technique." In Russian Formalist Criticism: Four Essays, edited by Lee T. Lemon and Marion J. Reis, 3-24. Lincoln: University of Nebraska Press, 1965.
Sibum, O. "Die Sprache der Instrumente. Eine Studie zur Praxis und Repräsentation des Experimentierens." In Experimental Essays-Versuche zum Experiment, edited by M. Heidelberger and F. Steinle, 141-156. Baden-Baden: Nomos, 1998.
Siegel, Harmon. "Feats of Prestidigitation." In William Kentridge: Smoke, Ashes, Fable, edited by Margaret K. Koerner, 142-172. New Haven, London: Yale University Press, 2018.
Silverstone, Roger, and Eric Hirsch, eds. Consuming Technologies: Media and Information in Domestic Spaces. London: Routledge, 1994.
Silverstone, Roger, and Leslie Haddon. "Design and the Domestication of ICTs: Technical Change and Everyday Life." In Communication by Design. The Politics of Information and Communication Technologies, edited by Roger Silverstone and Robin Mansell, 44-74. Oxford: Oxford University Press, 1996.
Simondon, Gilbert, Du monde d'existence des objets techniques. Paris: Éditions Aubier, 1958.
Sinnerbrink, Robert. "Techne and Poiesis: On Heidegger and Film Theory." In Techne/Technology: Researching Cinema and Media Technologies-Their Development, Use, and Impact, edited by Annie van den Oever, 65-80. Amsterdam: Amsterdam University Press, 2014.
Slootweg, Tom. Resistance, Disruption and Belonging: Electronic Video in Three Amateur Modes. Groningen: University of Groningen, 2018.
Smith, Adam. "History of Astronomy." In Essays on Philosophical Subjects, edited by I.S. Ross, 6-33. Indianapolis: Liberty Classics, 1982.
Smith, Mark M. "Producing sense, consuming sense, making sense: perils and prospects for sensory history." Journal of Social Sciences 40, no. 4 (2007): 841-858.
Smith, Mark M. Sensing the Past. Seeing, Hearing, Smelling, Tasting, and Touching in History. Berkeley: University of California Press, 2007.
Sorlin, Pierre. "Television and the Close-Up." In Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital Age, edited by Thomas Elsaesser and Kay Hoffmann, 119-126. Amsterdam: Amsterdam University Press, 1998.
Spadoni, Robert. Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre. Oakland, CA: University of California Press, 2007. [Online] https://www.jstor.org/stable/10.1525/j.ctt1ppxsb [last accessed 26.07.2022].
Stafford, Barbara Maria. Artful Science: Enlightenment, Entertainment and the Eclipse of Visual Education. Cambridge, MA: MIT Press, 1994.
Sterne, Jonathan. MP3. The Meaning of a Format. London: Duke University Press, 2012.
Stewart, Susan. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Durham, NC: Duke University Press, 1993.
Stiegler, Bernard. Technics and Time 1: The Fault of Epimetheus. Translated by Stephen Barker. Stanford, CA: Stanford University Press, 1994.
Stiegler, Bernard. Technics and Time 2: Disorientation. Translated by Stephen Barker. Stanford, CA: Stanford University Press, 2008.
Stiegler, Bernard. "The Organology of Dreams and Arche-Cinema." Translated by Daniel Ross. Screening the Past 36 (June 2013). [Online] http://www.screeningthepast.com/issue-36-special-feature/the-organology-of-dreams-and-arche-cinema/[last accessed 26.07.2022].
Strauven, Wanda. "From 'Primitive Cinema' to 'Marvelous'." In The Cinema of Attractions Reloaded, edited by Wanda Strauven, 105-120. Amsterdam: Amsterdam University Press, 2006.
Strauven, Wanda, ed. The Cinema of Attractions Reloaded. Amsterdam: Amsterdam University Press, 2007.
Strauven, Wanda. "The Observer's Dilemma: To Touch or Not to Touch." In Media Archaeology: Approaches, Applications, and Implications, edited by Erkki Huhtamo and Jussi Parikka, 148-163. Berkeley, CA: University of California Press, 2011.
Strauven, Wanda. "Media Archaeology: Where Film History, Media Art, and New Media (Can) Meet." In Preserving and Exhibiting Media Art. Challenges and Perspectives, edited by Julia Noordegraaf, Cosetta Saba, Barbara Le Maitre, and Vinzenz Hediger, 59-80. Amsterdam: Amsterdam University Press, 2013.
Sturken, Marita, Douglas Thomas, and Sandra J. Ball-Rokeach, eds. Technological Visions. The Hopes and Fears That Shape New Technologies. Philadelphia: Temple University Press, 2004.
Thompson, Richard F., and William A. Spencer. "Habituation: A Model Phenomenon for the Study of Neuronal Substrates of Behavior." Psychological Review, 73 (1996): 16-43.
Tilmans, Karin, Frank van Vree, and Jay Winter, eds. Performing the Past. Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.
Tosh, John. The Pursuit of History. Aims, Methods and New Directions in the Study of the Past. London: Routledge, 2016.
