![]() Nonoa, Koku Gnatuloma ![]() in Kovacs, Teresa; Scheinpflug, Peter; Wortmann, Thomas (Eds.) Schlingensief-Handbuch Leben – Werk – Wirkung (in press) Detailed reference viewed: 85 (8 UL)![]() ; Nonoa, Koku Gnatuloma ![]() Book published by Melusa Press (2023) Der vorliegende Sammelband versammelt kritische Forschungsansätze sowohl aus verschiedenen akademischen Disziplinen – der Theater-, Medien , Film-, Literaturwissenschaften sowie der Soziologie, der ... [more ▼] Der vorliegende Sammelband versammelt kritische Forschungsansätze sowohl aus verschiedenen akademischen Disziplinen – der Theater-, Medien , Film-, Literaturwissenschaften sowie der Soziologie, der Erziehungswissenschaften – als auch der praxisbezogenen Theaterpädagogik und der Sozialen Arbeit. Anliegen ist es, die interdisziplinäre Forschung und einen integrativen Forschungsansatz für den Sammelband fruchtbar zu machen, um so den gegenseitigen akademischen und praktischen Transfer von Wissen hervorzuheben und die Kluft zwischen Wissen und Praxis in Bezug auf Wissenschaft, Theater und Migration zu überwinden: Dabei geht es um die Analyse des komplexen Themenfeldes, das die gegenwärtigen Migrationsbewegungen ins Zentrum der internationalen und interdisziplinären Diskussionen rückt. [less ▲] Detailed reference viewed: 81 (6 UL)![]() ![]() Nonoa, Koku Gnatuloma ![]() in Amoo-Adare, Epifania; Siriwardane-de Zoysa, Rapti (Eds.) An Anthology of Non-Conformism: Rebel Women Words, Ways & Wonders (2023) The present contribution examines the potentiality of the non-conformist and rebel wom!n´s strategy in Eleonora Miano´s literature production: beyond the colonizer-colonized mindset. The analysis relies ... [more ▼] The present contribution examines the potentiality of the non-conformist and rebel wom!n´s strategy in Eleonora Miano´s literature production: beyond the colonizer-colonized mindset. The analysis relies on her following literary works: Revelation (an extract from Miano’s book Red in blue trilogy, 2015) and L'impératif transgressif (The Transgressive Imperative, 2016a). First, the analysis discusses Miano´s non-conformity in relation to the colonizer-colonized mindset by focusing on her dramatic text Revelation, regarding the repression of the history of African complicity in the transatlantic slave trade. Second and finally, Miano´s countercultural concept Afrophonie, concerning the reinvention of African imaginaries, will be analysed. [less ▲] Detailed reference viewed: 83 (6 UL)![]() Nonoa, Koku Gnatuloma ![]() in Borst, Julia; Neu-Wendel, Stephanie; Tauchnitz, Juliane (Eds.) et al Unerhörte Stimmen aus der Afro-Romania Genderdiskurse im Kontext von Selbst- und Fremdwahrnehmung „nach“ der Migration (2023) The present analysis focuses on some strategies of aesthetic efficacy and their function in the textual and scenic writing of Léonora Miano’s Révélation. First, Révélation is placed in its socio-cultural ... [more ▼] The present analysis focuses on some strategies of aesthetic efficacy and their function in the textual and scenic writing of Léonora Miano’s Révélation. First, Révélation is placed in its socio-cultural context. In this process, the theory of ‘social drama’ and ‘aesthetic drama’ allows us to identify the interdependent character of historical events and Révélation in a different light. We then rely on the concepts of documentary and post dramatic theater to analyze the socio-cultural potentiality of literature and theater as related to the re-examination and re-orientation of the regimes of perception In doing so, this contribution examines, in turn, some strategies of aesthetic variation related to the frontier identity of the ‘Afropean’ woman in the theater, beyond the ntagonisms between Africa and Europe in the post-migration context, and to the diverse and interdependent character of the human subjects in the current world. [less ▲] Detailed reference viewed: 90 (6 UL)![]() Nonoa, Koku Gnatuloma ![]() in JOURNAL geroRESEARCH (2022), 7 Der vorliegende Beitrag analysiert zunächst das Verhältnis zwischen dem „Denken-wie-üblich“ und dem klassischen Kulturbegriff mit Blick auf Repräsentations- und Identitätspolitik. Dann geht die Analyse ... [more ▼] Der vorliegende Beitrag analysiert zunächst das Verhältnis zwischen dem „Denken-wie-üblich“ und dem klassischen Kulturbegriff mit Blick auf Repräsentations- und Identitätspolitik. Dann geht die Analyse auf die