  | STEVEKER, L., & Gruß, S. (2023). Kollaborative Praktiken auf der frühneuzeitlichen Bühne: Autorschaft, Leserschaft, Wissenschaft. Literatur in Wissenschaft und Unterricht, (2), 187-204.  Peer reviewed |
 | STEVEKER, L., & Gruss, S. (2023). Bücherschau. Shakespeare Jahrbuch, 159, 189-219. Peer reviewed |
STEVEKER, L. (2023). Utopie und Ecocriticism im Fantasy-Roman [Paper presentation]. Frühlingslektüren, Esch/Belval, Luxembourg. |
STEVEKER, L., Kesson, A., Smith, E., Maguire, L., & Gruss, S. (2023). Roundtable: What is Early Modern Collaboration? [Paper presentation]. Authorship, Identity, and Textual Scholarship, Canterbury, United Kingdom. |
STEVEKER, L. (2023). Performing (Neo-)Imperialism: Shakespeare, Cultural Politics and the London Olympics Opening Ceremony (2012) [Paper presentation]. Theater International, Esch/Belval, Luxembourg. |
 | STEVEKER, L. (2023). "A Trunk, without an Head adorn'd": Monster News and Political Propaganda in Pamphlets of the English Civil Wars. Journal for the Study of British Cultures, 29 (2), 159-173. Peer reviewed |
  | Steveker, L., & Frenk, J. (01 June 2022). Introduction. Critical Survey, 34 (2), 1-9. doi:10.3167/cs.2022.340201 Peer Reviewed verified by ORBi |
 | Steveker, L., & Frenk, J. (Crit. Eds.). (01 June 2022). Strangeness in Early Stuart Drama. Critical Survey, 34 (2), 1-106. Peer Reviewed verified by ORBi |
Steveker, L., & Weis, M. (30 March 2022). The Spanish Road and the Spanish Match: Early Modern News and Mobilities [Paper presentation]. Joint Inaugural Lectures, Belval, Luxembourg. |
 | Steveker, L.* , & Frenk, J.*. (2022). Introduction. Zeitschrift für Anglistik und Amerikanistik, 70 (2), 123-130. doi:10.1515/zaa-2022-2057 Peer reviewed* These authors have contributed equally to this work. |
 | Frenk, J., & Steveker, L. (Ed.). (2022). British Borders: Negotiations in Anglophone Literatures. Zeitschrift für Anglistik und Amerikanistik, 70 (2), 121-211. Peer reviewed |
 | Steveker, L., & Frenk, J. (2022). Introduction. Journal for the Study of British Cultures, 29 (1), 7-18. Peer reviewed |
 | Steveker, L., & Gruss, S. (Crit. Eds.). (2022). Bücherschau. Shakespeare Jahrbuch, 203-246. Peer reviewed |
 | Steveker, L., & Frenk, J. (Crit. Eds.). (2022). British Borders. Journal for the Study of British Cultures, 29 (1), 142. Peer reviewed |
STEVEKER, L. (2022). Narrating Borders in Contemporary British Fiction [Paper presentation]. Border Renaissance, Saarbruecken, Germany. |
STEVEKER, L. (2022). Speaking News in Pamphlets of the English Civil Wars [Paper presentation]. En Parlant, En Écrivant, Esch/Belval, Luxembourg. |
STEVEKER, L. (2022). Desiring AI in Jeanette Winterson’s Fiction [Paper presentation]. Posthuman Encounters: Desires, Fears, and the Uncanny, Saarbruecken, Germany. |
 | Steveker, L., & Laqué, S. (Crit. Eds.). (2021). Bücherschau. Shakespeare Jahrbuch, 157, 246-270. Peer reviewed |
 | Steveker, L. (2021). Tiffany Stern, ed. Rethinking Theatrical Documents in Shakespeare’s England. London: The Arden Shakespeare, 2020. Shakespeare Jahrbuch, 157, 267-270. Peer reviewed |
STEVEKER, L., & Gruss, S. (2021). Introduction: Practices of Collaboration in Early Modern Theatre [Paper presentation]. Practices of Collaboration in Early Modern Theatre: Authors, Actors, Printers, Play-houses, and Their Texts, Esch/Belval, Luxembourg. |
STEVEKER, L. (2021). Annette Kern-Stähler and Nicole Nyffenegger, eds. Secrecy and Surveillance in Medieval and Early Modern England. Journal for the Study of British Cultures, 28 (2), 260-263. Editorial Reviewed verified by ORBi |
 | Steveker, L. (2020). The Politics of Happiness in Richard Brome’s The Queen and Concubine. Critical Survey, 32 (3), 70-81. doi:10.3167/cs.2020.320307 Peer Reviewed verified by ORBi |
 | Steveker, L. (2020). Virginia Mason Vaughan. Shakespeare and the Gods. London: Arden Shakespeare, 2019; and Jonathan Bate. How the Classics Made Shakespeare. Princeton: Princeton University Press, 2019. Shakespeare Jahrbuch, 156, 281-284. Peer reviewed |
