References of "Kohns, Oliver 50002118"
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See detailEine Krise der Öffentlichkeit : Protest, Populismus, "Neue Medien"
Kohns, Oliver UL

Scientific Conference (2019, June)

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See detailThe Pact with the Devil as Model and Crisis of Complicity (Marlowe, Goethe)
Kohns, Oliver UL

Scientific Conference (2019, March)

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See detailKomparatistik als Praxis der Freiheit (Hans-Jost Frey, Werner Hamacher)
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Scientific Conference (2019, January)

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See detailKrise der Öffentlichkeit? : Einige Überlegungen zur Situation der Medien in der Gegenwart
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Article for general public (2019)

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See detailHaben die 'neuen Medien' die Öffentlichkeit zerstört? : Ein Versuch zur Differenzierung
Kohns, Oliver UL

Article for general public (2019)

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See detailWas ist ein Schurke (Shakespeare, "Richard III", Schiller, "Die Räuber")?
Kohns, Oliver UL

Presentation (2018, November)

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See detailVom Intriganten zum 'Outlaw' : Schurken in Shakespeares "Richard III" und Schillers "Die Räuber"
Kohns, Oliver UL

Scientific Conference (2018, September)

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See detailVue sur la scène politique: "House of Cards"
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Conference given outside the academic context (2018)

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See detailPathologies of Empathy: Kant, Polidori, Hoffmann
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Scientific Conference (2018, April)

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See detailNordhühner und Südhühner : NS-Rassenideologie auf dem Hühnerhof
Kohns, Oliver UL

in Literaturkritik.de (2018)

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See detailWie liest Germanistik Politik?
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in Zhu, Jianhu; Zhao, Jin; Szurawitzki, Michael (Eds.) Germanistik zwischen Tradition und Innovation : Akten des XIII. Internationalen Germanistenkongresses Shanghai 2015 (2018)

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See detailThomas Mann am Strand : Tourismus und Alltag in "Tod in Venedig"
Kohns, Oliver UL

in Carstensen, Thorsten; Pirholt, Mattias (Eds.) Das Abenteuer des Gewöhnlichen : Alltag in der deutschsprachigen Literatur der Moderne (2018)

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See detailImaginationen der Macht: Über ästhetischen Autoritarismus
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Scientific Conference (2017, October)

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See detailGrotesque humour and undignified Life in Yu Hua’s novels
Kohns, Oliver UL

Scientific Conference (2017, July)

Yu Hua’s novels, especially "To Live" (活着) und "Brothers" (兄弟), are characterized by their preference for grotesque scenes in which protagonists face situations of humiliation and degradation. In ... [more ▼]

Yu Hua’s novels, especially "To Live" (活着) und "Brothers" (兄弟), are characterized by their preference for grotesque scenes in which protagonists face situations of humiliation and degradation. In "Brothers", the protagonist Song Gang has to undergo a surgery and becomes provided with female breasts, in order to promote an ointment for breast augmentation. According to Mikhail Bakhtin, the deformation of the human body is typical for grotesque humor (as can be shown in Rabelais). Bakthin's description of grotesque humor, however, reveals a certain affinity towards totalitarian politics, and this is certainly true also for Yu Hua. In his novels, grotesque Humor is associated with a political situation in which human dignity is constantly getting undermined. As Yan Lianke puts it, living in modern china is categorically "without dignity": This statement is confirmed in Yu Hua’s novels. The texts deal with the protagonists’ search for dignity, and at the same time they explore the possibility of critical writing under conditions of political control. [less ▲]

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See detailFirst World War and the Perception of Narrative Time
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Scientific Conference (2017, April)

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See detailUnbegrenzte Macht : Über die neuen Autokraten
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Article for general public (2017)

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