Tsivian, Yuri. Early Cinema in Russia and Its Cultural Reception. Translated by Alan Bodger. Chicago: University Press Chicago, 1994.
Turquety, Benoît. Inventer le cinéma. Épistémologie: problèmes, machines. Lausanne: L'Âge d'Homme, 2014.
Turquety, Benoît. "Le naturel et le mécanique: le Kinémacolor à la conquête de Paris, ou Charles Urban vs. Charles Pathé." 1895. Revue d'histoire du cinéma 71 (2014): 81-105.
Turquety, Benoît. "Toward an Archaeology of the Cinema/Technology Relation: From Mechanization to 'Digital Cinema'." In Techne/Technology. Researching Cinema and Media Technologies, Their Development, Use and Impact, edited by Annie van den Oever, 50-64. Amsterdam: Amsterdam University Press, 2014.
Turquety, Benoît. "On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema." In Technology and Film Scholarship Experience, Study, Theory, edited by Santiago Hidalgo, 239-260. Series Technology and Film Scholarship. Amsterdam: Amsterdam University Press, 2018.
Turquety, Benoît. Inventing Cinema: Machines, Gestures, and Media History. Amsterdam: Amsterdam University Press, 2019.
Turquety, Benoît. "Medium, Format, Configuration: The Displacement of Film." In Configurations of Film Series, edited by Benoît Turquety, 17-54. Lüneburg: Meson Press, 2019.
Uricchio, William. "Archives and Absences." Film History 7, no. 3 (Fall 1995): 256-263.
Uricchio, William. "There's More to the Camera's Obscura Than Meets the Eye." In Arrêt sur image et fragmentation du temps/Stop Motion, Fragmentation of Time, edited by François Albera, Marta Braun and André Gaudreault, 103-120. Lausanne: Cinema Editions Payot, 2002.
Uricchio, William. "Historicizing Media in Transition." In Rethinking Media Change: The Aesthetics of Transition, edited by David Thorburn and Henry Jenkins, 23-38. Cambridge, MA: MIT Press, 2003.
Uricchio, William. "Television's First Seventy-Five Years: The Interpretive Flexibility of a Medium in Transition." In The Oxford Handbook of Film and Media Studies, edited by Robert P. Kolker, 286-305. Oxford: Oxford University Press, 2008.
Valéry, Paul. "La conquête de l'ubiquité" [1928]. In Oeuvres: Pièces sur l'art, vol. 2, 1283-1287. Paris: Gallimard, 1960. [Online] http://classiques.uqac.ca/classiques/Va lery_paul/conquete_ubiguite/valery_conquete_ubiquite.pdf [last accessed 26.07.2022].
Valéry, Paul. Aesthetics. Translated by Ralph Manheim. Introduction by Herbert Read. London: Routledge and Kegan Paul, 1964.
Valéry, Paul. Selected Writings. Translated by Malcolm Cowley. New York: New Directions, 1964.
Van den Oever, Annie. "From Technology to Medium." In Dall'inizio, alla fine. Teorie del cinema in prospettiva/In the Very Beginning, at the Very End. Film Theories in Perspective, edited by Francesco Casetti, Jane Gaines, and Valentina Re, 131-140. Udine: Forum, 2009.
Van den Oever, Annie. "Monstration and the Monstrous. The Grotesque in the Very Beginning and at the Very End." In Proceedings of the XVI International Film Studies Conference-Permanent Seminar on History of Film Theories. Film Theories in Perspective, edited by F. Casetti, J. Gaines and V. Re, 229-242. Udine: Forum, 2010.
Van den Oever, Annie. "Ostranenie, 'The Montage of Attractions', and Early Cinema's 'Properly Irreducible Alien Quality'." In Ostrannenie. On "Strangeness"' and the Moving Image: The History, Reception, and Relevance of a Concept, edited by Annie van den Oever, 33-60. The Key Debates. Mutations and Appropriations in European Film Studies. Amsterdam: Amsterdam University Press, 2010.
Van den Oever, Annie. "The Prominence of Grotesque Figures in Visual Culture Today. Rethinking the Ontological Status of the (Moving) Image from the Perspective of the Grotesque." Image and Text 18 (2011): 100-123.
Van den Oever, Annie. "The Aesthetics and Viewing Regimes of Cinema and Television, and their Dialectics." In Audiences: Defining and Researching Screen Entertainment Reception, edited by Ian Christie, 113-127. Amsterdam: Amsterdam University Press, 2012.
Van den Oever, Annie. "The Medium-Sensitive Experience and the Paradigmatic Experience of the Grotesque, 'Unnatural,' or 'Monstrous.'" Leonardo, 46, no. 1 (2013): 88-89.
Van den Oever, Annie, ed. "Introduction". In Techne/Technology. Researching Cinema and Media Technologies, Their Development, Use and Impact., edited by Annie van den Oever, 15-26. The Key Debates: Mutations and Appropriations in European Film Studies, 4 Amsterdam: Amsterdam University Press, 2014
Van den Oever, Annie, and E. Tan. Settling the unsettling: medium sensitization and desensitization cycles and the adaptation to and acceptation of novel media by viewers. Project Proposal RUG/UvA, 2014.