 | Steveker, L., & Laqué, S. (Crit. Eds.). (2020). Bücherschau. Shakespeare Jahrbuch, 156, 279-313. Peer reviewed |
 | Steveker, L. (2020). Telling Tales of Empire in Contemporary British Popular Culture. In I. Habermann & C. Krug (Eds.), And Hereby Hangs a Tale: A Critical Anatomy of (Popular) Tales (pp. 181-196). Erlangen, Germany: FAU University Press. doi:10.25593/978-3-96147-343-4 Peer reviewed |
 | Steveker, L. (2019). Robert Eaglestone, ed., Brexit and Literature: Critical and Cultural Responses, London & New York: Routledge, 2018. Journal for the Study of British Cultures, 26 (1), 221-223. Peer reviewed |
 | Steveker, L., & Laqué, S. (Crit. Eds.). (2019). Bücherschau. Shakespeare Jahrbuch, 155, 249-278. Peer reviewed |
Steveker, L., & Frenk, J. (Eds.). (2019). Dickens as an Agent of Change. (2nd ed). Ithaca, NY, United States: Cornell University Press. |
 | STEVEKER, L. (2019). Nadine Akkermann, Invisible Agents. Women and Espionage in Seventeenth-Century Britain. Ox-ford: Oxford University Press, 2018. English Studies, 100 (6), 736-37. doi:10.1080/0013838X.2019.1642663 Peer Reviewed verified by ORBi |
 | Steveker, L., & Gruss, S. (2018). Introduction. Journal for the Study of British Cultures, 25 (2), 121-128. Peer reviewed |
 | Steveker, L. (2018). Englands dramatische Geschichte: Shakespeares Histories. In S. Singh & M. Leber (Eds.), Literatur und Geschichte (pp. 81-96). Saarbrücken, Germany: universaar. |
 | Steveker, L., & Gruss, S. (Eds.). (2018). Early Modern Spectacles. Journal for the Study of British Cultures, 25 (2), 121-228. Peer reviewed |
 | Steveker, L. (2017). Andrew Escobedo, ed. Edmund Spenser in Context. Cambridge: Cambridge University Press, 2017. Symbolism, 17, 292-294. |
Steveker, L. (2017). A. S. Byatt, Possession (1990). In C. Reinfandt (Ed.), Handbook of the English Novel of the Twentieth and Twenty-First Centuries (pp. 445-460). Berlin, Germany: de Gruyter. doi:10.1515/9783110369489 |
 | Steveker, L. (2016). Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. English Studies, 97 (3), 342-343. doi:10.1080/0013838X.2015.1130450 Peer Reviewed verified by ORBi |
 | Steveker, L. (2015). Renate Brosch and Kylie Crane, eds. Visualising Australia: Images, Icons, Imaginations. Journal for the Study of British Cultures, 22 (2), 131-134. Peer reviewed |
 | Steveker, L. (2015). Returns to Religion. Shakespeare Jahrbuch, 151, 263-265. Peer reviewed |
 | Steveker, L. (2015). Alternative Worlds: Popular Fiction (Not Only) for Children. In C. Berberich (Ed.), The Bloomsbury Introduction to Popular Fiction (pp. 147-162). London, United Kingdom: Bloomsbury Academic. Peer reviewed |
Steveker, L., & Frenk, J. (Eds.). (2015). Dickens as an Agent of Change. (1 ed). New York, United States: AMS Press. |
 | Steveker, L. (2014). Alexa Alfer and Any Edwards de Campos. A.S. Byatt: Critical Storytelling. Manchester: Manchester University Press, 2010. English Studies, 95 (1), 227-228. doi:10.1080/0013838X.2013.838405 Peer Reviewed verified by ORBi |
 | Steveker, L. (2014). Irena Makaryk and Marissa McHugh, eds. Shakespeare and the Second World War: Memory, Culture, Identity. Toronto: University of Toronto Press, 2011. Shakespeare Jahrbuch, 150, 243-244. Peer reviewed |
 | Steveker, L., Gruss, S., & Zirker, A. (2014). Introduction: Not Shakespeare - New Approaches to Drama in the Seventeenth Century. In S. Mergenthal & R. M. Nikisch (Eds.), Proceedings: Anglistentag 2013 Konstanz (pp. 153-157). Trier, Germany: WVT. |
Steveker, L. (2014). ‘Eminent Victorians’ and Neo-Victorian Fictional Biography. In N. Böhm-Schnitker & S. Gruss (Eds.), Neo-Victorian Literature and Culture: Immersions and Revisitations (pp. 67-78). London, United Kingdom: Routledge. doi:10.4324/9781315886107 Peer reviewed |
 | Steveker, L. (2014). Precarious Selves in Contemporary British War Novels. In B. Korte & F. Régard (Eds.), Narrating 'Precariousness': Modes, Media, Ethics (pp. 19-29). Heidelberg, Germany: Winter. |
