References of "Walkowski, Niels-Oliver 50034218"
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See detailEditorial: Digitale Praktiken
Pause, Johannes UL; Walkowski, Niels-Oliver UL; Vonderau, Patrick

in Montage AV (2020), 29(1), 5-20

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See detailDigitale Praktiken
Pause, Johannes UL; Walkowski, Niels-Oliver UL

in montage AV (2020), 29(1),

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See detailBeyond the Flow : Scholarly Publications During and After the Digital
Walkowski, Niels-Oliver UL

Book published by Meson Press (2019)

In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as ... [more ▼]

In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. However, facing challenges such as the serial crisis, knowledge burying or sudoku research the discourses and practices of scholarly publishing today are mainly shaped by confusion, heterogeneity and uncertainty. By critically interrogating the current state of digital publishing in academia the book asks for how a sustainable post-digital publishing ecology can be imagined. [less ▲]

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See detailScalable Viewing. Digitale Methoden und die Digital Humanities
Pause, Johannes UL; Walkowski, Niels-Oliver UL

E-print/Working paper (2019)

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See detailColor Contrast Data for a Corpus of 24 Political Thrillers
Walkowski, Niels-Oliver UL; Pause, Johannes UL

Textual, factual or bibliographical database (2019)

The repository contains data for several color contrasts of 28 political thrilles. It is part of a film studies research project described in: Johannes Pause, Niels-Oliver Walkowski: Zombies, Conspiracies ... [more ▼]

The repository contains data for several color contrasts of 28 political thrilles. It is part of a film studies research project described in: Johannes Pause, Niels-Oliver Walkowski: Zombies, Conspiracies, and Aesthetics in Crisis. In: Handbook of Film and Genre, forthcoming. Johannes Pause, Niels-Oliver Walkowski: Welten abnehmenden Lichts. Ein Multi-Scale Viewing des Politthrillers im 21. Jahrhundert. In: MontageAV. Digitale Praktiken. forthcoming. The data was created with python library citten and analyzed with the panel/HoloViews based dashboard phos, both developed by the authors. Movies in the Corpus Banchiero di dio Das Phantom Der blinde Fleck Fair Game Geheime Staatsaffäre Ghostwriter The Ides of March Il Divo In the Loop J'ai vu tuer be barka Kings Game König von Schottland L'Albatros Lücke im System= Lügen der Sieger Manipulation Michael Clayton Nichts als die Wahrheit Operation Duval Page Eight Pioneer Spotlight State of Play Syriana The Interpreter Third Wave Une affaire d'etat Was niemand weiss [less ▲]

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See detailEverything is illuminated. Zur numerischen Analyse von Farbigkeit in Filmen
Pause, Johannes UL; Walkowski, Niels-Oliver UL

in Zeitschrift für digitale Geisteswissenschaften (2018)

The article analyses the composition of colour in the mise-en-scène of the zombie-movies REC, 28 Days Later and World War Z via a computer based approach. It first evaluates some of the methodological ... [more ▼]

The article analyses the composition of colour in the mise-en-scène of the zombie-movies REC, 28 Days Later and World War Z via a computer based approach. It first evaluates some of the methodological problems of common colour-quantisation by using clustering-algorithms in the context of film studies, then a new developed process is presented which builds on the theory of colour contrasts by Johannes Itten. A simple statistical analysis of two contrast ratios for each of the movies demonstrates that this approach is capable of providing detailed insights into the composition of colour in movies in general. Furthermore, the analysis of the three movies reveals that the accentuation of colour contrast relations serves different functions: colours can support the narrative structure of the movie, emphasize repeating motifs or establish an autonomous aesthetic space. [less ▲]

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