References of "Kräussl, Roman 50002133"
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See detailSingle Stock Call Options as Lottery Tickets: Overpricing and Investor Sentiment
Kräussl, Roman UL; Luiz, Félix; P, Stork

in Journal of Behavioral Finance (2019)

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See detailReliability and Relevance of Fair Values: Private Equity Investments and Investee Fundamentals
Ferreira, Petrus; Landsman, Wayne R.; Nykyforovych, Maria et al

in SSRN Electronic Journal (2019)

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See detailSignaling or Marketing? The Role of Discount Control Mechanisms
Kräussl, Roman UL; Stefanova, Denitsa UL; Joshua, Pollet

Scientific Conference (2019)

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See detailThe Subsidy to Infrastructure as an Asset Class*
Kräussl, Roman UL; Andonov, Aleksandar; Rauh, Joshua

E-print/Working paper (2018)

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See detailSignaling or Marketing? The Role of Discount Control Mechanisms
Kräussl, Roman UL; Polletc, Joshua; Stefanova, Denitsa UL

E-print/Working paper (2018)

Detailed reference viewed: 47 (2 UL)
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See detailThe Performance of Marketplace Lenders:
Kräussl, Roman UL; Kräussl, Zsofia UL; Pollet, Joshua et al

E-print/Working paper (2018)

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See detailReliability and Relevance of Fair Values: Private Equity Investments and Investee Fundamentals
Kräussl, Roman UL; Ferreira, Petrus; R. Landsman, Wayne et al

E-print/Working paper (2018)

Detailed reference viewed: 55 (2 UL)
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See detailBlockchain, Fractional Ownership, and the Future of Creative Work
Kräussl, Roman UL; Whitaker, Amy

E-print/Working paper (2018)

While record-making prices at art auctions receive headline news coverage, artists typically do not receive any direct proceeds from those sales. Early-stage creative work in any field is perennially ... [more ▼]

While record-making prices at art auctions receive headline news coverage, artists typically do not receive any direct proceeds from those sales. Early-stage creative work in any field is perennially difficult to value, but the valuation, reward, and incentivization for artistic labor are particularly fraught. A core challenge in studying the real return on artists’ work is the extreme difficulty accessing data from when an artwork was first sold. Galleries keep private records that are difficult to access and to match to public auction results. This paper, for the first time, uses archivally sourced primary market records, for the artists Jasper Johns and Robert Rauschenberg. Although this approach restricts the size of the data set, this innovative method shows much more accurate returns on art than typical regression and hedonic models. We find that if Johns and Rauschenberg had retained 10% equity in their work when it was first sold, the returns to them when the work was resold at auction would have outperformed the US S&P 500 by between 2 and 986 times. The implication of this work opens up vast policy recommendations with regard to secondary art market sales, entrepreneurial strategies using blockchain technology, and implications about how we compensate creative work. [less ▲]

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See detailSignaling or Marketing? The Role of Discount Control Mechanisms
Kräussl, Roman UL; Stefanova, Denitsa UL; Pollet, Joshua

Scientific Conference (2018)

Detailed reference viewed: 45 (1 UL)
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See detailThe Search for Yield: Implications to Alternative Investments
Lehnert, Thorsten UL; Kräussl, Roman UL; Rinne, Kalle UL

in Journal of Empirical Finance (2017), 44(-), 227-236

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See detailAlternative Investments, Special Issue of the Journal of Empirical Finance
Lehnert, Thorsten UL; Kräussl, Roman UL

Book published by Elsevier (2017)

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See detailSchon einen Man Ray in der Sammlung? manager magazin. Geldanlage für Hedonisten, Portfolio,
Kräussl, Roman UL

Diverse speeches and writings (2017)

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See detailWin, Lose, or Draw? Blue-Chip Artists and the Market in 2016. Blouin Art+Auction, Databank
Kräussl, Roman UL

Diverse speeches and writings (2017)

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See detailInvestition in den 100-Millionen-Dollar-Mann. manager magazin. Geldanlage für Hedonisten
Kräussl, Roman UL

Diverse speeches and writings (2017)

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See detailArt as a Long-Term Investment. Blouin Art+Auction Databank
Kräussl, Roman UL

Diverse speeches and writings (2017)

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See detailThe Good, the Bad, the Ugly. Blouin Art+Auction Databank
Kräussl, Roman UL

Diverse speeches and writings (2017)

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See detailDie Spekulationsblase ist geplatzt. manager magazin, Geldanlage, Portfolio
Kräussl, Roman UL

Diverse speeches and writings (2017)

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See detailUnd es hat Peng gemacht – MM Kunstindex. manager magazin, Special Report, Portfolio
Kräussl, Roman UL

Diverse speeches and writings (2017)

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See detailThe Art Market in 2016. Blouin Art+Auction, Databank
Kräussl, Roman UL

Diverse speeches and writings (2017)

Detailed reference viewed: 5 (0 UL)