La Révolution digitale dans la musique : Une philosophie de la musique

Reference : La Révolution digitale dans la musique : Une philosophie de la musique


	Document type :	Books : Book published as author, translator, etc.
	Discipline(s) :	Arts & humanities : Art & art history
	To cite this reference:	http://hdl.handle.net/10993/52702

Title :	La Révolution digitale dans la musique : Une philosophie de la musique
Language :	French
Translated title :	[en] The Digital Revolution of Music : A Music Philosophie
Author, co-author :	Lehmann, Harry [University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Humanities (DHUM) >]
Publication date :	7-Sep-2017
Publisher :	Allia
Number of pages :	224
ISBN :	979-1030406962
City :	Paris
Country :	France
Keywords :	[en] New Music ; digital revolution ; deinstitutionalization ; samples as new medium of composing ; conceptual music ; relational music ; absolute music ; virtual instruments ; art music
Abstract :	[en] Philosophy of music, like philosophy of art in general, is not a firmly established academic discipline. It appears sporadically when there are drastic changes in musical practice, and it becomes necessary to redefine the term music. This was the case when the symphony established itself as a formative musical genre just over two hundred years ago, and it happened when tonality was abandoned just over one hundred years ago. The event that directs philosophical interest in music today is the digital revolution. It calls into question the idea of New Music and its genuine claim to art.
Target :	Researchers ; Professionals ; Students ; General public
Permalink :	http://hdl.handle.net/10993/52702

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