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STEVEKER Lena

University of Luxembourg > Faculty of Humanities, Education and Social Sciences (FHSE) > Department of Humanities (DHUM) > English Studies

ORCID
0000-0002-6234-6790
Main Referenced Co-authors
Frenk, Joachim (10)
Gruss, Susanne (7)
Laqué, Stephan (3)
Berndt, Katrin (2)
Gruß, Susanne (1)
Main Referenced Keywords
Shakespeare (15); A.S. Byatt (6); border studies (3); British Borders (3); early modern drama (3);
Main Referenced Disciplines
Literature (55)
Arts & humanities: Multidisciplinary, general & others (9)
History (1)

Publications (total 64)

The most downloaded
1510 downloads
STEVEKER, L., Gruss, S., & Zirker, A. (2014). Introduction: Not Shakespeare - New Approaches to Drama in the Seventeenth Century. In S. Mergenthal & R. M. Nikisch (Eds.), Proceedings: Anglistentag 2013 Konstanz (pp. 153-157). Trier, Germany: WVT. https://hdl.handle.net/10993/45690

The most cited

68 citations (OpenAlex)

STEVEKER, L. (2011). Reading Trauma in Pat Barker's Regeneration Trilogy. In S. Onega & J.-M. Ganteau (Eds.), Ethics and Trauma in British Literature Since the 1960s (pp. 21-36). Amsterdam, Netherlands: Rodopi. doi:10.1163/9789401200080 https://hdl.handle.net/10993/49543

STEVEKER, L., Kesson, A., Smith, E., Maguire, L., & Gruss, S. (2023). Roundtable: What is Early Modern Collaboration? [Paper presentation]. Authorship, Identity, and Textual Scholarship, Canterbury, United Kingdom.

STEVEKER, L., & Gruss, S. (2023). Bücherschau. Shakespeare Jahrbuch, 159, 189-219.
Peer reviewed

STEVEKER, L. (2023). Performing (Neo-)Imperialism: Shakespeare, Cultural Politics and the London Olympics Opening Ceremony (2012) [Paper presentation]. Theater International, Esch/Belval, Luxembourg.

STEVEKER, L. (2023). Utopie und Ecocriticism im Fantasy-Roman [Paper presentation]. Frühlingslektüren, Esch/Belval, Luxembourg.

STEVEKER, L., & Gruß, S. (2023). Kollaborative Praktiken auf der frühneuzeitlichen Bühne: Autorschaft, Leserschaft, Wissenschaft. Literatur in Wissenschaft und Unterricht, (2), 187-204.
Peer reviewed

STEVEKER, L. (2023). "A Trunk, without an Head adorn'd": Monster News and Political Propaganda in Pamphlets of the English Civil Wars. Journal for the Study of British Cultures, 29 (2), 159-173.
Peer reviewed

STEVEKER, L., & Frenk, J. (01 June 2022). Introduction. Critical Survey, 34 (2), 1-9. doi:10.3167/cs.2022.340201
Peer Reviewed verified by ORBi

STEVEKER, L., & Frenk, J. (Crit. Eds.). (01 June 2022). Strangeness in Early Stuart Drama. Critical Survey, 34 (2), 1-106.
Peer Reviewed verified by ORBi

STEVEKER, L., & WEIS, M. (30 March 2022). The Spanish Road and the Spanish Match: Early Modern News and Mobilities [Paper presentation]. Joint Inaugural Lectures, Belval, Luxembourg.

STEVEKER, L. (2022). Speaking News in Pamphlets of the English Civil Wars [Paper presentation]. En Parlant, En Écrivant, Esch/Belval, Luxembourg.

STEVEKER, L. (2022). Narrating Borders in Contemporary British Fiction [Paper presentation]. Border Renaissance, Saarbruecken, Germany.

STEVEKER, L. (2022). Desiring AI in Jeanette Winterson’s Fiction [Paper presentation]. Posthuman Encounters: Desires, Fears, and the Uncanny, Saarbruecken, Germany.

STEVEKER, L.* , & Frenk, J.*. (2022). Introduction. Zeitschrift für Anglistik und Amerikanistik, 70 (2), 123-130. doi:10.1515/zaa-2022-2057
Peer reviewed
* These authors have contributed equally to this work.

