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See detailRepräsentationen und Projektionen.
Belling, Luc UL; De Bres, Julia UL; Cicotti, Claudio UL et al

in Wille, Christian; Reckinger, Rachel; Kmec, Sonja (Eds.) et al Räume und Identitäten in Grenzregionen. Politiken – Medien – Subjekte. (2014)

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See detailSchooling the gaze: Industry and nation-building in Luxembourgish landscape-writing, 1900 1940
Millim, Anne-Marie UL

in Journal of European Studies (2014), 44(2), 151-169

This paper investigates the role of industry in the invention of a national landscape in Luxembourg between 1900 and 1940. Luxembourg is a significant case study when it comes to the construction of ... [more ▼]

This paper investigates the role of industry in the invention of a national landscape in Luxembourg between 1900 and 1940. Luxembourg is a significant case study when it comes to the construction of national identity, because it gained its independence (1890) not through revolution but was attributed the status of nationhood by the decision of the major European political powers. The period under investigation is also characterised by immense industrial expansion: in the course of a few decades, Luxembourg moved from a rural subordinate state to a major economic power. Focusing on landscape-writings addressed to a native audience, this paper examines the nexus of the economy, the arts and politics, arguing that writers integrated representations of industrial processes into the discourse of national identity in order to assert Luxembourg’s competence and ‘right to life’. [less ▲]

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See detailPhilinte: das Feuilleton von Nicolas Ries
Millim, Anne-Marie UL

in Lesch, Paul (Ed.) Le siècle du Tageblatt (2013)

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See detailThe Victorian Diary: Authorship and Emotional Labour
Millim, Anne-Marie UL

Book published by Ashgate (2013)

In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of ... [more ▼]

In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their creativity and establish themselves as authors. Their object was to manage, rather than to indulge or repress, their emotions for the purposes of perfecting their observational and critical skills. Reading these diaries as literary works in their own right, Millim analyses their crucial role in the construction of authorship. By relating these Victorian writers' diaries to their publications and to contemporary works of cultural criticism, Millim shows the multifarious ways in which diaristic practices, emotional management and professional output corresponded to experiences of the literary marketplace and to nineteenth-century codes of propriety. [less ▲]

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See detailVictorian Celebrity Culture and Tennyson's Circle
Millim, Anne-Marie UL

Book published by Palgrave (2013)

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See detailSehen lernen: Landschaftsbetrachtung und Volksbildung 1913-1940
Millim, Anne-Marie UL

in Lesch, Paul (Ed.) Le siècle du Tageblatt (2013)

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See detail„Der Blick auf den Stahl: Fortschritt und Modernismus in der luxemburgischen Lyrik 1900-1940"
Millim, Anne-Marie UL

in Hemecht : Zeitschrift für Luxemburger Geschichte = Revue d'Histoire Luxembourgeoise (2013), 1

Die wirtschaftlichen, technischen und sozialen Veränderungen, die der explosionsartige Fortschritt der luxemburgischen Stahlindustrie zwischen 1879 und den 1970er Jahren herbeiführte, stellen ein ... [more ▼]

Die wirtschaftlichen, technischen und sozialen Veränderungen, die der explosionsartige Fortschritt der luxemburgischen Stahlindustrie zwischen 1879 und den 1970er Jahren herbeiführte, stellen ein gedeihendes Forschungsfeld dar. Auch die Literaturwissenschaft hat sich mit dem Eisenhüttenwesen beschäftigt: Jeanne E. Glesener und Frank Wilhelm haben die ambivalente Rolle der Schwerindustrie, die sowohl Wohlstand als auch Verwirrung und Zerstörung brachte, insbesondere im französischsprachigen Roman hervorgehoben. Myriam Sünnen und Sandra Schmit haben die Bedeutung der Industrie für das kollektive Gedächtnis und die regionale Identität des luxemburgischen Südens deutlich gemacht. Diese Studien haben die Verbindung zwischen der Industrie als Einnahmequelle sowie als Sinnbild für den Fortschritt und die „Konstituierung des Mythos der nationalen Identität“ aufgezeigt. Mein Anliegen ist es, mit exklusivem Bezug auf die Lyrik aus der Zeit von 1900 bis 1940 zu verdeutlichen, wie sich die Thematisierung und Ästhetisierung der Industrie in die Literaturgeschichte einfügt. Im Hinblick auf eine keineswegs erschöpfende Auswahl von traditionellen, modernistischen und avantgardistischen Gedichten, sowie Beispielen aus der Arbeiterdichtung, die sich mit den Themenbereichen Heimat, Natur, Himmelsbild und Industrie befassen, wird mein Artikel ästhetische Repräsentationen des Fortschrittsgedankens untersuchen und die Rolle der Industrie in der Bildersprache der Dichtung hervorheben. In diesem Sinne wird argumentiert, daβ modernistische Dichter poetische Darstellungen und Verarbeitungen industrieller Themen wählten, um sich von der vorherrschenden, sehr naturbezogenen Heimatthematik abzuheben. [less ▲]

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See detailRezension: Le diable aux champs : simple histoire / Nicolas Ries ; présenté et commenté par Jacques Steffen
Millim, Anne-Marie UL

in Hemecht : Zeitschrift für Luxemburger Geschichte = Revue d'Histoire Luxembourgeoise (2013), 65(4), 483-485

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See detailFrantz Clément als Kulturvermittler
Millim, Anne-Marie UL

in Lesch, Paul (Ed.) Le siècle du Tageblatt (2013)

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See detailBook review of Norbert Bachleitner Fiktive Nachrichten. Die Anfänge des europäischen Feuilletonromans
Millim, Anne-Marie UL

in Zeitschrift für Interkulturelle Germanistik (2012), 3(2), 182-184

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See detailThe Victorian Diary: Between the Public and the Private
Millim, Anne-Marie UL

in Literature Compass (2010), 7(10),

By presenting a range of diaristic texts composed by canonical Victorian writers, this article illustrates the variety of forms that Victorian diaries take and shows the ways in which these documents can ... [more ▼]

By presenting a range of diaristic texts composed by canonical Victorian writers, this article illustrates the variety of forms that Victorian diaries take and shows the ways in which these documents can adopt the status of a public and a private text simultaneously. It explains the repercussions of the critical assessments of the diary genre by New Criticism and feminism, which have privileged aesthetically meritorious diaries and those of women, respectively, for the field of Victorian diary criticism. It argues that the more inclusive approach of Philippe Lejeune represents a useful alternative to interpretative strategies that are exclusively preoccupied with the literary form of a diary or the gender of its author. Many diary scholars have been influenced by Lejeune’s work because it highlights the heteroglossic diversity that is characteristic of Victorian diaries, which, in turn, allows for a clearer understanding of the subjective experience of Victorian individuals and the ways in which they negotiated their value within the cultural context of the nineteenth century. [less ▲]

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See detailThe Apothecary’s Chest: Magic Art and Medication
Millim, Anne-Marie UL; Collignon, Fabienne; Georganta, Konstantina

Book published by Cambridge Scholars Press (2009)

Detailed reference viewed: 98 (2 UL)