Reference : Performing a historical re-enactment: the making of a 16mm home movie |
Scientific Presentations in Universities or Research Centers : Scientific presentation in universities or research centers | |||
Arts & humanities : History | |||
http://hdl.handle.net/10993/45201 | |||
Performing a historical re-enactment: the making of a 16mm home movie | |
English | |
van der Heijden, Tim ![]() | |
18-Dec-2020 | |
International | |
Performing Media Archaeological Experiments | |
18-12-2020 | |
Belval | |
Luxembourg | |
[en] performativity ; historical re-enactment ; analogue film | |
[en] In this presentation, I will “perform” the making of a 16mm home movie based on my media archaeological experiments with an original Ciné-Kodak film camera from 1930. A split screen montage shows the recorded analogue film fragments besides footage that illustrates the process of making the film captured by my documentation equipment, including a digital video camera, GoPro and 360 degree camera. My contribution aims to discuss and re-evaluate the performative nature of media archaeological experiments, and how digital (documentation) tools enable new forms of presentation, explication and dissemination of historical tacit knowledge in early-twentieth century amateur filmmaking. | |
Luxembourg Centre for Contemporary and Digital History (C2DH) > Digital History & Historiography (DHI) | |
http://hdl.handle.net/10993/45201 | |
https://dema.uni.lu/performing-media-archaeological-experiments/ | |
FnR ; FNR12703137 > Andreas Fickers > DEMA > Doing Experimental Media Archaeology: Theory & Practice > 01/09/2019 > 28/02/2022 > 2018 |
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