New Music; digital revolution; deinstitutionalization; samples as new medium of composing; conceptual music; relational music; absolute music; virtual instruments; art music
Résumé :
[en] Philosophy of music, like philosophy of art in general, is not a firmly established academic discipline. It appears sporadically when there are drastic changes in musical practice, and it becomes necessary to redefine the term music. This was the case when the symphony established itself as a formative musical genre just over two hundred years ago, and it happened when tonality was abandoned just over one hundred years ago. The event that directs philosophical interest in music today is the digital revolution. It calls into question the idea of New Music and its genuine claim to art.
Disciplines :
Art & histoire de l’art
Auteur, co-auteur :
LEHMANN, Harry ; University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Humanities (DHUM)
Co-auteurs externes :
no
Langue du document :
Français
Titre :
La Révolution digitale dans la musique : Une philosophie de la musique
Titre traduit :
[en] The Digital Revolution of Music : A Music Philosophie