Frenk, J., & STEVEKER, L. (Ed.). (2022). British Borders: Negotiations in Anglophone Literatures. Zeitschrift für Anglistik und Amerikanistik, 70 (2), 121-211.
Peer reviewed

STEVEKER, L., & Frenk, J. (2022). Introduction. Journal for the Study of British Cultures, 29 (1), 7-18.
Peer reviewed

STEVEKER, L., & Frenk, J. (Crit. Eds.). (2022). British Borders. Journal for the Study of British Cultures, 29 (1), 142.
Peer reviewed

STEVEKER, L., & Gruss, S. (Crit. Eds.). (2022). Bücherschau. Shakespeare Jahrbuch, 203-246.
Peer reviewed

STEVEKER, L., & Gruss, S. (2021). Introduction: Practices of Collaboration in Early Modern Theatre [Paper presentation]. Practices of Collaboration in Early Modern Theatre: Authors, Actors, Printers, Play-houses, and Their Texts, Esch/Belval, Luxembourg.

STEVEKER, L., & Laqué, S. (Crit. Eds.). (2021). Bücherschau. Shakespeare Jahrbuch, 157, 246-270.
Peer reviewed

STEVEKER, L. (2021). Annette Kern-Stähler and Nicole Nyffenegger, eds. Secrecy and Surveillance in Medieval and Early Modern England. Journal for the Study of British Cultures, 28 (2), 260-263.
Editorial Reviewed verified by ORBi

STEVEKER, L. (2021). Tiffany Stern, ed. Rethinking Theatrical Documents in Shakespeare’s England. London: The Arden Shakespeare, 2020. Shakespeare Jahrbuch, 157, 267-270.
Peer reviewed

STEVEKER, L. (2020). The Politics of Happiness in Richard Brome’s The Queen and Concubine. Critical Survey, 32 (3), 70-81. doi:10.3167/cs.2020.320307
Peer Reviewed verified by ORBi

STEVEKER, L., & Laqué, S. (Crit. Eds.). (2020). Bücherschau. Shakespeare Jahrbuch, 156, 279-313.
Peer reviewed

STEVEKER, L. (2020). Virginia Mason Vaughan. Shakespeare and the Gods. London: Arden Shakespeare, 2019; and Jonathan Bate. How the Classics Made Shakespeare. Princeton: Princeton University Press, 2019. Shakespeare Jahrbuch, 156, 281-284.
Peer reviewed

STEVEKER, L. (2020). Telling Tales of Empire in Contemporary British Popular Culture. In I. Habermann & C. Krug (Eds.), And Hereby Hangs a Tale: A Critical Anatomy of (Popular) Tales (pp. 181-196). Erlangen, Germany: FAU University Press. doi:10.25593/978-3-96147-343-4
Peer reviewed

STEVEKER, L., & Laqué, S. (Crit. Eds.). (2019). Bücherschau. Shakespeare Jahrbuch, 155, 249-278.
Peer reviewed

STEVEKER, L. (2019). Robert Eaglestone, ed., Brexit and Literature: Critical and Cultural Responses, London & New York: Routledge, 2018. Journal for the Study of British Cultures, 26 (1), 221-223.
Peer reviewed

STEVEKER, L. (2019). Nadine Akkermann, Invisible Agents. Women and Espionage in Seventeenth-Century Britain. Ox-ford: Oxford University Press, 2018. English Studies, 100 (6), 736-37. doi:10.1080/0013838X.2019.1642663
Peer Reviewed verified by ORBi

STEVEKER, L., & Frenk, J. (Eds.). (2019). Dickens as an Agent of Change. (2nd ed). Ithaca, NY, United States: Cornell University Press.

STEVEKER, L., & Gruss, S. (2018). Introduction. Journal for the Study of British Cultures, 25 (2), 121-128.
Peer reviewed

STEVEKER, L. (2018). Englands dramatische Geschichte: Shakespeares Histories. In S. Singh & M. Leber (Eds.), Literatur und Geschichte (pp. 81-96). Saarbrücken, Germany: universaar.

