Pause, J., & Walkowski, N.-O. (2021). Zombies, Conspiracies, and Esthetics in Crisis. A Computational Engagement with Genre Esthetics. In I. Ritzer (Ed.), Media and Genre. Dialogues in Aesthetics and Cultural Analysis (pp. 231-259). Cham, Unknown/unspecified: Palgrave Macmillan. doi:10.1007/978-3-030-69866-9_9 Editorial reviewed |
Pause, J., Walkowski, N.-O., & Vonderau, P. (2020). Editorial: Digitale Praktiken. Montage AV, 29 (1), 5-20. Peer reviewed |
Pause, J., & Walkowski, N.-O. (2020). Welten abnehmenden Lichts. Ein Multi-Scale Viewing des Politthrillers im 21. Jahrhundert. Montage AV, 29 (1), 59-82. Peer reviewed |
Burghardt, M., Heftberger, A., Pause, J., Walkowski, N.-O., & Zeppelzauer, M. (2020). Film and Video Analysis in the Digital Humanities – An Interdisciplinary Dialog. Digital Humanities Quarterly, 14 (4). Peer Reviewed verified by ORBi |
Burghardt, M., Heftberger, A., Pause, J., Walkowski, N.-O., & Zeppelzauer, M. (Eds.). (2020). Digital Humanities & Film Studies: Analyzing the Modalities of Moving Images. Digital Humanities Quarterly, 14 (4). Peer Reviewed verified by ORBi |
Pause, J., & Walkowski, N.-O. (Eds.). (2020). Digitale Praktiken. Montage AV, 29 (1). Peer reviewed |
Walkowski, N.-O. (2019). Beyond the Flow : Scholarly Publications During and After the Digital. Lüneburg, Germany: Meson Press. doi:10.14619/1600 |
Walkowski, N.-O., & Pause, J. (2019). Phos. A Panel/HoloViews Dashboard for the Interactive Analysis of Color Contrasts in Movies. doi:10.26298/k7s9-nj42 |
Pause, J., & Walkowski, N.-O. (2019). Scalable Viewing. Digitale Methoden und die Digital Humanities. ORBilu-University of Luxembourg. https://orbilu.uni.lu/handle/10993/39314. |
Pause, J., & Walkowski, N.-O. (2019). Taxonomien computergestützter Forschung. Digitale Methoden und die Digital Humanities. ORBilu-University of Luxembourg. https://orbilu.uni.lu/handle/10993/39313. |
Walkowski, N.-O., & Pause, J. (2019). Color Contrast Data for a Corpus of 24 Political Thrillers. doi:10.26298/d0pg-ey54 |
Pause, J., & Walkowski, N.-O. (2018). Everything is illuminated. Zur numerischen Analyse von Farbigkeit in Filmen. Zeitschrift für digitale Geisteswissenschaften. doi:10.17175/2018_003 Peer Reviewed verified by ORBi |
Burghardt, M.* , Heftberger* , Müller-Birn, C.* , PAUSE, J.* , WALKOWSKI, N.-O.* , & Zeppelzauer, M. (2018). Computergestützte Film- und Videoanalyse. In DHd 2018: Kritik der digitalen Vernunft - Book pf Abstracts. Cologne, Germany: Universität Köln. Peer reviewed * These authors have contributed equally to this work. |
Walkowski, N.-O., & Pause, J. (2017). Cittena. A Python Library for the Analysis of Color Contrasts in Movie Corpora. doi:10.26298/j33f-8e81 |
Pause, J., & Walkowski, N.-O. (2016). The Colorized Dead. Computerunterstützte Analysen der Farblichkeit von Filmen in den Digital Humanities am Beispiel von Zombiefilmen. ORBilu-University of Luxembourg. https://orbilu.uni.lu/handle/10993/34340. |