References of "Fickers, Andreas 50001786"
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See detailKey Note : Für eine digitale Hermeneutik in den Geisteswissenschaften
Fickers, Andreas UL

Presentation (2018, May 29)

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See detailMedia History in the Age of “Deep Mediatization”
Fickers, Andreas UL

Presentation (2018, May 25)

Detailed reference viewed: 28 (1 UL)
See detailEischte Weltkrich
Scuto, Denis UL; Fickers, Andreas UL; Camarda, Sandra UL

Computer development (2018)

The digital exhibition Éischte Weltkrich: Remembering the Great War in Luxembourg is a project developed by the C2DH, the Luxembourg Centre for Contemporary and Digital History at the University of ... [more ▼]

The digital exhibition Éischte Weltkrich: Remembering the Great War in Luxembourg is a project developed by the C2DH, the Luxembourg Centre for Contemporary and Digital History at the University of Luxembourg, with the aim of addressing an important but neglected and understudied period in the country’s history, the First World War. Supported by the Ministry of State and drawing on the collections and expertise of some of the major Luxembourg museums, archives and cultural institutions, the project has progressively deepened and widened its scope, aspiring to become a long-term digital resource. The website is designed to engage a broad base of users with varying interests and degrees of expertise. It offers four independent but interconnected modes of navigation: a thematic, story-driven mode; a digital archive; an interactive geo-referenced map and a timeline. Additional sections of the website contain educational pages for schools and downloadable academic articles. The overall structure of the exhibition remains flexible and open so that it can be constantly enriched with new material, whether provided by institutions or crowdsourced. [less ▲]

Detailed reference viewed: 60 (19 UL)
See detailLa culture à la télévision
Fickers, Andreas UL

Presentation (2018, March)

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See detailKino, Radio und Zeitung als Taktgeber. Information, Unterhaltung und Propaganda im Zeitalter der Massenmedien
Fickers, Andreas UL; Sproten, Vitus UL; Beck, Philippe

in Brüll, Christoph; Lejeune, Carlo; Quadflieg, Peter (Eds.) Staatenwechsel, Identitätskonflikte, Kriegserfahrungen (1919-1945). (2018)

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See detailDoing Experimental Media Archaeology. Epistemological and Methodological Reflections on Experiments with Historical Objects of Media Technologies
Fickers, Andreas UL; van den Oever, Annie

in Goodall, Mark; Roberts, Ben (Eds.) New Media Archaeologies (2018)

The aim of this chapter is to outline experimental media archaeology as an alternative method to a sense and object-oriented technology and media historiography. The epistemological potential of an object ... [more ▼]

The aim of this chapter is to outline experimental media archaeology as an alternative method to a sense and object-oriented technology and media historiography. The epistemological potential of an object and sense-oriented experimental access to the fijield of the history of media and technology will be discussed here on the basis of experiences in the history of science and historically informed music performances. The heart of the chapter is formed by a discussion of a series of media archaeological experiments executed by the authors in search for alternative ways to draft historical statements on past media practices. In these experiments, they focus on the materiality of past-media devices, beyond their function as sign and evidence of the past, and on the heuristic possibilities offfered by an experimental approach to these devices. [less ▲]

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See detail"Hybrid Histories". Versuch einer kritischen Standortbestimmung der Mediengeschichte
Fickers, Andreas UL

in Annali dell'Istituto Storico Italo-Germanico in Trento = Jahrbuch des Italienisch-Deutschen Historischen Instituts in Trient (2018), 44(1), 117-132

This article aims at offering a historiographical sketch of the emergence and development of media history as a sub-discipline of historical research. By retracing important disciplinary traditions and by ... [more ▼]

This article aims at offering a historiographical sketch of the emergence and development of media history as a sub-discipline of historical research. By retracing important disciplinary traditions and by reflecting on the impact that various "turns" in humanities had on media historical scholarship, the author identifies central concepts, methodological approaches, and thematic focal points that characterize the field. Finally, new challenges of doing media history in the digital age - such as transmedia storytelling and media convergence are discussed. [less ▲]

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See detailHow to grasp historical media dispositifs in practice?
Fickers, Andreas UL

in Fickers, Andreas; Aasman, Susan; Wachelder, Joseph (Eds.) Materializing Memories. Dispositifs, Generations, Technologies (2018)

This chapter introduces the concept of experimental media archaeology and asks how hands-on experiments with old media technologies allow to grasp the meaning of past media practices.

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See detailKompromissgeschichte serviert auf dem "tablet": Das Haus der europäischen Geschichte in Brüssel
Fickers, Andreas UL

in Zeithistorische Forschungen (2018), 15

The article offers a critical review of the new "House of European History" in Brussels.

