Die digitale Revolution der Musik : Eine Musikphilosophie

Reference : Die digitale Revolution der Musik : Eine Musikphilosophie


	Document type :	Books : Book published as author, translator, etc.
	Discipline(s) :	Arts & humanities : Art & art history
	To cite this reference:	http://hdl.handle.net/10993/52706

Title :	Die digitale Revolution der Musik : Eine Musikphilosophie
Language :	German
Translated title :	[en] The Digital Revolution of Music : A Music Philosophy
Author, co-author :	Lehmann, Harry [University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Humanities (DHUM) >]
Publication date :	9-Jan-2013
Publisher :	Schott Music
Number of pages :	152
ISBN :	978-3795708252
City :	Mainz
Country :	Gerrmany
Keywords :	[en] New music ; absolute music ; relational music ; conceptual music ; digital revolution ; deinstitutionalization ; gehalt-aesthetic turn ; avant-garde
Abstract :	[en] Philosophy of music, like philosophy of art in general, is not a firmly established academic discipline. It appears sporadically when there are drastic changes in musical practice, and it becomes necessary to redefine the term music. This was the case when the symphony established itself as a formative musical genre just over two hundred years ago, and it happened when tonality was abandoned just over one hundred years ago. The event that directs philosophical interest in music today is the digital revolution. It calls into question the idea of New Music and its genuine claim to art.
Permalink :	http://hdl.handle.net/10993/52706

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