![]() ; ; et al Book published by Hatje Cantz (2013) Throughout history, follies have been used widely in architecture, visual arts, and literature as a provocation, a frivolous diversion or strategic place of madness and satire freed from the constraints ... [more ▼] Throughout history, follies have been used widely in architecture, visual arts, and literature as a provocation, a frivolous diversion or strategic place of madness and satire freed from the constraints of societal norms. Since their initial inception in landscape gardens, follies have been used as medium or object, oscillating between aesthetic autonomy and social-political potential. Placed in contemporary cities, follies become critical tools to test the constitution and transformative potential of public space. Revisiting some of these historic sites, a series of eight newly commissioned follies forge links between every day uses and political practice linking contemporary Gwangju and a global political arena. The book takes the form of a glossary, situating the eight new Follies within a broader cultural discourse and presents the projects curated by Nikolaus Hirsch, Philipp Misselwitz, and Eui Young Chun as “foolosophy.” [less ▲] Detailed reference viewed: 19 (0 UL)![]() ; ; et al Book published by Corner House (2012) Art and the City is published on the occasion of the international festival of the same name held in Zurich in summer 2012. Inviting more than 40 artists to present works in the public space, the ... [more ▼] Art and the City is published on the occasion of the international festival of the same name held in Zurich in summer 2012. Inviting more than 40 artists to present works in the public space, the manifestation takes as a point of departure the transformation of the west area of Zurich from an industrial zone to a trendy residential neighbourhood. Gathering together contributions by artists such as Ai Weiwei, Martin Creed, Hamish Fulton, Matt Mullican, Bettina Pousttchi, Oscar Tuazon among many others, this book explores the condition of cities in the twenty-first century through the history of art interventions and discussions in the public realm. [less ▲] Detailed reference viewed: 17 (0 UL)![]() ; ; Miessen, Markus ![]() Book published by Skira (2012) This volume inaugurates a new series of publications edited by three leading authors on the world's architectural and artistic scene: H.U.Obrist, Rem Koolhaas and Stefano Boeri. A series of dialogues ... [more ▼] This volume inaugurates a new series of publications edited by three leading authors on the world's architectural and artistic scene: H.U.Obrist, Rem Koolhaas and Stefano Boeri. A series of dialogues resulting from the first, "legendary" Serpentine Gallery Marathon, conducted by Hans Ulrich Obrist and Rem Koolhaas, dedicated to London, the description of one of the great metropolises of the world and to the most topical subjects on the international scene. Some of the most innovative protagonists of the British architectural, political, literary, musical and artistic scene (including Brian Eno, Zaha Hadid, Peter Cook, Ron Arad, Doris Lessing, Damien Hirst, Gilbert and George amongst others) have been invited to speak of the near future. [less ▲] Detailed reference viewed: 31 (0 UL)![]() ; Miessen, Markus ![]() Book published by Koenig Books (2009) Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ... [more ▼] Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science, philosophy, music and film. Highlights include Nicolas Bourriaud's "Altermodern," Paul Chan's "Sex and the New Way, V.I.," Jimmie Durham's "No More Silly Hats," Fritz Haeg's "London: A Manifesto From Your Animals," David Hockney's "Manifesto for Smoking," Adam Pendleton's "Black Dada," Agnes Varda's "What To Do?," Ben Vautier's "I Don't Know What To Do," Ai Wewei's "Despicable Things," Vivienne Westwood's "AR," Lebbeus Woods' "Slow Manifesto," plus interviews with Eric Hobsbawm and Tino Sehgal, and a wealth of photographs from the event. [less ▲] Detailed reference viewed: 29 (1 UL)![]() ; Miessen, Markus ![]() Book published by Thames & Hudson (2008) Imagine if the whole of life were reducible to a single formula. The results are not just unexpected but as wild, as weird and as wonderful as life itself. Many of the most creative and original minds of ... [more ▼] Imagine if the whole of life were reducible to a single formula. The results are not just unexpected but as wild, as weird and as wonderful as life itself. Many of the most creative and original minds of our time - more than a hundred from the worlds of art, science, mathematics, architecture, design, performance, literature and sociology - give us their personal and enterprising, or visionary, or inventive, or novel, or just deliriously delectable, formulas for contemporary life. Damien Hirst's colour wheel; 'sex x technology = the future' by J.G. Ballard; Gilbert & George's injuction to ban religion; a distillation of Darwinian theory from Richard Dawkins; Olafur Eliasson's x and y axis; Peter Saville's sketched diagrams; Louise Bourgeois's conviction that there is no logic in love.. [less ▲] Detailed reference viewed: 21 (0 UL)![]() ; ; Miessen, Markus ![]() Book published by les Presses du réel (2007) The curators of the ninth Lyon Biennial approached the task of mapping the moment in contemporary art playfully: by commissioning a polyphonic history and geography book. With 70 "players" from around the ... [more ▼] The curators of the ninth Lyon Biennial approached the task of mapping the moment in contemporary art playfully: by commissioning a polyphonic history and geography book. With 70 "players" from around the world, the "game" of how to define the decade unfolded via a series of delegations, invitations and programs in which artists proposed their responses and critics and curators sequenced and challenged them, in turn suggesting artists of their own. Reframing the unfolding present from within, creatively rethinking the role of the artist as well as that of serious play, and reconsidering the now-ubiquitous and decreasingly authoritative biennial exhibition, these myriad voices, framed by only a few rules, became participants in an exercise in collective self-determination. This lavishly illustrated publication, designed by the renowned Parisian firm M/M and edited by Biennial curators Hans Ulrich Obrist and Stéphanie Moisdon, includes previously unpublished essays by Michel Houellebecq, Okwui Enwezor and Ralph Rugoff, and functions as a manual for "a decade yet to be named a present that is endlessly arriving." [less ▲] Detailed reference viewed: 23 (0 UL) |
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