Reference : « L’OPHÉLISATION MYSTIQUE » DANS PELLÉAS ET MÉLISANDE DE MAURICE MAETERLINCK ET PARTA...
Scientific journals : Article
Arts & humanities : Literature
Educational Sciences
http://hdl.handle.net/10993/46394
« L’OPHÉLISATION MYSTIQUE » DANS PELLÉAS ET MÉLISANDE DE MAURICE MAETERLINCK ET PARTAGE DE MIDI DE PAUL CLAUDEL
French
Deregnoncourt, Marine mailto [University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FDEF) > Department of Humanities (DHUM) >]
24-Feb-2019
JOURNAL OF PHILOLOGY AND INTERCULTURAL COMMUNICATION
REVUE DE PHILOLOGIE ET DE COMMUNICATION INTERCULTURELLE
Military Technical Academy Publishing House
2
2018
LIMITES, SEUILS, PASSAGES
227-239
Yes
International
2558-8478
Bucarest
Roumanie
[en] Mystic Ophelisation ; Mélisande ; Ysé
[en] In this article we will see how a « mystic ophelisation » is pregnant in « Pelléas and
Mélisande » to Maurice Maeterlinck and « Noon Sharing » to Paul Claudel. To do so, this
article will be divided into three parts. In the first part, the locution « mystic ophelisation »
will be consider. What is it exactly ? Why do we associate this female name and this
phenomenon ? In the second part, we will focus on « Pelléas and Mélisande » to Maurice
Maeterlinck ; espacially on Mélisande. In the last part, we will being interested in « Noon
Sharing » to Paul Claudel ; espacially on Ysé. How do Mélisande and Ysé look like
Ophélia (in « Hamlet » to William Shakespeare) ? How do these female characters go into a
transe ? What do they make on the male characters, Pelléas and Mesa ? By this article, we
will try to answer these questions.
Researchers ; Professionals ; Students
http://hdl.handle.net/10993/46394

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