Herausforderungen des „Denkens-wie-üblich“ in der kulturellen Vielfalt ein. Schlie.lich wird herausgearbeitet, wie dies inDiskursen, Sprechakten und Narrativen zum Ausdruck kommt. [less ▲] Detailed reference viewed: 60 (7 UL)![]() Nonoa, Koku Gnatuloma ![]() in Deutschunterricht (Der): Beiträge zu seiner Praxis und wissenschaftlichen Grundlegung (2022), 5(5), Der vorliegende Beitrag geht auf Strategien identitärer Selbstbestimmung Schwarzer Künst-ler_innen und People of Color gegenüber hegemonialer-kapitalistischer Deutungshoheit in der Kunstszene ein ... [more ▼] Der vorliegende Beitrag geht auf Strategien identitärer Selbstbestimmung Schwarzer Künst-ler_innen und People of Color gegenüber hegemonialer-kapitalistischer Deutungshoheit in der Kunstszene ein. Zunächst wird auf der Grundlage der Wechselwirkung zwischen ‚sozialem‘ und ‚ästhetischem Drama‘ das Verhältnis zwischen dem Entstehungs- und Produktionskontext des Theaterstückes Aesthetics of Color ‒ ein Kammerspiel untersucht. Dann bezieht sich die Analyse auf die Einbettung dieses Theaterstückes in institutionskritische, postmigrantische und postkoloniale Kontextbezüge. [less ▲] Detailed reference viewed: 103 (26 UL)![]() ![]() Nonoa, Koku Gnatuloma ![]() in Dona, Sebastian; Eder-Jordan, Beate; Heinritz, Alena (Eds.) et al Alles Verblendung? Was wir (nicht) wahrnehmen können, sollen, wollen. (2022) Der vorliegende Beitrag untersucht die vielfältigen Erscheinungsverhältnisse von Verblendung und Anagnorisis. Dabei werden entsprechende Inszenierungsstrategien und Sinnproduktionen z. B. in Verknüpfung ... [more ▼] Der vorliegende Beitrag untersucht die vielfältigen Erscheinungsverhältnisse von Verblendung und Anagnorisis. Dabei werden entsprechende Inszenierungsstrategien und Sinnproduktionen z. B. in Verknüpfung mit institutionellen Fragen und der aktuellen Repräsentationsproblematik berücksichtigt. Zunächst geht es in den Überlegungen um die Autonomiekategorie als eine Strategie, mit der die gesellschaftliche Dimension und identitäre Repräsentationsfragen verblendet werden. Im Anschluss geht die Analyse abschließend auf die Anagnorisis als Geste der Verfremdung und Unterbrechung der Verblendung ein. [less ▲] Detailed reference viewed: 29 (5 UL)![]() Nonoa, Koku Gnatuloma ![]() in Juvonen, Annimari; Lindemann Lino, Verena (Eds.) Negotiations of Migration Reexamining the Past and Present in Contemporary Europe (2021) First, this contribution discusses “thinking-as-usual” in connection with to- day’s migration dilemma in Europe as the manifestation of a crisis from the per- spective of “social drama.” Secondly, the ... [more ▼] First, this contribution discusses “thinking-as-usual” in connection with to- day’s migration dilemma in Europe as the manifestation of a crisis from the per- spective of “social drama.” Secondly, the present contribution seeks to question the discourse of “thinking-as-usual” and its performative character as observable units shaping perceptions and staging strategies in some contemporary theater and performance productions in Europe. Thirdly, it analyzes the response-ability and potentiality of some other theater and performance arts which productively address structures of belonging and exclusion stemming from “thinking-as-usual.” Finally, this analysis explores how de-essentializing epistemological approaches of European artistic habits can productively impact the negotiation of otherness and migration in the theater and performing arts. [less ▲] Detailed reference viewed: 69 (13 UL)![]() ![]() Nonoa, Koku Gnatuloma ![]() in Wessendorf, Markus (Ed.) Brecht unter Fremden (2021) This article analyzes Brecht’s concept of gesture in the context of contem- porary transcultural theater as a means of cognition for an inquisitive stage practice of cultural self-reflection, self ... [more ▼] This article analyzes Brecht’s concept of gesture in the context of contem- porary transcultural theater as a means of cognition for an inquisitive stage practice of cultural self-reflection, self-representation, and self-perception. In this respect, Günther Heeg’s main thesis on transcultural theater as a reappraisal of one’s own traditions and cultural phantasms and their distor- tion into recognizability, Alfred Schütz’s reflection on “thinking-as-usual,” and Hans-Thies Lehmann’s Postdramatic Theatre (1999/2006) form the theoretical framework for the present considerations. After approaching