Reference : Testing music reading with eye tracking in three European countries textbooks |
Scientific congresses, symposiums and conference proceedings : Unpublished conference | |||
Social & behavioral sciences, psychology : Education & instruction | |||
http://hdl.handle.net/10993/23152 | |||
Testing music reading with eye tracking in three European countries textbooks | |
English | |
Buzás, Zsuzsa [Kesckemét College] | |
Devosa, Iván [University of Szeged] | |
Maródi, Ágnes [University of Szeged] | |
Steklács, János [Kesckemét College] | |
Sagrillo, Damien ![]() | |
25-Nov-2015 | |
In our research we examined 10-14 years old students' music reading skills with eye tracking analysis in different music schools in Luxembourg, Germany and Hungary. Our aims were to explore certain music reading strategies, find possibilities of teaching them, reveal the characteristics of expert sight-reading strategy users and also to find gender differences. During the examination students got six different musical examples (3 for rythm reading, 3 for singing from Zoltán Kodály) that appeared on a computer's screen, and after one minute silent reading they performed them.The results suggest that the knowledge of musical patterns strongly influences not only the duration and accuration of a musical performance, but the fixation counts, and also several gender differences were revealed. Our further aim is examining the relationship between the development of reading and music reading skills. | |
Yes | |
Yes | |
International | |
Eapril Conference | |
25 novembre 2015 | |
Université du Luxembourg | |
Esch-sur-Alzette | |
Luxembourg | |
[en] Music Education ; Eye Tracking | |
[en] In our research we examined 10-14 years old students' music reading skills with eye tracking analysis in different music schools in Luxembourg, Germany and Hungary. Our aims were to explore certain music reading strategies, find possibilities of teaching them, reveal the characteristics of expert sight-reading strategy users and also to find gender differences. During the examination students got six different musical examples (3 for rythm reading, 3 for singing from Zoltán Kodály) that appeared on a computer's screen, and after one minute silent reading they performed them.The results suggest that the knowledge of musical patterns strongly influences not only the duration and accuration of a musical performance, but the fixation counts, and also several gender differences were revealed. Our further aim is examining the relationship between the development of reading and music reading skills. | |
Researchers ; Professionals ; Students | |
http://hdl.handle.net/10993/23152 |
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