Van den Oever, Annie, ed. Techne/Technology: Researching Cinema and Media Technologies-Their Development, Use, and Impact. The Key Debates. The Key Debates: Mutations and Appropriations in European Film Studies, 4. Amsterdam: Amsterdam University Press, 2014.
Van der Heijden, Tim. "Technostalgia of the Present: From Technologies of Memory to a Memory of Technologies," NECSUS. European Journal of Media Studies 4, no. 2 (2015): 103-121.
Van der Heijden, Tim. Hybrid Histories: Technologies of Memory and the Cultural Dynamics of Home Movies, 1895-2005. Maastricht: Maastricht University, 2018.
Van der Heijden, Tim, and Aleksander Kolkowski. Doing Experimental Media Archaeology: Practice. Berlin: De Gruyter, 2023.
Van Noortwijk, Annelies. "The Orbit and Single Shot Cinema." In Exposing the Film Apparatus, edited by Giovanna Fossati and Annie van den Oever, 130-139. Amsterdam: Amsterdam University Press, 2016.
Verhoeff, Nanna. Mobile Screens: The Visual Regime of Navigation. Amsterdam: Amsterdam University Press, 2012.
Venturini, S. "Technological Platforms." In Preserving and Exhibiting Media Art. Challenges and Perspectives, edited by J. Noordegraaf, V. Hediger, C. Saba and B. Le Maitre, 201-202. Amsterdam: Amsterdam University Press, 2013.
Virilio, Paul. War and Cinema: The Logistics of Perception. London: Verso, 1989.
Waldenfels, Bernhard. Phänomenologie der Aufmerksamkeit. Frankfurt am Main: Suhrkamp Verlag, 2004.
Waquet, Françoise. Une histoire émotionnelle du savoir. XVIIe-XXIe siècle. Paris: CNRS Éditions, 2019.
Ward, Montgomery. Catalogue of Magic Lanterns, Stereopticons and Moving Picture Machines. Chicago, IL: Montgomery Ward, 1898.
Wershler, Darren, Lori Emerson, and Jussi Parikka. Lab Book. Situated Practices in Media Studies. Minneapolis: University of Minnesota Press, 2022.
Wiesing, Lambert. "What are Media?" In Techne/Technology. Researching Cinema and Media Technologies-their Development, Use, and Impact, edited by Annie van den Oever, 93-104. Amsterdam: Amsterdam University Press, 2014.
Willemsen, Steven."Widescreen Anamorphic Lens." In Exposing the Film Apparatus, eds. Giovanna Fossati and Annie van den Oever, 109-118. Amsterdam: Amsterdam University Press, 2016.
Winston, Brian. Media Technology and Society: A History from the Telegraph to the Internet. London: Routledge, 1998.
Winthrop-Young, Geoffrey, and Michael Wutz. "Translator's introduction: Friedrich Kittler and media discourse analysis." In Gramophone, Film, Typewriter, edited by Friedrich Kittler, xi-xxxviii. Translated, with an Introduction, by G. Winthrop-Young and M. Wutz. Redwood City CA: Stanford University Press, 1999.
Winthrop-Young, G. Kittler and the Media. Cambridge: Polity, 2011.
Winthrop-Young, G., and Annie van den Oever. "Rethinking the Materiality of Technical Media: Friedrich Kittler, Enfant Terrible with a Rejuvenating Effect on Parental Discipline, a Dialogue." In Techne/Technology. Researching Cinema and Media Technologies-their Development, Use, and Impact, edited by Annie van den Oever, 219-239. Amsterdam: Amsterdam University Press, 2014.
Woodward, Ian, "Material Culture, Narratives and Social Performance. Objects in Contexts." In Understanding Material Culture, edited by Ian Woodward, 151-168. London: Sage, 2007.
Woolf, Virginia. Orlando: A Biography. London: Hogarth Press, 1928.
Woolgar, Steve. "Configuring the User: The Case of Usability Trials." In Sociology of Monsters: Essays on Power, Technology, and Domination, edited by John Law, 58-97. London: Routledge, 1991.
Wurtzler, Steve. "Standardizing Professionalism and Showmanship: The Performance of Motion Picture Projectionists During the Early Sync-Sound Era." In Keyframes: Popular Cinema and Cultural Studies, edited by Matthew Tinkcom and Amy Villarejo, 359-376. London: Routledge, 2001.
Yumibe, Joshua. "Film and Attraction: From Kinematography to Cinema." Screen 53, no. 4 (Winter 2012): 480-483.
Zielinski, Siegfried. Deep Time of the Media. Toward an Archaeology of Hearing and Seeing by Technical Means [originally published as Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, 2002]. Translated by Gloria Custance. Cambridge, MA: MIT Press, 2006).
Zielinski, Siegfried. "Media Archaeology". CTheory. 1996. [Online] https://journals.uvic.ca/index.php/ctheory/article/download/14321/5097 [last accessed 26.07.2022].