Reference : « L’OPHÉLISATION MYSTIQUE » DANS PELLÉAS ET MÉLISANDE DE MAURICE MAETERLINCK ET PARTA... |
Scientific journals : Article | |||
Arts & humanities : Literature | |||
Educational Sciences | |||
http://hdl.handle.net/10993/46394 | |||
« L’OPHÉLISATION MYSTIQUE » DANS PELLÉAS ET MÉLISANDE DE MAURICE MAETERLINCK ET PARTAGE DE MIDI DE PAUL CLAUDEL | |
French | |
Deregnoncourt, Marine ![]() | |
24-Feb-2019 | |
Journal of Philology and Intercultural Communication | |
REVUE DE PHILOLOGIE ET DE COMMUNICATION INTERCULTURELLE | |
Military Technical Academy Publishing House | |
2 | |
2018 | |
LIMITES, SEUILS, PASSAGES | |
227-239 | |
Yes | |
International | |
2558-8478 | |
Bucarest | |
Roumanie | |
[en] Mystic Ophelisation ; Mélisande ; Ysé | |
[en] In this article we will see how a « mystic ophelisation » is pregnant in « Pelléas and
Mélisande » to Maurice Maeterlinck and « Noon Sharing » to Paul Claudel. To do so, this article will be divided into three parts. In the first part, the locution « mystic ophelisation » will be consider. What is it exactly ? Why do we associate this female name and this phenomenon ? In the second part, we will focus on « Pelléas and Mélisande » to Maurice Maeterlinck ; espacially on Mélisande. In the last part, we will being interested in « Noon Sharing » to Paul Claudel ; espacially on Ysé. How do Mélisande and Ysé look like Ophélia (in « Hamlet » to William Shakespeare) ? How do these female characters go into a transe ? What do they make on the male characters, Pelléas and Mesa ? By this article, we will try to answer these questions. | |
Researchers ; Professionals ; Students | |
http://hdl.handle.net/10993/46394 |
File(s) associated to this reference | ||||||||||||||
Fulltext file(s):
| ||||||||||||||
All documents in ORBilu are protected by a user license.