gesture epistemologically as a transcultural means of cognition, this contri- bution secondly examines—based on Schütz’s “thinking-as-usual” and on concrete examples of texts as well as theater and performance projects— several theatrical strategies of categorizing what is foreign in oneself and their respective construction of perception in the cultural other. Thirdly and finally, this study deals with the question of the “migration dilemma” and introduces the transcultural theater’s concept of gesture as a means of cognition for transcending “thinking-as-usual” in contemporary European theater. [less ▲] Detailed reference viewed: 74 (8 UL)![]() Nonoa, Koku Gnatuloma ![]() in Brown, Ashley; Carbon, François; Chambers, Bill (Eds.) et al TAD’ Liber Memorialis e-book (2021) Cultural diplomacy "refers to the exchange of ideas, information, art, and other aspects of culture among nations and their peoples to foster mutual understanding." (Cummings, 2003, p. 1). However, how ... [more ▼] Cultural diplomacy "refers to the exchange of ideas, information, art, and other aspects of culture among nations and their peoples to foster mutual understanding." (Cummings, 2003, p. 1). However, how can we interpret cultural diplomacy and act upon it in and outside academia? How can universities harness the potentiality of cultural diplomacy to transform societies? These are among others the leading questions discussed in the international panel on "the art of cultural diplomacy: cultural diplomacy in and outside academia" linked to international students as 'students as global citizens'. This discussion panel took place in 2017 May, the 26 in the framework of the 4th Transatlantic Dialogue titled "Creating Human Bonds Through Cultural Diplomacy." The panel gathered and focused on diverse engagements and activities of international students and student a airs professionals from all continents of the world as potential agents of the art of cultural diplomacy in and outside academia. Our analysis builds on these questions and the objectives of this panel. It discusses from a combined perspective of an academic research-art interface the art of cultural diplomacy as an aesthetic and a means of intercultural awareness and cultural interactions and reciprocal knowledge transfer between academia and the society or the general public. [less ▲] Detailed reference viewed: 98 (5 UL)![]() ; ; Nonoa, Koku Gnatuloma ![]() in Theater der Zeit (2020), (9), 30-32 Vor zehn Jahren starb Christoph Schlingensief und hinterließ der Welt seine letzte große Vision: das Operndorf Afrika. Ein Gespräch mit Zonatan Dembele und Koku G. Nonoa von Zonatan Dembele, Dorte Lena ... [more ▼] Vor zehn Jahren starb Christoph Schlingensief und hinterließ der Welt seine letzte große Vision: das Operndorf Afrika. Ein Gespräch mit Zonatan Dembele und Koku G. Nonoa von Zonatan Dembele, Dorte Lena Eilers und Koku G. Nonoa [less ▲] Detailed reference viewed: 130 (7 UL)![]() Nonoa, Koku Gnatuloma ![]() in Mein, Georg; Pause, Johannes (Eds.) Self and Society in the Corona Crisis. Perspectives from the Humanities and Social Sciences (2020) This article examines the interdependence of formal and media transformations in literature and theatre production and reception in contemporary context of increasing processes of digitalisation and ... [more ▼] This article examines the interdependence of formal and media transformations in literature and theatre production and reception in contemporary context of increasing processes of digitalisation and social interactions in the internet. Thus, the question of physical co-presence in theatre and the consciousness of virtual presence in media culture is discussed, including the response-ability and the aesthetic potentiality of theatre in media and virtual spaces during the coronavirus pandemic and beyond. Finally, this contribution addresses the related theatre epistemological approach. [less ▲] Detailed reference viewed: 160 (5 UL)![]() Nonoa, Koku Gnatuloma ![]() in Alena, Heinritz; Mario, Huber; Dimitri, Smirnov (Eds.) TextVerHandlungen Literaturwissenschaft praxeologisch (2020) On the basis of Elfriede Jelinek's theatre text Charges (The Supplicants) and taking as a starting point interaction between social and aesthetic drama as well as the social and political function of ... [more ▼] On the basis of Elfriede Jelinek's theatre text Charges (The Supplicants) and