Reference : Comment penser la narrativité dans l'image fixe ? La "composition cinétique" chez Pau...
Scientific journals : Article
Arts & humanities : Languages & linguistics
Comment penser la narrativité dans l'image fixe ? La "composition cinétique" chez Paul Klee
[en] How to reflect upon narrativity in the fixed image ? The "kinetic composition" in Paul Klee's works of art
Colas-Blaise, Marion mailto [University of Luxembourg > Faculty of Language and Literature, Humanities, Arts and Education (FLSHASE) > Identités, Politiques, Sociétés, Espaces (IPSE) >]
Le récit en questions
[fr] récit /narrative ; image fixe / fixed image ; sémiotique / sémiotics
[en] In this paper, which uses the greimassian and post-greimassian semiotics as a theoretical frame, we aim to confirm that the structuring nature of narrative allows to understand the world. Moreover, we discuss to what extent the fixed image – here, paintings by Paul Klee – makes us rethink this model of intelligibility. The temporalization of the fixed image is then viewed as a necessary, but not sufficient condition of narrativization. More specifically, we wish to show that the paintings of Paul Klee focus the attention on the gestation of the work of art, its Gestaltung, that leads to the Gestalt. In order to do this, we introduce the distinction by Guillaume between various steps of the “chronogenèse”. Finally, we identify three regimes of narrativization, namely the modes of “advenir”, “survenir” and “parvenir”.
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