Article (Scientific journals)
Introduction to “Chronotopes of Gender”
Kramer, Elise; TEBALDI, Catherine
2025In Signs and Society, 13 (4), p. 455 - 459
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Keywords :
chronotopes; gender; language; politics; Cultural Studies; Language and Linguistics; Communication; Visual Arts and Performing Arts; Linguistics and Language
Abstract :
[en] The authors in this special issue explore the ways in which chronotopes are often gendered and gender performance is chronotopic. Articles examine a diverse range of discourses—tradwives, Chinese beauty influencers, paleofantasy health trends, Kiowa War Mothers, and Swahili-language Islamic marital advice—and unpack the ways that notions of gender rely on particular constructions of the “here-and-now” in contrast to various “theres-andthens.” As this special issue demonstrates, one is not just a gendered subject; one is a particular type of gendered subject, and those types are embedded in imagined times and places.
Disciplines :
Languages & linguistics
Author, co-author :
Kramer, Elise ;  Department of Anthropology, University of Illinois Urbana-Champaign, Urbana, United States
TEBALDI, Catherine  ;  University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Humanities (DHUM) > Luxembourg Studies
External co-authors :
yes
Language :
English
Title :
Introduction to “Chronotopes of Gender”
Publication date :
December 2025
Journal title :
Signs and Society
ISSN :
2326-4489
eISSN :
2326-4497
Publisher :
Cambridge University Press
Volume :
13
Issue :
4
Pages :
455 - 459
Peer reviewed :
Peer Reviewed verified by ORBi
Funding text :
This special issue began as a panel at the 2023 Annual Meeting of the American Anthropological Association. We are indebted to Susan Gal, who served as the discussant for the panel and whose commentary strengthened all of the articles that have been developed for this special issue. We are grateful to the contributors to this issue, whose insightful and important work has allowed this project to come together and whose attentiveness has made the process as painless as possible. We would also like to thank Jennifer Delfino, Michele Koven, Sabina Perrino, and Megan Kelly for their generous feedback on earlier drafts of this introduction. All remaining errors are our own.
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