Technology’s Storytellers reloaded A text-mining experiment in history of technology

Scientific Conference (2018, October 12)

Key Note : Für eine digitale Hermeneutik in den Geisteswissenschaften

Presentation (2018, May 29)

Eischte Weltkrich

Computer development (2018)

The digital exhibition Éischte Weltkrich: Remembering the Great War in Luxembourg is a project developed by the C2DH, the Luxembourg Centre for Contemporary and Digital History at the University of ... [more ▼]

The digital exhibition Éischte Weltkrich: Remembering the Great War in Luxembourg is a project developed by the C2DH, the Luxembourg Centre for Contemporary and Digital History at the University of Luxembourg, with the aim of addressing an important but neglected and understudied period in the country’s history, the First World War. Supported by the Ministry of State and drawing on the collections and expertise of some of the major Luxembourg museums, archives and cultural institutions, the project has progressively deepened and widened its scope, aspiring to become a long-term digital resource. The website is designed to engage a broad base of users with varying interests and degrees of expertise. It offers four independent but interconnected modes of navigation: a thematic, story-driven mode; a digital archive; an interactive geo-referenced map and a timeline. Additional sections of the website contain educational pages for schools and downloadable academic articles. The overall structure of the exhibition remains flexible and open so that it can be constantly enriched with new material, whether provided by institutions or crowdsourced. [less ▲]

La culture à la télévision

Presentation (2018, March)

How to grasp historical media dispositifs in practice?

in Fickers, Andreas; Aasman, Susan; Wachelder, Joseph (Eds.) Materializing Memories. Dispositifs, Generations, Technologies (2018)

This chapter introduces the concept of experimental media archaeology and asks how hands-on experiments with old media technologies allow to grasp the meaning of past media practices.

“On the road again”: An Experimental Media Archaeology journey to the origins of transnational television in Europe

in Journal of European Television History and Culture (2018), 8(13),

This video documents the authors’ journey back to the origins of transnational television in Europe. Inspired by the idea of experimental media archaeology (EMA), the trip to original locations of the ... [more ▼]

This video documents the authors’ journey back to the origins of transnational television in Europe. Inspired by the idea of experimental media archaeology (EMA), the trip to original locations of the transnational media event known as ‘Paris-week’ in 1952 illustrates a new approach to media historiography, which aims to sensitize television historians for the material remains, topography and physical spaces of early television transmissions. Readers /viewers are invited to watch the different episodes of the authors’ journey by clicking on the figures. [less ▲]

Materializing Memories. Dispositifs, Generations, Amateurs

Book published by Bloomsbury (2018)

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as ... [more ▼]

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siècle to today. Departing from a longue durée perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. [less ▲]

Introduction

in Fickers, Andreas; Aasman, Susan; Wachelder, Joseph (Eds.) Materializing Memories. Dispositifs, Generations, Technologies (2018)

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as ... [more ▼]

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siècle to today. Departing from a longue durée perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. [less ▲]

Generational Conflicts, the Spirit of ‘68 and Cultural Emancipation in the German Speaking Community of Belgium. A Historical Essay About the ‘73 Generation

in Venken, Machteld (Ed.) Borderland Studies Meets Child Studies. A European Encounter (2017)

‘Changes were in the air’ – is perhaps the best way to describe the social mood at the end of the 1960s and the beginning of the 1970s. On the international stage, the gap between the post-war generation ... [more ▼]

‘Changes were in the air’ – is perhaps the best way to describe the social mood at the end of the 1960s and the beginning of the 1970s. On the international stage, the gap between the post-war generation, known as the ‘baby boomers’ and the generation that had experienced World War II as adolescents or young adults came to light in the form of student protests, anti-war movements and new concepts of life. It is scarcely a coincidence that there were protests in eastern Belgium too at this time. What were the ‘young wild ones’ protesting against in the German speaking region of Belgium? Based on a generational approach, this article aims at contextualizing the autonomy-debate in the late 1960s and early 1970s by focusing on a historical investigation into a few young people in the Eifel region that would strike new political tones with lasting influence on the political landscape as well as on the social or cultural environment of eastern Belgium. [less ▲]

Hybrid Histories: Versuch einer kritischen Standortbestimmung der Mediengeschichte

Presentation (2017, November 23)