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See detailStaging the Amateur Film Dispositif: A Media Archaeological Experiment
van der Heijden, Tim UL

Scientific Conference (2017, June 28)

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See detailTechnostalgia of the Present: From Technologies of Memory to a Memory of Technologies
van der Heijden, Tim UL

in NECSUS. European Journal of Media Studies (2015), 4(2), 103-121

This article reflects on today’s ‘technostalgic’ trend in media culture by examining the various ways in which Super 8 film as a media technology from the past is re-appropriated and remediated in ... [more ▼]

This article reflects on today’s ‘technostalgic’ trend in media culture by examining the various ways in which Super 8 film as a media technology from the past is re-appropriated and remediated in contemporary memory practices. By looking specifically at restorative and reflective forms of technostalgia manifest in the project Bye Bye Super 8 – In Loving Memory of Kodachrome (2011) and the digital smartphone app iSupr8 (2011), the author explores how in contemporary memory practices media technologies not only construct and mediate memories but have also become the objects of memory themselves. While analysing this double mnemonic process – accounting for both the memory construction by the media technology and the reminiscence of the media technology itself – it is argued that we currently witness a new kind of memory practice enforcing an attentive shift from technologies of memory to a memory of technologies. [less ▲]

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See detail'Hare Majesteit de Smalfilm' - De making of de vroege amateurfilm(er)
van der Heijden, Tim UL; Aasman, Susan

in Tijdschrift voor Mediageschiedenis (2014), 17(1), 7-26

This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during which the amateur film gradually developed from being just one branch of photography (cinematography) to ... [more ▼]

This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during which the amateur film gradually developed from being just one branch of photography (cinematography) to becoming an independent film discipline. On the basis of a series of articles about amateur film, published in the photography magazine 'Focus', we shed light on the changing creative processes and discourses of early amateur films and by extension the ‘making of’ early amateur filmmakers themselves. The series, which was written by a beginning amateur filmmaker on the threshold of the ‘Nederlandse Smalfilmliga’ [Dutch Amateur Film League] (1931) and the amateur film magazine 'Het Veerwerk' (1932), offers an interesting insider view of the world of amateur films as it is taking shape. Taking the themes that are covered in the series – ranging from simple films of children and holidays to editing – and the associated user dynamics, the article throws light on the amateur filmmakers’ quest for a distinct production culture and way of creating films. [less ▲]

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See detail‘Voor ik vergeet’. Spinvis en het potentieel van reflexieve technostalgie
van der Heijden, Tim UL

in Andeweg, Agnes; Wesseling, Lies (Eds.) Wat de verbeelding niet vermag! Essays bij het afscheid van Maaike Meijer (2014)

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