STEVEKER, L., & Gruss, S. (Eds.). (2018). Early Modern Spectacles. Journal for the Study of British Cultures, 25 (2), 121-228.
Peer reviewed

STEVEKER, L. (2017). Andrew Escobedo, ed. Edmund Spenser in Context. Cambridge: Cambridge University Press, 2017. Symbolism, 17, 292-294.

STEVEKER, L. (2017). A. S. Byatt, Possession (1990). In C. Reinfandt (Ed.), Handbook of the English Novel of the Twentieth and Twenty-First Centuries (pp. 445-460). Berlin, Germany: de Gruyter. doi:10.1515/9783110369489

STEVEKER, L. (2016). Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. English Studies, 97 (3), 342-343. doi:10.1080/0013838X.2015.1130450
Peer Reviewed verified by ORBi

STEVEKER, L. (2015). Returns to Religion. Shakespeare Jahrbuch, 151, 263-265.
Peer reviewed

STEVEKER, L. (2015). Renate Brosch and Kylie Crane, eds. Visualising Australia: Images, Icons, Imaginations. Journal for the Study of British Cultures, 22 (2), 131-134.
Peer reviewed

STEVEKER, L. (2015). Alternative Worlds: Popular Fiction (Not Only) for Children. In C. Berberich (Ed.), The Bloomsbury Introduction to Popular Fiction (pp. 147-162). London, United Kingdom: Bloomsbury Academic.
Peer reviewed

STEVEKER, L., & Frenk, J. (Eds.). (2015). Dickens as an Agent of Change. (1 ed). New York, United States: AMS Press.

STEVEKER, L. (2014). Irena Makaryk and Marissa McHugh, eds. Shakespeare and the Second World War: Memory, Culture, Identity. Toronto: University of Toronto Press, 2011. Shakespeare Jahrbuch, 150, 243-244.
Peer reviewed

STEVEKER, L. (2014). ‘Eminent Victorians’ and Neo-Victorian Fictional Biography. In N. Böhm-Schnitker & S. Gruss (Eds.), Neo-Victorian Literature and Culture: Immersions and Revisitations (pp. 67-78). London, United Kingdom: Routledge. doi:10.4324/9781315886107
Peer reviewed

STEVEKER, L. (2014). Alexa Alfer and Any Edwards de Campos. A.S. Byatt: Critical Storytelling. Manchester: Manchester University Press, 2010. English Studies, 95 (1), 227-228. doi:10.1080/0013838X.2013.838405
Peer Reviewed verified by ORBi

STEVEKER, L., Gruss, S., & Zirker, A. (2014). Introduction: Not Shakespeare - New Approaches to Drama in the Seventeenth Century. In S. Mergenthal & R. M. Nikisch (Eds.), Proceedings: Anglistentag 2013 Konstanz (pp. 153-157). Trier, Germany: WVT.

STEVEKER, L. (2014). English News Plays of the Early 1620s: Thomas Middleton's A Game at Chess and Ben Jon-son's The Staple of News. In S. Davies & P. Fletcher (Eds.), News in Early Modern Europe: Currents and Connections. . Leiden: Brill, 2014. 215-229 (pp. 215-229). Leiden, Belgium: Brill. doi:10.1163/9789004276864_013
Peer reviewed

STEVEKER, L. (2014). Precarious Selves in Contemporary British War Novels. In B. Korte & F. Régard (Eds.), Narrating 'Precariousness': Modes, Media, Ethics (pp. 19-29). Heidelberg, Germany: Winter.

STEVEKER, L. (2013). Dolores Herrero and Sonia Baelo-Allué, eds. Between the Urge to Know and the Need to Deny. Trauma and Ethics in Contemporary British and American Literature. Heidelberg: Winter, 2011. Anglistik, 24 (1), 207-208.
Peer Reviewed verified by ORBi

STEVEKER, L. (2013). Neue Welten neu entdeckt: Shakespeares Tempest. In R. Bogner & M. Leber (Eds.), Klassiker Neu-Lektüren (pp. 43-60). Saarbrücken, Germany: universaar.