Detailed reference viewed: 54 (4 UL)
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See detailIntroduction
Fickers, Andreas UL; Aasman, Susan; Wachelder, Joseph

in Fickers, Andreas; Aasman, Susan; Wachelder, Joseph (Eds.) Materializing Memories. Dispositifs, Generations, Technologies (2018)

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as ... [more ▼]

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siècle to today. Departing from a longue durée perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. [less ▲]

Detailed reference viewed: 32 (3 UL)
See detailPer un’archeologia dei media sperimentale. Note epistemologiche e metodologiche sugli esperimenti con le tecnologie mediali del passato
Fickers, Andreas UL; van den Oever, Annie

in Fidotta, Guiseppe; Mariani, Andrea (Eds.) Plexus 1: Archeologia dei media Temporalità, materia, tecnologia. (2018)

Detailed reference viewed: 38 (5 UL)
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See detail“On the road again”: An Experimental Media Archaeology journey to the origins of transnational television in Europe
Fickers, Andreas UL; O'dwyer, Andy UL

in Journal of European Television History and Culture (2018), 8(13),

This video documents the authors’ journey back to the origins of transnational television in Europe. Inspired by the idea of experimental media archaeology (EMA), the trip to original locations of the ... [more ▼]

This video documents the authors’ journey back to the origins of transnational television in Europe. Inspired by the idea of experimental media archaeology (EMA), the trip to original locations of the transnational media event known as ‘Paris-week’ in 1952 illustrates a new approach to media historiography, which aims to sensitize television historians for the material remains, topography and physical spaces of early television transmissions. Readers /viewers are invited to watch the different episodes of the authors’ journey by clicking on the figures. [less ▲]

Detailed reference viewed: 100 (19 UL)
See detailMaterializing Memories. Dispositifs, Generations, Amateurs
Fickers, Andreas UL; Aasman, Susan; Wachelder, Joseph

Book published by Bloomsbury (2018)

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as ... [more ▼]

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siècle to today. Departing from a longue durée perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. [less ▲]

Detailed reference viewed: 96 (11 UL)
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See detailGenerational Conflicts, the Spirit of ‘68 and Cultural Emancipation in the German Speaking Community of Belgium. A Historical Essay About the ‘73 Generation
Fickers, Andreas UL

in Venken, Machteld (Ed.) Borderland Studies Meets Child Studies. A European Encounter (2017)

‘Changes were in the air’ – is perhaps the best way to describe the social mood at the end of the 1960s and the beginning of the 1970s. On the international stage, the gap between the post-war generation ... [more ▼]

‘Changes were in the air’ – is perhaps the best way to describe the social mood at the end of the 1960s and the beginning of the 1970s. On the international stage, the gap between the post-war generation, known as the ‘baby boomers’ and the generation that had experienced World War II as adolescents or young adults came to light in the form of student protests, anti-war movements and new concepts of life. It is scarcely a coincidence that there were protests in eastern Belgium too at this time. What were the ‘young wild ones’ protesting against in the German speaking region of Belgium? Based on a generational approach, this article aims at contextualizing the autonomy-debate in the late 1960s and early 1970s by focusing on a historical investigation into a few young people in the Eifel region that would strike new political tones with lasting influence on the political landscape as well as on the social or cultural environment of eastern Belgium. [less ▲]

Detailed reference viewed: 173 (12 UL)
See detailTable ronde conclusive | Conclusive Round Table
Fickers, Andreas UL

Speeches/Talks (2017)

Detailed reference viewed: 19 (0 UL)
See detailHybrid Histories: Versuch einer kritischen Standortbestimmung der Mediengeschichte
Fickers, Andreas UL

Presentation (2017, November 23)

Detailed reference viewed: 22 (0 UL)
See detailEntre vérité et dire du vrai. Ein geschichtstheoretischer Grenzgang
Fickers, Andreas UL

in Fickers, Andreas (Ed.) Jeux sans frontières? Grenzgänge der Geschichtswissenschaft (2017)

This article reflects on the borderline between factual and fictional storytelling in history, arguing that the different narrative formats of historical storytelling are based on narrative conventions ... [more ▼]

This article reflects on the borderline between factual and fictional storytelling in history, arguing that the different narrative formats of historical storytelling are based on narrative conventions that play with rhetorical and stylistic strategies of authentification and objectivation. [less ▲]

Detailed reference viewed: 200 (8 UL)
See detailJeux sans Frontières? - Grenzgänge der Geschichtswissenschaft
Fickers, Andreas UL; Haude, Rüdiger; Krebs, Stefan UL et al

Book published by transcript (2017)

Detailed reference viewed: 343 (34 UL)
See detailEinleitung
Fickers, Andreas UL; Haude, Rüdiger; Krebs, Stefan UL et al

in Fickers, Andreas; Haude, Rüdiger; Krebs, Stefan (Eds.) et al Jeux sans Frontières? - Grenzgänge der Geschichtswissenschaft (2017)

Detailed reference viewed: 159 (16 UL)