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See detailMusik und Wirklichkeit. Modelle der Musikphilosophie
Lehmann, Harry UL

Book published by Schott Music (2023)

In the wake of the Digital Revolution, a new type of art music also began to emerge a decade ago: music that is primarily created on the computer and composed not only with notes and samples, but also ... [more ▼]

In the wake of the Digital Revolution, a new type of art music also began to emerge a decade ago: music that is primarily created on the computer and composed not only with notes and samples, but also with images, videos, texts, environmental sounds, words and concepts. While absolute music could at best make ephemeral references to the world via structural analogies, this relational music is able to refer to reality in a more specific way. "Music and Reality" develops model analyses of exemplary works that show how art music today uses these new possibilities of world-relational composing to articulate aesthetic content in fields as diverse as conceptual music, musical postmodernism, straight theatre, political music, visual art, and opera. [less ▲]

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See detailGehalt
Lehmann, Harry UL

in Siegmund, Judith (Ed.) Handbuch Kunstphilosophie (2022)

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See detailMaterial estranho no Concerto para piano
Lehmann, Harry UL; Baggio, Igor

in Artefilosofia (2022), 32

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See detailKunst, Freiheit, Moral. Wie es zu Autonomieverlusten in liberalen Demokratien kommt
Lehmann, Harry UL

in Lettre International. Europas Kulturzeitung (2021), (135), 24-33

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See detailEin Blick in die Zukunft des Musikjournalismus
Lehmann, Harry UL

in Jungwirth, Robert; Schmidt, Michael (Eds.) Hat Musikjournalismus noch eine Zukunft? (2021)

Detailed reference viewed: 33 (2 UL)
See detailArt and Art Criticism in Times of Political Polarization
Lehmann, Harry UL

in Perrier, Danièle (Ed.) Art Criticism in Times of Populism and Nationalism: Proceedings of the 52nd International AICA Congress, Cologne/Berlin 1–7 October 2019 (2021)

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See detailEin Sprechtheater aus dem Geiste der Musik
Lehmann, Harry UL

E-print/Working paper (2021)

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See detailOral – Literal – Digital. Zur Genese einer digitalen Musikkultur
Lehmann, Harry UL

in Nassehi, Armin; Anderl, Sibylle; Felixberger, Peter (Eds.) Kursbuch 205 'Musikbox' (2021)

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See detailMusik im Sprechtheater. Pressure Composing in ›4.48 Psychose‹
Lehmann, Harry UL

in Neue Zeitschrift für Musik (2021), 4

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See detailPolitisierung der Künste. Strategien im Konflikt zwischen Kommunitarismus und Kosmopolitismus
Lehmann, Harry UL

in Lettre International. Europas Kulturzeitung (2020), (131), 56-61

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See detailBeethovens Schwestern
Lehmann, Harry UL

in Opernwelt (2020)

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See detailKunst und Kunstkritik in Zeiten politischer Polarisierung. Ein Kippmodell des politischen Raumes
Lehmann, Harry UL

in Merkur. Deutsche Zeitschrift für europäisches Denken (2020), 853(6), 5-21

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See detailDas Musikpublikum. Kleine Genealogie mit Zukunftsprognose
Lehmann, Harry UL

in Neue Zeitschrift für Musik (2020), (1), 20-22

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See detailVoyager Ästhetik. George Lewis improvisiert mit Computern
Lehmann, Harry UL

in Neue Zeitschrift für Musik (2020), (4), 36-39

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See detailDie Norwegian Opra. Die Ø Trilogie von Trond Reinholdtsen
Lehmann, Harry UL

in Neue Zeitschrift für Musik. Begegnung (2020), 5

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See detailKomponieren im Medium der Samples
Lehmann, Harry UL

in Neue Musikzeitung (2020), 69(2), 17-18

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See detail»Was mich interessiert ist die Konstruktion«, Text über Rieke Süßkows Inszenierung ›IKI.Radikalmensch‹
Lehmann, Harry UL

in Radikal Jung 2020 – Das Festival für junge Regie (2020), 3

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See detailVom aufgelösten zum reflexiven Musikbegriff
Lehmann, Harry UL

in Präsident und Direktorium der Bayerischen Akademie der Schönen Künste in München (Ed.) Bayrische Akademie der Schönen Künste. Jahrbuch 33 (2019) 2020 (2020)

As a result of digitization, transmedia music projects are becoming the standard format of New Music. These ubiquitous transgressions have led composers such as Johannes Kreidler and Hannes Seidel to the ... [more ▼]

As a result of digitization, transmedia music projects are becoming the standard format of New Music. These ubiquitous transgressions have led composers such as Johannes Kreidler and Hannes Seidel to the assumption that the notion of music is thus also becoming delimited and beginning to dissolve. In the following, I present a theoretical model that confirms and criticizes this prognosis. The countless border crossings do not lead to a dissolved but to a reflexive notion of music. [less ▲]

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See detailDalle Partiture ai Samples
Lehmann, Harry UL

in De Musica (2020), 14(2), 37-56

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See detailArtistic Research in Art Music. Reflections on the Artistic Research Project ‘Music with the Real’
Lehmann, Harry UL

E-print/Working paper (2019)

Detailed reference viewed: 24 (0 UL)