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See detailMaterializing Memories. Dispositifs, Generations, Amateurs
Fickers, Andreas UL; Aasman, Susan; Wachelder, Joseph

Book published by Bloomsbury (2018)

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as ... [more ▼]

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siècle to today. Departing from a longue durée perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. [less ▲]

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See detailGenerational Conflicts, the Spirit of ‘68 and Cultural Emancipation in the German Speaking Community of Belgium. A Historical Essay About the ‘73 Generation
Fickers, Andreas UL

in Venken, Machteld (Ed.) Borderland Studies Meets Child Studies. A European Encounter (2017)

‘Changes were in the air’ – is perhaps the best way to describe the social mood at the end of the 1960s and the beginning of the 1970s. On the international stage, the gap between the post-war generation ... [more ▼]

‘Changes were in the air’ – is perhaps the best way to describe the social mood at the end of the 1960s and the beginning of the 1970s. On the international stage, the gap between the post-war generation, known as the ‘baby boomers’ and the generation that had experienced World War II as adolescents or young adults came to light in the form of student protests, anti-war movements and new concepts of life. It is scarcely a coincidence that there were protests in eastern Belgium too at this time. What were the ‘young wild ones’ protesting against in the German speaking region of Belgium? Based on a generational approach, this article aims at contextualizing the autonomy-debate in the late 1960s and early 1970s by focusing on a historical investigation into a few young people in the Eifel region that would strike new political tones with lasting influence on the political landscape as well as on the social or cultural environment of eastern Belgium. [less ▲]

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See detailTable ronde conclusive | Conclusive Round Table
Fickers, Andreas UL

Speeches/Talks (2017)

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See detailHybrid Histories: Versuch einer kritischen Standortbestimmung der Mediengeschichte
Fickers, Andreas UL

Presentation (2017, November 23)

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See detailEntre vérité et dire du vrai. Ein geschichtstheoretischer Grenzgang
Fickers, Andreas UL

in Fickers, Andreas (Ed.) Jeux sans frontières? Grenzgänge der Geschichtswissenschaft (2017)

This article reflects on the borderline between factual and fictional storytelling in history, arguing that the different narrative formats of historical storytelling are based on narrative conventions ... [more ▼]

This article reflects on the borderline between factual and fictional storytelling in history, arguing that the different narrative formats of historical storytelling are based on narrative conventions that play with rhetorical and stylistic strategies of authentification and objectivation. [less ▲]

Detailed reference viewed: 285 (9 UL)
See detailEinleitung
Fickers, Andreas UL; Haude, Rüdiger; Krebs, Stefan UL et al

in Fickers, Andreas; Haude, Rüdiger; Krebs, Stefan (Eds.) et al Jeux sans Frontières? - Grenzgänge der Geschichtswissenschaft (2017)

Detailed reference viewed: 209 (16 UL)
See detailJeux sans Frontières? - Grenzgänge der Geschichtswissenschaft
Fickers, Andreas UL; Haude, Rüdiger; Krebs, Stefan UL et al

Book published by transcript (2017)

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See detailTechnologien der Deplatzierung im Zeitalter der mobilen Privatisierung
Fickers, Andreas UL

Presentation (2017, October 06)

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See detailPre-Conference Workshop #3 : Experimental Media Archaeology
Fickers, Andreas UL

Presentation (2017, June 28)

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See detailRecording a Binaural Radio Drama About the History of Binaural Sound Recording
Fickers, Andreas UL

Presentation (2017, February 03)

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See detailColloque international « Questions sur l’avenir du travail de mémoire »
Fickers, Andreas UL

Presentation (2017, January 20)

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See detailEntrevista com Andreas Fickers
Fickers, Andreas UL

in Z Cultural : Revista do programa avanca de cultura contemporanea (2017), 1(2),

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See detailDigitale Metaquellen und doppelte Reflexivität
Fickers, Andreas UL

Article for general public (2016)

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See detailLooking East–Watching West? On the Asymmetrical Interdependencies of Cold War European Communication Spaces
Fickers, Andreas UL

in Bönker, Kirsten; Obertreis, Julia; Grampp, Sven (Eds.) Television Beyond and Across the Iron Curtain (2016)

Detailed reference viewed: 311 (15 UL)
See detailIndustrialisierung und revolutionäre Bewegungen. Zwischen Fortschrittsglauben und Modernisierungsängsten
Fickers, Andreas UL; Lejeune, Carlo; Ruland, Herbert

in Lejeune, Carlo (Ed.) Code Civil, beschleunigte Moderne und Dynamiken des Beharrens im langen 19. Jahrhundert (2016)

Detailed reference viewed: 241 (10 UL)
See detailZeit-Räume im langen 19. Jahrhundert. Erfahrungen von Verdichtung, Beschleunigung und Beharrung
Fickers, Andreas UL; Brüll, Christoph

in Lejeune, Carlo (Ed.) Code Civil, beschleunigte Moderne und Dynamiken des Beharrens im langen 19. Jahrhundert (2016)

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See detailTowards an Archaeology of Television
Fickers, Andreas UL; Weber, Anne-Katrin

in Journal of European Television History and Culture (2015), 4(7), 1-6

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See detailHands-on! Plädoyer für eine experimentelle Medienarchäologie
Fickers, Andreas UL

in Technikgeschichte (2015), 82(1), 67-85

Inspired by experiences with doing experimental research in the fields of history of science, archaeology and musicology this essay aims at reflecting on the heuristic potential of experimental media ... [more ▼]

Inspired by experiences with doing experimental research in the fields of history of science, archaeology and musicology this essay aims at reflecting on the heuristic potential of experimental media archaeology for a history of technology interested in the sensorial dimension of technology. Based on the concept of re-enactment, experimental media archaeology tries to explore new ways of experiencing and understanding the materiality of media technologies by interacting with these objects in a playful manner. In order to do so, the article argues, we need to de-auratize historical objects and turn the historian – which to often remains within the textual realm when studying the past media practices – into an experimenter and the museum into a laboratory. Ziel dieses Essays ist es, experimentelle Medienarchäologie als alternative Methode einer sinnes- und objektorientierten Technik- und Mediengeschichtsschreibung zu skizzieren. Basierend auf den Erfahrungen im Bereich experimenteller Wissenschaftsgeschichte, der experimentellen Archäologie sowie der historisch informierten Aufführungspraxis in der Musik soll das erkenntnistheoretische Potenzial eines objekt- und sinnesorientierten experimentellen Zugangs im Bereich der Medien- und Technikgeschichte diskutiert werden. In bewusster Abgrenzung von klassischen medienarchäologischen Arbeiten, deren methodologisches Repertoire sich meist in der Diskursanalyse erschöpft, zielt die experimentelle Medienarchäologie auf eine spielerische Heuristik, in deren Mittelpunkt die Methode des „re-enactment“ steht. [less ▲]

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