[en] In this article we will see how a « mystic ophelisation » is pregnant in « Pelléas and
Mélisande » to Maurice Maeterlinck and « Noon Sharing » to Paul Claudel. To do so, this
article will be divided into three parts. In the first part, the locution « mystic ophelisation »
will be consider. What is it exactly ? Why do we associate this female name and this
phenomenon ? In the second part, we will focus on « Pelléas and Mélisande » to Maurice
Maeterlinck ; espacially on Mélisande. In the last part, we will being interested in « Noon
Sharing » to Paul Claudel ; espacially on Ysé. How do Mélisande and Ysé look like
Ophélia (in « Hamlet » to William Shakespeare) ? How do these female characters go into a
transe ? What do they make on the male characters, Pelléas and Mesa ? By this article, we
will try to answer these questions.
Disciplines :
Literature
Author, co-author :
Deregnoncourt, Marine ; University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FDEF) > Department of Humanities (DHUM)
External co-authors :
yes
Language :
French
Title :
« L’OPHÉLISATION MYSTIQUE » DANS PELLÉAS ET MÉLISANDE DE MAURICE MAETERLINCK ET PARTAGE DE MIDI DE PAUL CLAUDEL
Publication date :
24 February 2019
Journal title :
Journal of Philology and Intercultural Communication
ISSN :
2558-8478
Publisher :
Military Technical Academy Publishing House, Bucarest, Romania
