Reference : The World of Gimel |
Books : Collective work published as editor or director | |||
Engineering, computing & technology : Architecture | |||
http://hdl.handle.net/10993/51412 | |||
The World of Gimel | |
English | |
Budak, Adam [] | |
Pakesch, Peter [] | |
Miessen, Markus ![]() | |
2011 | |
Sternberg Press | |
284 | |
978-1-934105-72-6 | |
[en] exhibition ; language laboratory ; universe of things | |
[en] A matrix of life, nature and the cosmos, Antje Majewski’s World of Gimel is the artist’s own private universal museum in a nutshell, featuring a septet of objects: a clay teapot in the form of a human hand, a shell, a pot made of fragrant wood, a Buddha’s hand citron, a hedge apple, a white stone, a meteorite—acquired by Majewski during her numerous travels and encounters. The exhibition is a book; the book is an exhibition; the World of Gimel—a hybrid of Aleph and Babel, of fantasy and scientific knowledge—is a language laboratory, a structure en abîme, Majewski’s unique venture into the universe of things and their other identity.
Participating artists: Thomas Bayrle, Helke Bayrle, Marcel Duchamp, Didier Faustino, Pawel Freisler, Delia Gonzalez, Alejandro Jodorowsky, Edward Edward Krasiński, Leonore Mau, Markus Miessen & Ralf Pflugfelder, Dirk Peuker, Agnieszka Polska, Mathilde Rosier, Gavin Russom, Issa Samb, Juliane Solmsdorf, Simon Starling & Superflex, El Hadji Sy, Neal Tait. | |
http://hdl.handle.net/10993/51412 |
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