Reference : Bards of Prayer: Liturgical Reveling and Gift in the Music of Sam Amidon and Alasdair...
Scientific journals : Article
Arts & humanities : Literature
Arts & humanities : Performing arts
Arts & humanities : Religion & theology
http://hdl.handle.net/10993/11593
Bards of Prayer: Liturgical Reveling and Gift in the Music of Sam Amidon and Alasdair Roberts
English
Nail, Brian mailto [University of Luxembourg > Faculty of Law, Economics and Finance (FDEF) > Law Research Unit >]
2013
Literature and Theology
Oxford University Press
Yes (verified by ORBilu)
International
0269-1205
1477-4623
Oxford
United Kingdom
[en] religion ; gift ; Derrida ; folk music ; post-secular ; liturgical
[en] This article examines cultural manifestations of the sacred in the work of the indie-folk artists Sam Amidon and Alasdair Roberts. It places Jean-Yves Lacoste and Jacques Derrida’s contrasting conceptions of religious experience into conversation with one another through a discussion of the ways in which the creative practices of Amidon and Roberts draw into question distinctions between religious and secular experience. By focusing on the role of the musician as bard, this article highlights the extent to which the folk artist occupies a liminal space on the borders between religion and secularity. Consequently, it argues that the creative practices of Amidon and Roberts may serve as a model for articulating a more productive relationship between religious and secular life in what may currently be regarded as a post-secular age.
Researchers ; Students ; General public
http://hdl.handle.net/10993/11593
10.1093/litthe/frt036

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