Reference : BEATRIZ COLOMINA Manifesto Architecture The Ghost of Mies
Books : Collective work published as editor or director
Engineering, computing & technology : Architecture
http://hdl.handle.net/10993/51082
BEATRIZ COLOMINA Manifesto Architecture The Ghost of Mies
English
Miessen, Markus mailto [University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Geography and Spatial Planning (DGEO) >]
Hirsch, Nikolaus []
2014
Sternberg Press
Critical Spatial Practice Series
110
978-3-95679-000-3
[en] avant-garde ; manifestos ; radical designs ; Mies van der Rohe ; pavilions
[en] The history of the avant-garde (in art, architecture, literature) can’t be separated from the history of its engagement with mass media. It is not just that the avant-garde used media to publicize its work; the work did not exist before its publication.

In architecture, Adolf Loos, Le Corbusier, and Mies van der Rohe came to be known through their influential writings and manifestos published in newspapers, journals, and little magazines. Entire groups, from Dada and Surrealism to De Stijl, became an effect of their manifestos. The manifesto was the site of self invention, innovation, and debate. Even buildings themselves could be manifestos. The most extreme and radical designs in the history of modern architecture were realized as pavilions in temporary exhibition.
In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work. This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms of manifesto are surely emerging along with new kinds of authorship, statement, exhibition, and debate.
http://hdl.handle.net/10993/51082

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