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See detailEvident in Advance
Farkas, Denes; Budak, Adam; Miessen, Markus UL

Book published by Sternberg Press (2013)

“If I don’t trust this evidence why should I trust any evidence?," Wittgenstein asked himself in "On Certainty." Dénes Farkas’s work is haunted by a drama of not delivering a trust to a singular evidence ... [more ▼]

“If I don’t trust this evidence why should I trust any evidence?," Wittgenstein asked himself in "On Certainty." Dénes Farkas’s work is haunted by a drama of not delivering a trust to a singular evidence of this world: a world as he found it. Hysterically reproduced paper maquettes of choreographed architecture, imprisoned within a clumsy, photographic frame, are abstract shelters for imagined and unspoken texts. Words are characters in performance of a world as a text. As a proposition, Farkas’s exhibition and publication for the Estonian Pavilion of the 55th Venice Biennale in 2013 is "an absent book" and yet "the book to come." The installation is a piece of spatial, rhythmical writing; a quintet of interiors woven of autonomous though intertwined, poetic fragments of quasi-domestic setting: a library, a garden, an absent cinema, a spatial book, an obsession chamber (a locus of deranged architect and non-writer). "A story? No. No stories, never again," Farkas repeats after Maurice Blanchot, while rehearsing his art of ultimate denial and rejection. [less ▲]

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See detailThe World of Gimel
Budak, Adam; Pakesch, Peter; Miessen, Markus UL

Book published by Sternberg Press (2011)

A matrix of life, nature and the cosmos, Antje Majewski’s World of Gimel is the artist’s own private universal museum in a nutshell, featuring a septet of objects: a clay teapot in the form of a human ... [more ▼]

A matrix of life, nature and the cosmos, Antje Majewski’s World of Gimel is the artist’s own private universal museum in a nutshell, featuring a septet of objects: a clay teapot in the form of a human hand, a shell, a pot made of fragrant wood, a Buddha’s hand citron, a hedge apple, a white stone, a meteorite—acquired by Majewski during her numerous travels and encounters. The exhibition is a book; the book is an exhibition; the World of Gimel—a hybrid of Aleph and Babel, of fantasy and scientific knowledge—is a language laboratory, a structure en abîme, Majewski’s unique venture into the universe of things and their other identity. Participating artists: Thomas Bayrle, Helke Bayrle, Marcel Duchamp, Didier Faustino, Pawel Freisler, Delia Gonzalez, Alejandro Jodorowsky, Edward Edward Krasiński, Leonore Mau, Markus Miessen & Ralf Pflugfelder, Dirk Peuker, Agnieszka Polska, Mathilde Rosier, Gavin Russom, Issa Samb, Juliane Solmsdorf, Simon Starling & Superflex, El Hadji Sy, Neal Tait. [less ▲]

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