References of "Pause, Johannes 50026764"
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See detailDigitalisierung von Schule und Digitalisierung im Unterricht
Harion, Dominic UL; Pause, Johannes UL

E-print/Working paper (2021)

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See detailPreface
Mein, Georg UL; Pause, Johannes UL

in Mein, Georg; Pause, Johannes (Eds.) Self and Society in the Corona Crisis. Perspectives from the Humanities and Social Sciences (2021)

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See detailSelf and Society in the Corona Crisis. Perspectives from the Humanities and Social Sciences
Mein, Georg UL; Pause, Johannes UL

Book published by Melusina Press (2021)

The corona crisis has put a spotlight on the importance of science in modern societies. But not only medicine and the ‘hard’ sciences, also the humanities and social sciences are called for: Which kinds ... [more ▼]

The corona crisis has put a spotlight on the importance of science in modern societies. But not only medicine and the ‘hard’ sciences, also the humanities and social sciences are called for: Which kinds of political rationality determine action in the global crisis? How does ‘Corona’ influence our understanding of borders, migration and international relations? How can we learn from the past? What are the challenges we face in organizing everyday life, teaching and research, art and culture, or in dealing with ourselves? And can digital technologies help us to compensate for the negative effects of the crisis? By trying to find answers to these (and other) questions, the volume brings together contributions from experts at the University of Luxembourg in the fields of psychology and social sciences, literature and linguistics, cultural studies, political science, border studies and educational science. It opens up a panorama of the research taking place at the Faculty of Humanities, Education and Social Sciences, and demonstrates the kinds of contributions these disciplines make when dealing with crises, and in shaping of society in general. At the same time, it reflects on the limits of knowledge these disciplines encounter in the face of a global challenge. [less ▲]

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See detail[Rezension] Ivo Ritzer: Medientheorie der Globalisierung
Pause, Johannes UL

in Zeitschrift für Medienwissenschaft (2020)

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See detailDigitale Praktiken
Pause, Johannes UL; Walkowski, Niels-Oliver UL

in Montage AV (2020), 29(1),

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See detailDigital Humanities & Film Studies: Analyzing the Modalities of Moving Images
Burghardt, Manuel; Heftberger, Adelheid; Pause, Johannes UL et al

in Digital Humanities Quarterly (2020), 14(4),

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See detailDas Begehren von Schicksal und Möglichkeit. The Sin of Nora Moran (1933)
Pause, Johannes UL

in Gradinari, Irina; Niehaus, Michael (Eds.) Filmisches Erinnern. Zur Ästhetik und Funktion der Rückblende (2020)

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See detailEditorial: Digitale Praktiken
Pause, Johannes UL; Walkowski, Niels-Oliver UL; Vonderau, Patrick

in Montage AV (2020), 29(1), 5-20

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See detailDas Versprechen Homers
Pause, Johannes UL

in Holtz, Gudrun (Ed.) Narben auf der Haut und in der Seele (2020)

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See detailFilm and Video Analysis in the Digital Humanities – An Interdisciplinary Dialog
Burghardt, Manuel; Heftberger, Adelheid; Pause, Johannes UL et al

in Digital Humanities Quarterly (2020), 14(4),

This editorial introduces the special issue on “Digital Humanities & Film Studies: Analyzing the Modalities of Moving Images,” which contains a total of eight exciting contributions. Moreover, this ... [more ▼]

This editorial introduces the special issue on “Digital Humanities & Film Studies: Analyzing the Modalities of Moving Images,” which contains a total of eight exciting contributions. Moreover, this editorial aims to highlight the complementary disciplinary perspectives on the computer-aided analysis of moving images, which are important prerequisites to better understand and situate a common DH perspective [less ▲]

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See detailVerschwörungstheorien als narratives Phänomen
Spiegel, Simon; Nitzke, Solveig; Anton, Andreas et al

in Zeitschrift für Fantastikforschung (2020), 8(1),

Forum on conspiracy theories as narrative phenomenon.

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See detailDer Kalte Krieg und das Meer. Zur Erinnerungspolitik des U-Boot-Films
Pause, Johannes UL

in Zeitschrift für Interkulturelle Germanistik (2020), 11(2), 171-186

Military exploits in the Cold War often differed from conventional acts of war particularly in that they were, by necessity, invisible: In order to prevent nuclear conflict, crises needed to be kept ... [more ▼]