STEVEKER, L. (2013). Ulrike Tancke. ‘Bethinke Thy Selfe’ in Early Modern England. Writing Women's Identities. Amsterdam and New York: Rodopi, 2010. English Studies, 94 (2), 240-241. doi:10.1080/0013838X.2013.765207
Peer Reviewed verified by ORBi

STEVEKER, L. (2012). Lyrik aus dem Land der weissen Wolke. Neue Zürcher Zeitung und Schweizerisches Handelsblatt, p. 58.

STEVEKER, L. (2012). Ruinous Fathers, Lethal Mothers: A Response to June Sturrock. Connotations: A Journal for Critical Debate, 22 (1), 157-161.
Peer reviewed

STEVEKER, L. (2012). Karen Patrick Knutsen. Reciprocal Haunting: Pat Barker's Regeneration Trilogy. Münster et al: Waxmann, 2010. Anglistik, 23 (1), 204-205.
Peer Reviewed verified by ORBi

STEVEKER, L. (2012). ‘My Solitude is my Treasure, the best thing I have’: A.S. Byatt's Female Artists. In A. Pankratz & B. Puschmann-Nalenz (Eds.), Portraits of the Artist as a Young Thing in British, Irish and Canadian Fiction after 1945 (pp. 155-168). Heidelberg, Germany: Winter.

STEVEKER, L., & Berndt, K. (Eds.). (2011). Heroism in the Harry Potter Series. Farnham, United Kingdom: Ashgate.

STEVEKER, L. (2011). Jane Kingsley-Smith. Cupid in Early Modern Literature and Culture. Cambridge: Cambridge University Press, 2010. Shakespeare Jahrbuch, 147, 248-249.
Peer reviewed

STEVEKER, L. (2011). Reading Trauma in Pat Barker's Regeneration Trilogy. In S. Onega & J.-M. Ganteau (Eds.), Ethics and Trauma in British Literature Since the 1960s (pp. 21-36). Amsterdam, Netherlands: Rodopi. doi:10.1163/9789401200080

STEVEKER, L. (2011). 007 meets Van Helsing: James Bond and Contemporary Gothic Visual Culture. In J. Frenk & C. Krug (Eds.), The Cultures of James Bond (pp. 235-248). Trier, Germany: WVT.

STEVEKER, L. (2011). Your soul is whole and completely your own, Harry’: The Heroic Self in J.K. Rowling's Harry Potter. In L. STEVEKER & K. Berndt (Eds.), Heroism in the Harry Potter Series (pp. 69-83). Farnham, United Kingdom: Ashgate.
Peer reviewed

STEVEKER, L., & Frenk, J. (Eds.). (2011). Proceedings: Anglistentag 2010 Saarbrücken. Trier, Germany: WVT.

STEVEKER, L., & Berndt, K. (2011). Introduction. In L. STEVEKER & K. Berndt (Eds.), Heroism in the Harry Potter Series (pp. 1-5). Farnham, United Kingdom: Ashgate.
Peer reviewed

STEVEKER, L., Frenk, J., & Holzer, C. (2010). Monströse Medizin – Horror-Doktoren in der englischen Literatur des 19. Jahrhunderts. Magazin Forschung, p. 20-24.

STEVEKER, L. (2010). Tony Howard. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge: Cambridge University Press, 2007. Shakespeare Jahrbuch, 146, 231-232.
Peer reviewed

STEVEKER, L. (2009). Identity and Cultural Memory in the Fiction of A.S. Byatt: Knitting the Net of Culture. Houndmills, United Kingdom: Palgrave Macmillan. doi:10.1057/9780230248595

STEVEKER, L. (2007). Imagining the Other – An Ethical Reading of A.S. Byatt's Possession and The Biographer's Tale. In S. Onega & J.-M. Ganteau (Eds.), The Ethical Component in Experimental British Fiction Since the 1960'S (pp. 117-130). Cambridge, United Kingdom: Cambridge Scholars.

STEVEKER, L. (2005). Know the Past: know thyself' – die Gattung der metafiktionalen Biographie als alternativer Zugang zur Vergangenheit. In M. Lepper, S. Siegel, ... S. Wennerscheid (Eds.), Jenseits des Poststrukturalismus? Eine Sondierung (pp. 105-126). Frankfurt a.M., Germany: Peter Lang.

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