taking as a starting point interaction between social and aesthetic drama as well as the social and political function of literature, this paper analyses the performativity and the potentiality of the means of production and reception of texts in current media. An examination of the latter provides not only the technological contexts for communication and possibilities of the related period of production but also the inter- dependence of formal, structural and media transformations of the literary and theatrical production. [less ▲] Detailed reference viewed: 101 (13 UL)![]() Nonoa, Koku Gnatuloma ![]() Doctoral thesis (2020) Aufgrund ihrer verwandten Störstrategien sind Hermann Nitsch und Christoph Schlingensief wie „zwei Zwillingsbrüder“ zu betrachten, die individualisierte Künstlerpersönlichkeiten aufweisen. Sie sind zudem ... [more ▼] Aufgrund ihrer verwandten Störstrategien sind Hermann Nitsch und Christoph Schlingensief wie „zwei Zwillingsbrüder“ zu betrachten, die individualisierte Künstlerpersönlichkeiten aufweisen. Sie sind zudem von der institutionskritischen Inszenierung theatraler, körperzentrierter Präsenz und Erfahrung des Realen bis zur Fusionierung ritueller, religiöser und politischer Elemente verwandt und sehr gute compagnons de route. Diese Publikation widmet sich der Analyse des Theaters als Kunst bzw. Ästhetik kultureller Selbstreflexion und Selbstveränderung in Nitschs und Schlingensiefs postdramatischen Inszenierungs- sowie Störstrategien im Spannungsfeld von Religion, Politik und Theater. [less ▲] Detailed reference viewed: 141 (16 UL)![]() Nonoa, Koku Gnatuloma ![]() in Hertrampf, Marina Ortrud M.; Nickel, Beatrice (Eds.) (T)Räume der Migration (2019) This contribution deals first with some manifestations of the migration's dilemma. Outgoing from the reality constituting capacity and character of speech and discourse, this analysis focuses then on the ... [more ▼] This contribution deals first with some manifestations of the migration's dilemma. Outgoing from the reality constituting capacity and character of speech and discourse, this analysis focuses then on the performative and discursive construction of reality. Besides, this contribution analyses the con- structed character and the contrast between African's and European's perception of migration through reading and watching e.g. news and / or plays. [less ▲] Detailed reference viewed: 74 (14 UL)![]() Nonoa, Koku Gnatuloma ![]() in Concordia Discors vs Discordia Concors : Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies (2018) This contribution analyzes Aristotle’s influence on the modern understanding of theater (based on the concept of the drama script) as a restriction and reduction of the potentiality of theater. Therefore ... [more ▼] This contribution analyzes Aristotle’s influence on the modern understanding of theater (based on the concept of the drama script) as a restriction and reduction of the potentiality of theater. Therefore, it presents a comparative analysis of the objectives of the antique theatrical practices around the 6th and 5th centuries B.C. (before Aristotle) and Schlingensief’s “Action 18, Kill Politic” (2002). It provides also a transcultural examination that helps explain the meaning of the postdramatic transgression of taboos, its productive aesthetics of risk, and its social and political potentiality. Thus, the performance “Action 18, Kill Politic” is analyzed as a process-oriented and experience-based aesthetic of risk as well as a ‘social drama’ in everyday life. [less ▲] Detailed reference viewed: 50 (6 UL)![]() Nonoa, Koku Gnatuloma ![]() in Variations: Literaturzeitschrift der Universität Zürich (2018) Detailed reference viewed: 67 (2 UL)![]() Nonoa, Koku Gnatuloma ![]() in Nonoa, Koku Gnatuloma; Kovacs, Teresa (Eds.) Postdramatisches Theater als transkulturelles Theater. Eine transdisziplinäre Annäherung (2018) Detailed reference viewed: 86 (0 UL)![]() Nonoa, Koku Gnatuloma ![]() in Nonoa, Koku Gnatuloma; Kovacs, Teresa (Eds.) Postdramatisches Theater als transkulturelles Theater. Eine transdisziplinäre Annäherung, (2018) Detailed reference viewed: 33 (1 UL)![]() Nonoa, Koku Gnatuloma ![]() in Nonoa, Koku Gnatuloma; Kovacs, Teresa (Eds.) Postdramatisches Theater als transkulturelles Theater. Eine transdisziplinäre Annäherung, (2018) Detailed reference viewed: 22 (1 UL) |
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