Military exploits in the Cold War often differed from conventional acts of war particularly in that they were, by necessity, invisible: In order to prevent nuclear conflict, crises needed to be kept secret, and were therefore not inscribed into cultural memory. Nuclear submarines are paradigmatic of this dynamic: As mobile nuclear missile silos, they played a central role in the balance of terror during the Cold War, effective because they remained passive and invisible. Cold War era submarine films, however, followed old genre traditions by conceiv-ing the submarine as a tactical, mostly explorative and active weapon. It was not until the 1990s that a reboot of the genre emerged, which sought to make the depths of the ocean vis-ible and memorable as a strategic location of the Cold War. Rather than portraying pure military actions, these movies tell stories of intercultural negotiation which, to prevent the outbreak of nuclear war, had to remain hidden under the surface of the sea. [less ▲]

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See detailCapturing Backstage. Representations of Democracy in Hollywood Cinema
Pause, Johannes UL

in Frames Cinema Journal (2019), 15

Democracy, states Claude Lefort, is distinguished by a fundamental representation problem: unlike in the case of a monarchy, there is no longer any sovereign body through which the state is able to ... [more ▼]

Democracy, states Claude Lefort, is distinguished by a fundamental representation problem: unlike in the case of a monarchy, there is no longer any sovereign body through which the state is able to uniformly manifest itself. In Hollywood cinema, the “empty space” at the core of democracy thus disclosed is filled with mythical ‘primal scene’ that conceive of political representation – in the precise sense described by Thomas Hobbes – as a spontaneous theatrical performance: the persuasive power of a political speech fashions an individual, for as long as that person is performing, into the representative of all those present, with the latter becoming the audience and hence a representation of the people. This myth of a social order occurring at the moment of spontaneous performativity is also the identifying feature of filmic depictions of parliament, election rallies, and other political arenas, which Hollywood movies portray as places in which the shaping of democratic principles is a process being permanently re-enacted. Yet the films are characterized not by this legitimization of the democratic system alone, each of them also consistently pursuing an investigative act of enlightenment, revealing to us what is going on behind the scenes of the performance. By means of a comparative analysis of individual scenes from works by Frank Capra, Otto Preminger, John Frankenheimer, and George Clooney, the essay examines how the stage-like nature of political action takes on additional complexity through these explorations of the backstage. Similarly, the influence of filmic media on politics, as evidenced by the production of ever-new front- and side-stages (Meyrowitz), is an aspect being considered by these works in increasingly autoreflexive manner. Far from creating monodimensional ideologies, Hollywood thus seeks, through a highly differentiated approach, to get to grips with the mechanisms and aporias of modern-day politics, one which, in the actual essay itself, assumes the form of a filmic outline of the intellectual history of democratic representation. [less ▲]

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See detail[Rezension] Lars Nowak (Hg.): Medien - Krieg - Raum
Pause, Johannes UL

in MEDIENwissenschaft: Rezensionen, Reviews (2019), 1(2019), 24-27

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See detailScalable Viewing. Digitale Methoden und die Digital Humanities
Pause, Johannes UL; Walkowski, Niels-Oliver UL

E-print/Working paper (2019)

Detailed reference viewed: 48 (4 UL)
See detailColor Contrast Data for a Corpus of 24 Political Thrillers
Walkowski, Niels-Oliver UL; Pause, Johannes UL

Textual, factual or bibliographical database (2019)

The repository contains data for several color contrasts of 28 political thrilles. It is part of a film studies research project described in: Johannes Pause, Niels-Oliver Walkowski: Zombies, Conspiracies ... [more ▼]

The repository contains data for several color contrasts of 28 political thrilles. It is part of a film studies research project described in: Johannes Pause, Niels-Oliver Walkowski: Zombies, Conspiracies, and Aesthetics in Crisis. In: Handbook of Film and Genre, forthcoming. Johannes Pause, Niels-Oliver Walkowski: Welten abnehmenden Lichts. Ein Multi-Scale Viewing des Politthrillers im 21. Jahrhundert. In: MontageAV. Digitale Praktiken. forthcoming. The data was created with python library citten and analyzed with the panel/HoloViews based dashboard phos, both developed by the authors. Movies in the Corpus Banchiero di dio Das Phantom Der blinde Fleck Fair Game Geheime Staatsaffäre Ghostwriter The Ides of March Il Divo In the Loop J'ai vu tuer be barka Kings Game König von Schottland L'Albatros Lücke im System= Lügen der Sieger Manipulation Michael Clayton Nichts als die Wahrheit Operation Duval Page Eight Pioneer Spotlight State of Play Syriana The Interpreter Third Wave Une affaire d'etat Was niemand weiss [less ▲]

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See detailDer unsichtbare Zweite. Gegenschüsse im One-Actor-Movie
Pause, Johannes UL

in Doll, Martin (Ed.) Cutting Edge! Aktuelle Positionen der Filmmontage (2019)

Detailed reference viewed: 47 (1 UL)