Krise der Öffentlichkeit? : Einige Überlegungen zur Situation der Medien in der Gegenwart

Article for general public (2019)

Was ist ein Schurke (Shakespeare, "Richard III", Schiller, "Die Räuber")?

Presentation (2018, November)

Vue sur la scène politique: "House of Cards"

Conference given outside the academic context (2018)

Der Geschmack längst vergangener Zeiten : In Peter Handkes "Die Obstdiebin" stehen die kleinen Begebenheiten im Fokus

in Literaturkritik.de (2018)

Nordhühner und Südhühner : NS-Rassenideologie auf dem Hühnerhof

in Literaturkritik.de (2018)

Aktualisierung und Distanzierung des 'Helden' : Transformationen des Heroischen bei Fustel de Coulanges, Carlyle und Hegel

in Interférences Littéraires (2018), 22

Grotesque humour and undignified Life in Yu Hua’s novels

Scientific Conference (2017, July)

Yu Hua’s novels, especially "To Live" (活着) und "Brothers" (兄弟), are characterized by their preference for grotesque scenes in which protagonists face situations of humiliation and degradation. In ... [more ▼]

Yu Hua’s novels, especially "To Live" (活着) und "Brothers" (兄弟), are characterized by their preference for grotesque scenes in which protagonists face situations of humiliation and degradation. In "Brothers", the protagonist Song Gang has to undergo a surgery and becomes provided with female breasts, in order to promote an ointment for breast augmentation. According to Mikhail Bakhtin, the deformation of the human body is typical for grotesque humor (as can be shown in Rabelais). Bakthin's description of grotesque humor, however, reveals a certain affinity towards totalitarian politics, and this is certainly true also for Yu Hua. In his novels, grotesque Humor is associated with a political situation in which human dignity is constantly getting undermined. As Yan Lianke puts it, living in modern china is categorically "without dignity": This statement is confirmed in Yu Hua’s novels. The texts deal with the protagonists’ search for dignity, and at the same time they explore the possibility of critical writing under conditions of political control. [less ▲]

Werkimmanente Intertextualität bei Peter Handke : Selbstzitat, -fortschreibung, -kommentar und -parodie

Scientific Conference (2017, March)

Weltliteratur und das Missverstehen des Romans : Orhan Pamuks »Masumiyet Müzesi«

in Colloquium Helveticum: schweizer Hefte fuer allgemeine und vergleichende Literaturwissenschaft (2017), 46

The notion of world literature is often understood as a global distribution of literary forms and structures from Europe to the rest of the globe. Under the premise that non-European literatures don't ... [more ▼]

The notion of world literature is often understood as a global distribution of literary forms and structures from Europe to the rest of the globe. Under the premise that non-European literatures don't just reproduce European forms, but reinterpret and change them in the process of adaptation, world literature can be defined as a "productive misunderstanding". This article attempts to show that Orhan Pamuk's novel "Masumiyet Müzesi" ("Museum of Innocence") is in this sense a productive appropriation of European forms of the novel. Pamuk's novel is a narration about the modernization of Turkey in the 20th century, which is depicted as a chain of faulty imitation that nevertheless creates something new. Similarly, the "Museum of Innocence" is characterized by an abundance of intertextual relations to the tradition of European novel (e.g., to Proust's texts), which, however creates a "productive misunderstanding". [less ▲]

"A Noble Animal" : Animalische und andere Tiere in D. H. Lawrence' "St. Mawr"

in Doll, Martin; Kohns, Oliver (Eds.) Politische Tiere : Zoologie des Kollektiven (2017)