| Reference : « L’OPHÉLISATION MYSTIQUE » DANS PELLÉAS ET MÉLISANDE DE MAURICE MAETERLINCK ET PARTA... |
| Scientific journals : Article | |||
| Arts & humanities : Literature | |||
| Educational Sciences | |||
| http://hdl.handle.net/10993/46394 | |||
| « L’OPHÉLISATION MYSTIQUE » DANS PELLÉAS ET MÉLISANDE DE MAURICE MAETERLINCK ET PARTAGE DE MIDI DE PAUL CLAUDEL | |
| French | |
Deregnoncourt, Marine  [University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FDEF) > Department of Humanities (DHUM) >] | |
| 24-Feb-2019 | |
| JOURNAL OF PHILOLOGY AND INTERCULTURAL COMMUNICATION | |
| REVUE DE PHILOLOGIE ET DE COMMUNICATION INTERCULTURELLE | |
| Military Technical Academy Publishing House | |
| 2 | |
| 2018 | |
| LIMITES, SEUILS, PASSAGES | |
| 227-239 | |
| Yes | |
| International | |
| 2558-8478 | |
| Bucarest | |
| Roumanie | |
| [en] Mystic Ophelisation ; Mélisande ; Ysé | |
| [en] In this article we will see how a « mystic ophelisation » is pregnant in « Pelléas and
Mélisande » to Maurice Maeterlinck and « Noon Sharing » to Paul Claudel. To do so, this article will be divided into three parts. In the first part, the locution « mystic ophelisation » will be consider. What is it exactly ? Why do we associate this female name and this phenomenon ? In the second part, we will focus on « Pelléas and Mélisande » to Maurice Maeterlinck ; espacially on Mélisande. In the last part, we will being interested in « Noon Sharing » to Paul Claudel ; espacially on Ysé. How do Mélisande and Ysé look like Ophélia (in « Hamlet » to William Shakespeare) ? How do these female characters go into a transe ? What do they make on the male characters, Pelléas and Mesa ? By this article, we will try to answer these questions. | |
| Researchers ; Professionals ; Students | |
| http://hdl.handle.net/10993/46394 |
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