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Die flüchtige Wahrheit der Kunst : Ästhetik nach Luhmann
Lehmann, Harry
2005W. Fink, Paderborn, Germany
 

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Keywords :
Niklas Luhmann; system theory; media of humanities (Humanmedien); re-exit; social function of the arts; emphatic meaning; Theodor W. Adorno; transcendence; combination of forms; truth of art; heteronomy in the art system
Abstract :
[en] The author shows, with and against Luhmann, that the art system is not a functional system in the conventional sense, such as the economic or science system. Rather, the social system of art is a system of reflection that follows a "counter-systemic" coding: a coding that stems from the spirit of the avant-garde and is capable of generating resistance against the system in the system. Only the reference to truth in art, however, ensures that the art system works in this mode and that artistic innovations are not merely simulated. The permanent question of the truth of art thus immunizes the art system against its inherent tendency to self-programmed heteronomy. This insight forms the starting point for a philosophical aesthetics after Luhmann.
Disciplines :
Art & art history
Author, co-author :
Lehmann, Harry ;  University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Humanities (DHUM)
External co-authors :
no
Language :
German
Title :
Die flüchtige Wahrheit der Kunst : Ästhetik nach Luhmann
Alternative titles :
[en] The Transient Truth of Art : Aesthetics after Luhmann
Publication date :
02 November 2005
Publisher :
W. Fink, Paderborn, Germany
ISBN/EAN :
978-3770541935
Number of pages :
393
Available on ORBilu :
since 10 November 2022

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