Reference : From 'Es war einmal' to 'Es war nicht': Batty Weber and the Poetry of Cemetaries in t... |
Parts of books : Contribution to collective works | |||
Arts & humanities : Literature | |||
http://hdl.handle.net/10993/41973 | |||
From 'Es war einmal' to 'Es war nicht': Batty Weber and the Poetry of Cemetaries in the 1910s | |
English | |
Millim, Anne-Marie ![]() | |
2019 | |
Ewige Ruhe? Concession à perpétuité? Grabkulturen in Luxemburg und den Nachbarregionen | |
Kmec, Sonja ![]() | |
Capybarabooks | |
189-192 | |
No | |
978-99959-43-23-3 | |
[en] World War I ; death ; Luxembourg | |
[en] This article hows that, during the 1910s, Weber establishes the cemetery as an indicator of cultural and societal health, capable of staging a process of healing that culminates in a liberating oblivion and consoling poetic reality. It also becomes a powerful tool to accentuate the absence of the graves of those who perished outside of the parameters that safeguard human dignity and is fundamental to Weber’s embedded critical political commentary. | |
http://hdl.handle.net/10993/41973 |
There is no file associated with this reference.
All documents in ORBilu are protected by a user license.