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Historicizing the Home Movie Dispositif: Reflections from the Longue Durée
VAN DER HEIJDEN, Tim
2017NECS Conference: Sensibilities & the Senses: Media, Bodies, Practices.
 

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Mots-clés :
Homes movies; Amateur film; Media history
Résumé :
[en] This paper reflects on the cultural dynamics of the home movie as a twentieth century family memory practice. Over the years, many generations have documented and materialized their family memories on film, video and digital media. While the making and screening of family films used to be a rather exclusive hobby practiced only by the elite, this has changed considerably in today’s ubiquitous sharing cultures. In my research, I have examined from a longue durée perspective how changes in platforms of memory production and dissemination – from the first amateur film apparatuses to today’s smartphones – have shaped new forms of home movie making and screening. Exploring more than a century of family memory practices, I have systematically investigated the dynamic relationship between new memory technologies, their narrative and aesthetic forms, and the changing meanings of home movies in their social and cultural contexts of use. To historicize these transformations of the home movie dispositif, I distinguished between four specific historical periods of transition, each heralded by the arrival of a new memory technology: 9.5mm, 16mm and 8mm ‘small-gauges’ in the 1920s and 1930s; Super 8 and Single 8 ‘cassette-film’ formats in the 1960s; home video technologies in the late 1970s and 1980s; and digital media technologies in the 1990s and 2000s. The paper provides both empirical and conceptual reflections on this long-term media historical research. I argue that in order to faithfully study media technologies and mediated practices in their permanent state of transition, we need to de-essentialize the notion of dispositif and rethink media histories beyond their traditional narratives of change and continuity. Scholars interested in long-term media historical development therefore may consider, I propose, a radical process-oriented approach in which hybridity no longer forms an exception, but rather a new way of thinking about media history in general.
Centre de recherche :
- Luxembourg Centre for Contemporary and Digital History (C2DH) > Digital History & Historiography (DHI)
Disciplines :
Histoire
Auteur, co-auteur :
VAN DER HEIJDEN, Tim ;  University of Luxembourg > Luxembourg Center for Contemporary and Digital History (C2DH)
Co-auteurs externes :
no
Langue du document :
Anglais
Titre :
Historicizing the Home Movie Dispositif: Reflections from the Longue Durée
Date de publication/diffusion :
30 juin 2017
Nom de la manifestation :
NECS Conference: Sensibilities & the Senses: Media, Bodies, Practices.
Organisateur de la manifestation :
NECS
Lieu de la manifestation :
Paris, France
Date de la manifestation :
29-06-2017 to 01-07-2017
Disponible sur ORBilu :
depuis le 24 janvier 2018

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