 | Steveker, L. (2014). English News Plays of the Early 1620s: Thomas Middleton's A Game at Chess and Ben Jon-son's The Staple of News. In S. Davies & P. Fletcher (Eds.), News in Early Modern Europe: Currents and Connections. . Leiden: Brill, 2014. 215-229 (pp. 215-229). Leiden, Belgium: Brill. doi:10.1163/9789004276864_013 Peer reviewed |
 | Steveker, L. (2013). Ulrike Tancke. ‘Bethinke Thy Selfe’ in Early Modern England. Writing Women's Identities. Amsterdam and New York: Rodopi, 2010. English Studies, 94 (2), 240-241. doi:10.1080/0013838X.2013.765207 Peer Reviewed verified by ORBi |
 | Steveker, L. (2013). Neue Welten neu entdeckt: Shakespeares Tempest. In R. Bogner & M. Leber (Eds.), Klassiker Neu-Lektüren (pp. 43-60). Saarbrücken, Germany: universaar. |
 | Steveker, L. (2013). Dolores Herrero and Sonia Baelo-Allué, eds. Between the Urge to Know and the Need to Deny. Trauma and Ethics in Contemporary British and American Literature. Heidelberg: Winter, 2011. Anglistik, 24 (1), 207-208. Peer Reviewed verified by ORBi |
 | Steveker, L. (2012). Lyrik aus dem Land der weissen Wolke. Neue Zürcher Zeitung und Schweizerisches Handelsblatt, p. 58. |
 | Steveker, L. (2012). Ruinous Fathers, Lethal Mothers: A Response to June Sturrock. Connotations: A Journal for Critical Debate, 22 (1), 157-161. Peer reviewed |
 | Steveker, L. (2012). Karen Patrick Knutsen. Reciprocal Haunting: Pat Barker's Regeneration Trilogy. Münster et al: Waxmann, 2010. Anglistik, 23 (1), 204-205. Peer Reviewed verified by ORBi |
Steveker, L. (2012). ‘My Solitude is my Treasure, the best thing I have’: A.S. Byatt's Female Artists. In A. Pankratz & B. Puschmann-Nalenz (Eds.), Portraits of the Artist as a Young Thing in British, Irish and Canadian Fiction after 1945 (pp. 155-168). Heidelberg, Germany: Winter. |
 | Steveker, L., & Berndt, K. (Eds.). (2011). Heroism in the Harry Potter Series. Farnham, United Kingdom: Ashgate. |
 | Steveker, L., & Frenk, J. (Eds.). (2011). Proceedings: Anglistentag 2010 Saarbrücken. Trier, Germany: WVT. |
 | Steveker, L., & Berndt, K. (2011). Introduction. In L. Steveker & K. Berndt (Eds.), Heroism in the Harry Potter Series (pp. 1-5). Farnham, United Kingdom: Ashgate. Peer reviewed |
 | Steveker, L. (2011). Jane Kingsley-Smith. Cupid in Early Modern Literature and Culture. Cambridge: Cambridge University Press, 2010. Shakespeare Jahrbuch, 147, 248-249. Peer reviewed |
 | Steveker, L. (2011). Reading Trauma in Pat Barker's Regeneration Trilogy. In S. Onega & J.-M. Ganteau (Eds.), Ethics and Trauma in British Literature Since the 1960s (pp. 21-36). Amsterdam, Netherlands: Brill. doi:10.1163/9789401200080 |
Steveker, L. (2011). Your soul is whole and completely your own, Harry’: The Heroic Self in J.K. Rowling's Harry Potter. In L. Steveker & K. Berndt (Eds.), Heroism in the Harry Potter Series (pp. 69-83). Farnham, United Kingdom: Ashgate. Peer reviewed |
Steveker, L. (2011). 007 meets Van Helsing: James Bond and Contemporary Gothic Visual Culture. In J. Frenk & C. Krug (Eds.), The Cultures of James Bond (pp. 235-248). Trier, Germany: WVT. |
Steveker, L., Frenk, J., & Holzer, C. (2010). Monströse Medizin – Horror-Doktoren in der englischen Literatur des 19. Jahrhunderts. Magazin Forschung, p. 20-24. |
 | Steveker, L. (2010). Tony Howard. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge: Cambridge University Press, 2007. Shakespeare Jahrbuch, 146, 231-232. Peer reviewed |
Steveker, L. (2009). Identity and Cultural Memory in the Fiction of A.S. Byatt: Knitting the Net of Culture. Houndmills, United Kingdom: Palgrave Macmillan. doi:10.1057/9780230248595 |
Steveker, L. (2007). Imagining the Other – An Ethical Reading of A.S. Byatt's Possession and The Biographer's Tale. In S. Onega & J.-M. Ganteau (Eds.), The Ethical Component in Experimental British Fiction Since the 1960'S (pp. 117-130). Cambridge, United Kingdom: Cambridge Scholars. |
 | Steveker, L. (2005). Know the Past: know thyself' – die Gattung der metafiktionalen Biographie als alternativer Zugang zur Vergangenheit. In M. Lepper, S. Siegel, ... S. Wennerscheid (Eds.), Jenseits des Poststrukturalismus? Eine Sondierung (pp. 105-126). Frankfurt a.M., Germany: Peter Lang. |
