van der Heijden, T., & Wolf, C. (02 June 2021). Replicating the Kinora: 3D modelling and printing as heuristics in digital media history [Paper presentation]. DHBenelux, Netherlands. |
van der Heijden, T. (2021). A History of Pathé 9.5mm film. |
van der Heijden, T. (2021). Technostalgie du présent: des technologies de la mémoire à une mémoire des technologies. In E. Fantin, S. Fevry, ... K. Niemeyer (Eds.), Nostalgies contemporaines: Médias, cultures et technologies (pp. 285-303). Septentrion Presses Universitaires.  Peer reviewed |
van der Heijden, T. (18 December 2020). Performing a historical re-enactment: the making of a 16mm home movie [Paper presentation]. Performing Media Archaeological Experiments, Belval, Luxembourg. |
van der Heijden, T. (11 December 2020). Understanding through Experimentation: An Experimental Media Archaeological Approach to Early Twentieth-Century Home Movie Making [Paper presentation]. Private Blicke in Diktatur und Demokratie: Schmalfilme und Fotos im 20. Jahrhundert. |
  | Fickers, A., & van der Heijden, T. (21 September 2020). Inside the Trading Zone: Thinkering in a Digital History Lab. Digital Humanities Quarterly, 14 (3). Peer Reviewed verified by ORBi |
 | van der Heijden, T., Wolf, C., & Piet, M. (2020). DEMA demonstration: Kinora Viewer Replica. |
van der Heijden, T. (17 December 2019). From Kinora to Small-Gauge: An Experimental Media Archaeological Approach to Early-Twentieth Century Home Cinema [Paper presentation]. Documenting Media Archaeological Experiments, Belval, Luxembourg. |
van der Heijden, T., & Tatarinov, J. (11 October 2019). Inside the Trading Zone: Doing Digital Hermeneutics in an Interdisciplinary Setting [Paper presentation]. Digital Hermeneutics: from Research to Dissemination, Washington DC, United States. |
van der Heijden, T. (12 September 2019). Digital History as Trading Zone? Reflections from a Doctoral Training Unit [Paper presentation]. DHBenelux 2019. |
van der Heijden, T. (2018). Humanities Talk - radio interview by Danièle Wecker. |
van der Heijden, T. (09 November 2018). 'Analogue Renaissance': Strategies of Technostalgia with Kodak’s new Super 8 film camera [Paper presentation]. IMNN Conference: Communicative Forms and Practices of Nostalgia: Conceptual, Critical and Historical Perspectives. |
van der Heijden, T. (25 October 2018). Doing Digital Hermeneutics in an Interdisciplinary Setting [Paper presentation]. Digital Hermeneutics in History: Theory and Practice, Esch-sur-Alzette, Luxembourg. |
van der Heijden, T. (2018). Home Movie Day 2018: van smalfilm tot selfie [Paper presentation]. Home Movie Day 2018, Amsterdam, Netherlands. |
Aasman, S., van der Heijden, T., & Slootweg, T. (23 August 2018). From the Dustbin of History: Rethinking the History of Amateur Media in a Historical Conversation [Paper presentation]. Media History from the Margins. |
van der Heijden, T. (27 June 2018). Conceptualizing Tactics and Engagement in Amateur Media Practices: A Longue Durée Perspective [Paper presentation]. NECS Conference: Media Tactics and Engagement, Amsterdam, Netherlands. |
van der Heijden, T., & Panagl, C. (Ed.). (2018). Ein trend spult die Zeit züruck. Die große Retro-Lust. Salzburger Nachrichten. |
van der Heijden, T. (25 May 2018). Hybrid Histories: Technologies of Memory and the Cultural Dynamics of Home Movies, 1895-2005 (presentation) [Paper presentation]. Amateur Film Workshop 'Researching Amateur Film Cultures – Methods and Materials', Marburg, Germany. |
van der Heijden, T. (2018). Een eeuw amateurfilm: van smalfilm tot selfie. |
van der Heijden, T., & Slootweg, T. (2018). Historicizing Home Movie Practices: Two Complementary Perspectives. EUscreen blog. |
van der Heijden, T. (2018). Hybrid Histories: Historicizing the Home Movie Dispositif. In S. Aasman, A. Fickers, ... J. Wachelder (Eds.), Materializing Memories: Dispositifs, Generations, Amateurs (pp. 16). New York, United States: Bloomsbury Academics. Peer reviewed |
van der Heijden, T. (2018). Hybrid Histories: Technologies of Memory and the Cultural Dynamics of Home Movies, 1895-2005 [Doctoral thesis, Maastricht University]. ORBilu-University of Luxembourg. https://orbilu.uni.lu/handle/10993/34186 |
van der Heijden, T., Andersen, E., Bronec, J., de Kramer, M., Durlacher, T., Fiscarelli, A. M., Haddadan, S., Kamlovskaya, E., Lotz, J., Mersch, S., Morse, C., Sikk, K., & van Herck, S. (27 November 2017). Presentation of the Luxembourg Centre for Contemporary and Digital History – C2DH Doctoral Training Unit [Paper presentation]. DH Nord Conference: (De)constructing Digital History/(Dé)construire l’Histoire Numérique, Lille, France. |
van der Heijden, T. (24 November 2017). Changing Platforms of Ritualized Memory Practices: The Cultural Dynamics of Home Movies (2012-2015): How a Research Program Led to the Organization of Several Mainstream Exhibitions and How Collaborations with other Institutions Contributed [Paper presentation]. INEDITS 27th Annual Meeting: Amateur Films/Memory of Europe, Strasbourg, France. |
van der Heijden, T. (30 June 2017). Historicizing the Home Movie Dispositif: Reflections from the Longue Durée [Paper presentation]. NECS Conference: Sensibilities & the Senses: Media, Bodies, Practices, Paris, France. |
van der Heijden, T. (28 June 2017). Staging the Amateur Film Dispositif: A Media Archaeological Experiment [Paper presentation]. Pre-conference workshop “Experimental Media Archaeology”, Paris, France. |
 | van der Heijden, T. (2015). Technostalgia of the Present: From Technologies of Memory to a Memory of Technologies. Necsus: European Journal of Media Studies, 4 (2), 103-121. Peer Reviewed verified by ORBi |
 | van der Heijden, T., & Aasman, S. (2014). 'Hare Majesteit de Smalfilm' - De making of de vroege amateurfilm(er). Tijdschrift voor Mediageschiedenis, 17 (1), 7-26. Peer reviewed |
van der Heijden, T. (2014). ‘Voor ik vergeet’. Spinvis en het potentieel van reflexieve technostalgie. In A. Andeweg & L. Wesseling, Wat de verbeelding niet vermag! Essays bij het afscheid van Maaike Meijer (pp. 130-135). Nijmegen, Netherlands: Vantilt. |